Beatles News
The late Beatles member John Lennon was a father to two kids, Julian and Sean Lennon. He welcomed his younger son, Julian, in 1963 with his first wife, Cynthia Lennon. He then welcomed son Sean in 1975 with second his second wife, Yoko Ono.
While rockstars can certainly become overnight sensations these days, no stardom was quite as memorable as The Beatles craze in the 1960s. Together, the foursome comprised of John Lennon, Paul McCartney, George Harrison, and Ringo Starr made music, rock, and British history.
But while their songs like “Here Comes the Sun” and “Let It Be” will live on, the members’ legacy also lives on through their kids. That’s especially the case for John, who was tragically shot and killed on December 8, 1980. He was only 40 years old at the time.
John was a father to two children, Julian Lennon, who was born in 1963 to John and his first wife Cynthia Lennon, and Sean Lennon, born in 1975 to him and his second wife, Yoko Ono. While having very different relationships with their father, both children have carried on with the family name and followed in their dad’s famous musical footsteps.
When asked about being the “custodian” of his dad’s legacy in a December 2025 interview with CBS News, for instance, Sean embraced the title, while acknowledging how universal his dad’s music was. “Yeah, technically [I am], but obviously the world is also the custodian of his legacy, I would say,” he said. “I’m just doing my best to help make sure that the younger generation doesn’t forget about The Beatles and John and Yoko. That’s how I look at it.”
Of course, carrying on the family name also brought along some pressure. “It had always been, ‘John Lennon’s son, John Lennon’s son,’ and I’m going, ‘For f’s sake.’ I said, what I need to do for me, first and foremost, is to build up a body of work, a foundation that I can stand on, that nobody can take away from me,” Julian told The Guardian in January 2025. “And I continue to do so. It’s not to show off, it’s just to prove to myself that I can actually do this stuff.”
Source: instyle.com/Giovana Gelhoren
Paul McCartney and Ringo Starr are set for a rare onstage reunion in 2027 for Joe Walsh‘s VetsAid music festival. The two Beatles will join Eagles’ guitarist Joe Walsh for a special performance at his VetsAid music festival at Las Vegas’ MGM Grand Garden Arena on Jan. 29.
McCartney and Starr last performed together during Macca’s final Got Back concert in December 2024 in London. Starr appeared for that show’s finale and provided drums for “Sgt. Pepper’s Lonely Hearts Club Band” and “Helter Skelter.”
“Give it up. I’m off now, but I’ve had a great night,” Starr said at the time. “It’s fantastic, playing with me old mate, but there comes a time when we’ve got to go home. All that remains to be said, I’ll see you next time.” That next time appears to be here.
“Having spent the past two years at the Sphere and working with the hardworking people of Las Vegas, I want to show them my gratitude and respect,” Walsh said in a statement. “This city has taken such good care of me and my family that it would be my privilege to give back to the large veteran community here and to their families.”
Walsh also hinted at more special appearances. “Join me on stage with my musical heroes Paul and Ringo (and more surprise guests),” he said. “Support our veterans and support each other.” The rest of the current lineup boasts performances from the Killers, the War on Drugs, St. Vincent, and Lucius.
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Tickets for VetsAid 2027 go on sale this Friday, Nov. 13 at 10:00 a.m. PT via AXS. Sans taxes and fees, tickets will cost $200, but veterans have access to exclusive tickets and pricing. All net proceeds from the festival will go toward veteran-related charities coordinated with the Combined Arms Institute. More information is available at the VetsAid official website.
Starr released his 22nd solo album, Long Long Road, this spring. Around the same time, McCartney released his 20th solo album, The Boys of Dungeon Lane, which included the Starr-studded song “Home to Us.”
Source: rollingstone.com/Jaeden Pinder
When we imagine The Beatles in 1964, we typically think of four suit-clad lads from Liverpool named John, Paul, George and Ringo. And while this would normally be correct under normal circumstances, that’s not the lineup the United States Beatle-lovers were dancing along to in the spring of that year. This particular lineup consisted of John, Paul, and George, of course, but it also featured Andy White.
White was a prolific session drummer whom many will recognize, even if not by name. That’s because White performed on some of the most iconic pop cuts of the early 1960s, including The Beatles’ early 60s hit song, “Love Me Do”. White was also the drummer on this single’s B-side, “P.S. I Love You”. At the time of the recording session at EMI, Ringo Starr’s position in the group was less permanent.
A version of “Love Me Do” existed with Pete Best, the band’s original drummer, behind the kit. Starr also recorded a version. Neither of these takes was deemed suitable by producer George Martin, thus, White was called in to get the job done.
Andy White Played Drums on Several Iconic Pop Hits
Andy White was only “in” The Beatles for a short amount of time, and he received no royalties for the track. His payment began and ended in the recording studio that day. Nevertheless, he plays a critical percussive role in Beatles history. Indeed, it was White’s performance that ended up on most releases of “Love Me Do” and “P.S. I Love You”, though subsequent compilation releases have also included Pete Best’s and Ringo Starr’s versions.
In addition to his brief tenure with the Fab Four, White also performed on tracks by Herman’s Hermits, Lulu, and Tom Jones. He later moved to the States and became a drum instructor and a judge for the Eastern United States Pipe Band Association. Interestingly (perhaps mostly to younger millennials), White’s wife, Thea White, voiced Muriel in the Cartoon Network show, Courage The Cowardly Dog.
White died on November 9, 2015, from a stroke. He was living in Caldwell, New Jersey, and was 85.
Source: americansongwriter.com/Melanie Davis
In the mid-1980s, Michael Jackson and I were hanging out, and he asked me for career advice. I said, “Okay, three things: First of all, get yourself a really good manager. You’re really hot now, there’s going to be a lot of money coming in, and you really need someone to help you manage it. Second, think about getting into videos.” (Shortly after that, he did “Thriller,” so I thought that was cool, he took my advice.) Then I said, “And finally, be careful about your songs—own your work—and get into song publishing.” And he said, “Oh, I’m going to get yours!” I kind of laughed; I didn’t think he was serious. But he was.
It all goes back to the very beginning of the Beatles, when we signed the music publishing contract. We didn’t care what it was: We were just like any other writers; we wanted to get published. It turned out to be basically a slave contract; no matter how successful we made the company, we didn’t get a raise. After John died, I talked to Sir Lew Grade, who owned Northern Songs, the company that held our publishing rights. I said, “Lew, if you’re ever going to sell Northern Songs, you’ve got to come to me first.” He said, “I’m never going to sell.” And I said, “Fair enough. But if you do, come to me first.” He later came to me and said, “Yeah, I am selling it—for $20 million.” I said, “Okay, I think that’s a fair valuation.”
But I didn’t want to be the guy who bought John out. So I went to John’s people, and I said, “We’ve got this opportunity to buy Northern Songs, finally. It’s $20 million. And so that’s $10 million from me, $10 million from you. And we should do this, what do you think?” The response: “Oh, no, we can get it for $4 million.” I said, “I’m not sure about that.” It ended up falling through, and Michael later ended up buying it off this Australian guy Robert Holmes à Court for $47.5 million. I wasn’t willing to pay that much for my own songs. It’s difficult, when you’ve written them for nothing, to pay $50 million to get them back.
It’s so important to have good people around you. That’s why I’m anywhere near this list. My lawyers, John and Lee Eastman, are really smart, both great guys, and I listen to them. In recent years, they’ve helped me recover my copyrights. (There’s a U.S. law that allows me to get them back.) If I’m wheeling and dealing, life becomes very difficult for me. I’ve got to reserve a portion of my brain for writing songs.
Source: forbes.com/Forbes Wealth Team
Anna Sawai is "so terrified" of one thing regarding the upcoming, highly-anticipated biopic about The Beatles.
The Shogun actress will portray Yoko Ono opposite Harris Dickinson as John Lennon in director Sir Sam Mendes' upcoming four-film biopic series.
She feels honoured to be cast as the visual artist but she's wary of accidentally letting slip any secrets about the project.
Anna told Sunday Times Style magazine, “I’m so terrified to spill anything that’s not out there yet. The Beatles have been a part of my life for the longest time — it’s kind of mind-blowing I’m in a film about them.”
Referencing a Japanese term, manzoku, which means fulfilment, she added, “Playing [Yoko] will be very, very manzoku — satisfying — if I can do it right.”
Over the years, Yoko has been vilified for her alleged role in splitting up The Beatles, and Anna admitted speaking to the artist's son, Sean Lennon, for insight, as well as doing her own research, has made the project a "little bit more personal" for her after growing to understand the racism and misogyny that followed her.
She said, “I already had an idea of it [but now] it felt a little bit more personal.”
"It feels so wrong [that she was treated that way], and I feel like the storytelling will be a version that people haven’t seen. People are open to diversity now and are a little bit more welcoming, so I think it’ll be perceived in a different way,” Anna explained.
The 34-year-old actress also previously hailed Yoko as hugely inspirational to her, telling PEOPLE magazine, "It's just exciting because [Ono’s] story is so inspirational to me, and people really don't know the true person that she was.”
"She's an incredible artist. And also, she just was an independent woman and people didn't like that. They wanted John [Lennon] for themselves, and she was an easy target. And I think it's very meaningful for me to be able to tell her story,” she added.
Commenting on what she loved most about Yoko, Anna said, "Just how bold she is. Oh my God, I love her. She's so cool."
Source: thenews.com.pk/Sadaf Naushad
Paul McCartney will release The Boys of Dungeon Lane Special Edition on 9 December 2026. The physical edition adds four recordings to the album, including a new mix involving Ringo Starr. The Boys of Dungeon Lane expands with four McCartney recordings.
The Special Edition adds the tracks City Fox, One Night Stand and Chelsea Boots, plus a new version of Home To Us. The revised duet changes the arrangement of the vocal parts performed by McCartney and Starr.
The physical release is scheduled for 9 December 2026 on CD and 2LP. The artist’s official release notice lists a limited orange-and-blue marble vinyl edition with a zoetrope etching. A German release report also places the CD and double-vinyl editions on that date.
Paul McCartney connects the new edition with Liverpool.
McCartney is a Liverpool-born singer, songwriter and multi-instrumentalist whose career includes The Beatles, Wings and extensive solo work. Britannica’s career overview describes his work with The Beatles, the formation of Wings and his continuing solo career.
The expanded release extends a project rooted in McCartney’s memories of Liverpool. Its material looks towards childhood, early musical experiences and the period before The Beatles became internationally known. The title comes from the song Days We Left Behind, which links the album’s personal theme with the city that shaped him. The Special Edition presents an 18-track collection.
The completed Special Edition contains 18 tracks. Its four additions preserve the album’s connection to earlier sessions while broadening the set with fresh recordings and a reworked collaboration.
The release also carries new artwork adapted from a silkscreened collage by Kate Gibb. Alongside the limited 2LP, the edition is listed in CD and digital formats, giving the expanded collection several physical and listening options.
Source: ad-hoc-news./deRafael Müller
These three songs all reference The Beatles in some way. Those creative choices speak to the band’s legacy. Moreover, they help spread it. Not that this band needed any help being remembered, but every reference adds a little more prestige. These tracks make clever nods to the famous band. In return, that gives the lyrics a universality that appeals to listeners of all genres.
“Be My Yoko Ono” by Barenaked Ladies
Though not as well-known as their name-making “One Week”, this Barenaked Ladies song is beloved by fans the world over. It clearly nods to The Beatles and John Lennon’s most famous relationship. “If there’s someone you can just shove out / Well, you do so / You can be my Yoko Ono / You can follow me wherever I go,” the lyrics read.
This song points to how culturally iconic Lennon and Yoko Ono’s relationship was. We all have a picture in our minds of that pairing and what they represented to the world, especially during The Beatles’ tenure. This song uses their pop culture identity, amplifying it further.
“Black Beatles” by Rae Sremmurd Feat. Gucci Mane
This song uses The Beatles’ iconography. By positioning themselves as a sort of counterpart to the unparalleled fame this band earned in their short tenure, these artists succinctly say something about their own position in the world.
“I’m a Black beatle / Cream seats in the Regal / Rockin’ John Lennon lenses,” the lyrics read, clearly alluding to the rockers. Mentioning The Beatles signals status. Everyone, anywhere in the world, knows their prestige. Status is a familiar topic in rap music. There’s no clearer way to describe that than mentioning The Beatles. It’s a clever songwriting shorthand.
“White Ferrari” by Frank Ocean
Frank Ocean interpolated “Here, There And Everywhere” into his hit “White Ferrari.” That decision has kept The Beatles’ sonic legacy alive in younger generations who typically wouldn’t be into classic rock.
Source: americansongwriter.com/Alex Hopper
While he is most celebrated as one half of the greatest songwriting duo known to man, John Lennon’s talent as an independent lyricist is just as impressive – even before the dissolution of The Beatles. Throughout his life, he wrote prolifically. Not just songs, but poetry and prose and political essays. He existed in a constant state of creation.
John Lennon and Paul McCartney smiling Image via Instagram/@paulmccartney
5 “Revolution” (1968)
The Beatles made three versions of “Revolution”: the fast-paced, hard rock single version was first released in August 1968. The slower, bluesy version is titled “Revolution 1” and an abstract, artistic iteration called “Revolution 9” appear on The Beatles’ self-titled album, more commonly known as “The White Album.” The single version is by far the best known and the most fitting for commercial reception and radio play.
4 “Come Together” (1969)
“Come Together” is the opening track on Abbey Road, one of their most popular records. It reached number one on the Billboard Hot 100 after the album’s release in 1969. The song was inspired by nonviolent protest of the Vietnam War led by Lennon and his second wife, Yoko Ono. These protests were joined and supported by many of the big players in the counterculture movement, including many new wave politicians. One of these politicians had a campaign slogan: "Come Together – Join the Party!” The phrase stuck with Lennon, and from it, he distilled this song’s title.
3 “All You Need is Love” (1967)
“All You Need is Love” was released as a non-album single in 1967. The song was the United Kingdom’s contribution to Our World – a historic television program, the first live, multinational, multi-satellite broadcast. Artists from all over the world contributed to the program, which was available in 24 countries, but The Beatles’ performance was by far the most highly anticipated.
2 “In My Life” (1965)
Lennon thought of “In My Life” as his first “real” piece of work – despite writing and recording it halfway through The Beatles’ career. The song (and Rubber Soul, the album on which it appears) marks a departure from the more simplistic love songs the band had been producing. It was written autobiographically, based on nostalgia for his childhood in Liverpool. He wrote the lyrics in the form of a poem, initially naming specific places from his childhood before deciding on a more generalized format.
Source: Audrey Connelly/collider.com
Very few musicians get the chance to record a James Bond theme. Paul McCartney actually turned down the opportunity once. But when he accepted on the second ask, he went all-in on a massive recording.
McCartney found a comfort zone in working with one of his closest collaborators from his Beatle days. The resulting song, “Live And Let Die”, ranks extremely high in most listings of Bond themes. Macca and Martin.
Paul McCartney was first approached to do a theme song for Diamonds Are Forever, the James Bond film released in 1971. As that was a busy year for him with the formation of his new band Wings, he politely declined.
But things lined up nicely for him to tackle the job on Live And Let Die, the next Bond film. For one, it was scheduled to arrive in theaters in 1973 around the same time that McCartney was releasing Red Rose Speedway, his second album with Wings. It would offer him and his fledgling band an excellent promotional tool.
On top of that, it gave McCartney the chance to work again with George Martin, who produced the vast majority of The Beatles’ musical output. When John Barry, who normally handled the score for Bond films, was unable to take the job on Live And Let Die, Martin was hired as his replacement. Hence, it was natural for Martin to serve as producer on McCartney’s theme song.
Sorry, Thelma
Around the time of the film’s release, McCartney explained how the song’s creation went down with the help of his wife Linda (per The Beatles Bible):
“I read the Live And Let Die book in one day, started writing it that evening and carried on the next day and finished it by the next evening … I sat down at the piano, worked something out and then got in touch with George Martin, who produced it with us. Linda wrote the middle reggae bit of the song. We rehearsed it as a band, recorded it and then left it up to him.”
McCartney, his Wings bandmates, and an orchestra dashed off the song at Martin’s AIR Studios in London. Oddly enough, producers heard the finished product and assumed it was a demo. They thought of Thelma Houston as a possible artist to record the track. But Martin explained that McCartney’s version was the actual song.
Lasting Impact
“Live And Let Die” turned out to be a boon for the Bond theme collection, considering that those songs have been hit or miss throughout the years. It also delivered a big hit for Wings at a time when they needed it badly. Their first two albums weren’t that well-received. The movie theme helped turn momentum in their direction.
Source: americansongwriter.com/Jim Beviglia
The ECHO has taken a look at Peter Asher's life as a new documentary on his career arrived in UK cinemas
Peter Asher has lived one of the great showbiz stories. The child star turned pop star turned record producer was at the centre of pop culture through the latter half of the 20th century.
His remarkable life story has been told in a new documentary titled Peter Asher: Everywhere Man. Filmmakers Dan Geller and Dayna Goldfine brought the movie to Liverpool for a special screening at FACT Picturehouse on Sunday (November 1). The San Francisco couple insisted on a screening in Liverpool as Peter's contribution to the Beatles story means he is a vital part of the city's history.
Dan told the ECHO: "It's amazing to do this. There's such a connection because so much of Peter's earlier life and the propulsion behind his career comes out of the Beatles, Paul and Apple Corps." You can read the full feature interview with the directors here.
Peter was a close confidant to all the Fab Four as Paul McCartney lived in his family house after he first moved to London at the start of Beatlemania. Sir Paul was in a high profile relationship with Peter's sister, Jane Asher, and it was during this time when he broadened his artistic horizons in the counter cultural movement of the Swinging 60s.
Peter's bond with the band remained after the couple split as he was appointed the first head of A&R at Apple Corps. He also founded Indica Gallery in London, which was famous as the location where John Lennon met Yoko Ono.
However, a scene in the movie sees Peter hilariously reject the idea he was indirectly responsible for The Beatles breaking up. The 82-year-old remains as busy as ever touring his musical memoir and we have trawled our archives to find some great images from one of his showbiz's great lives.
Source: liverpoolecho.co.uk/Ryan Paton
