Beatles News
Jack Walters is a film and television journalist based in Newcastle, UK. He is a Senior Writer on Screen Rant's New Movies team, and has also published work at Loud & Clear Reviews, Next Best Picture, and ScreenSphere.
Another important casting announcement was recently unveiled for Sam Mendes' four Beatles biopics. Saoirse Ronan will officially play Linda McCartney in the four-movie cinematic event, while Anna Sawai, Aimee Lou Wood, and Mia McKenna-Bruce are reportedly circling the roles of Yoko Ono, Pattie Boyd, and Maureen Starkey, respectively.
Mendes' Beatles films will be released simultaneously in April 2028, with each movie detailing the Beatles' story from a different band member's perspective. This will be a very interesting step forward for the biopic genre, and it crucially means that certain characters will appear multiple times across the movies - so it's even more important that they're accurately cast.
8. Cynthia Lennon - Depending on which era of the Beatles' career these movies take place throughout, Cynthia Lennon will need to be present to some degree. Even if Sam Mendes decides to set his stories after John and Cynthia's breakup, there's no way to write her out of the story entirely without undermining a huge portion of Lennon's background.
7. Brian Epstein - Epstein was with the Beatles long before they were the "Fab Four", and his death had an immeasurable impact on their dynamic towards the end of the '60s. There would never have been "The Beatles" as we know them today without Epstein, so it's inevitable that he'll show up in Mendes' movies in some measure.
Source: Jack Walters/screenrant.com
Before he was known as a writer, producer and one of the world’s foremost fingerstyle guitarists, Laurence Juber spent three years, from 1978 to 1981, as a member of Wings. Prior to that, he had established himself as an in-demand London session guitarist. An invitation to jam with Wings guitarist-bassist Denny Laine soon changed into a life-changing event when Paul and Linda McCartney joined in.
After playing a few blues and reggae tunes, Paul turned to Juber and asked, “What are you doing for the next few years?”
“It was in that nanosecond that everything flashes in front of you,” Juber says. “I had spent my entire teenage years and beyond becoming a studio musician, and then there's Paul McCartney offering me a gig.
“On the one hand, you think, What am I giving up? On the other hand, I was in a place in my life where, if there was going to be a big change, the universe was kind of leading me to it. How could I say no?”
Juber contributed guitar parts to the 1979 Wings album, Back to the Egg — his fire-spitting solo on the punk-rockabilly number “Spin It On” is a particular standout — and he played with Wings on their 19-date U.K. tour that year.
Source: Joe Bosso/guitarplayer.com
Paul McCartney will release "McCartney III" in December, a new collection of stripped-back songs all written, performed and produced by the ex-Beatle, 50 years after his first solo album.
Recorded this year in Sussex in southern England, McCartney III is mostly built from McCartney's live takes on vocals and guitar or piano, overlaying his bass playing and drumming.
It joins two other albums - McCartney and McCartney II - created single-handedly by the 78-year-old at critical times in his life, in 1970 and 1980, when he was seeking a creative rebirth.
"I was living lockdown life on my farm with my family and I would go to my studio every day. I had to do a little bit of work on some film music and that turned into the opening track and then when it was done I thought what will I do next?" said McCartney.
He turned to half-finished fragments he'd created over the years. "Each day I'd start recording with the instrument I wrote the song on and then gradually layer it all up, it was a lot of fun. It was about making music for yourself rather than making music that has to do a job. So, I just did stuff I fancied doing. I had no idea this would end up as an album."
McCartney's most recent album is 2018's Egypt Station, and the musician was still touring last year.
McCartney III is described as offering a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between.
Source: reuters.com
Most of what made The Beatles magical was, of course, the band members themselves. The Fab Four had such a perfect mix of songwriting, performing, and instrumental talent packed into the band. But themselves alone weren’t what made The Beatles so great. Their producers, agents, and occasional collaborators also helped produce some of the Fab Four’s best songs. Let’s take a look at just three very famous Beatles collaborators who made a few noteworthy contributions.
The OG Rolling Stones leader was involved with The Beatles in a few ways. He was around during the process of producing “Yellow Submarine”, but he was also brought into the mix a few years later during sessions for the song “You Know My Name (Look Up The Number)”.
This song was recorded during sessions for Magical Mystery Tour, but the song itself wasn’t released until after Jones’ passing. Specifically, you can hear the tune on the 1970 finale Let It Be. Jones can be heard playing the sax on the song. Considering he was better known as a guitarist, some people may not know that’s him on “You Know My Name (Look Up The Number)”.
Eric Clapton was associated with The Beatles for some time, namely for his friendship with George Harrison. Though, that friendship wasn’t without its serious drama, particularly when it came to the love triangle involving Harrison’s wife (and eventually Clapton’s wife, too), Pattie Boyd. What better way to duke it out over a love affair than to record music in lieu of fisticuffs? Regardless, before things got particularly tumultuous, Clapton offered his guitar skills to the 1968 song, “While My Guitar Gently Weeps”, which was famously written by Harrison.
Source: Em Casalena/americansongwriter.com
When The Beatles first arrived on the international music scene via their introduction to America, they were the good boys of rock ‘n’ roll. Clean-cut, boyishly charismatic, well-behaved, and in line with the societal standards of the time. Many of their contemporaries, such as The Rolling Stones, were not that. For the early years of their career, Paul McCartney and The Beatles held onto that image, and while they never went full “bad-boy”, they did start to drift away from this innocent and respectable image.
3 Nostalgic Songs From the 1970s That Will Bring You Back to Your First Love
There is no way to know if The Beatles did this on purpose. In reality, who cares if they did or didn’t? Nevertheless, The Beatles’ image went from the boys next door to counter-culture figures around 1966. Of course, there was not one thing that marked this transition, but a big one was seemingly when Paul McCartney confessed to taking a psychedelic drug on national television in 1967.
In retrospect, do people care that The Beatles did drugs? No, but given the day in age and their former reputation, it was a huge deal. An enormous deal given that the media of the time sensationalized, scrutinized, and spread it across the world.
Source: Peter Burditt/americansongwriter.com
Paul Simon wrote “Bridge Over Troubled Water” on Blue Jay Way, a location made infamous by George Harrison in The Beatles song of the same name. Paul Simon and George Harrison became friends and performed together on Saturday Night Live in 1976.
Simon described Harrison as “amazing ... brave, open, kind.”
Simon & Garfunkel were at the height of their folk-rock fame in 1969 when they recorded one of their most enduring classics. Yet, few fans realize this song has a surprising connection to The Beatles.
Paul Simon and Art Garfunkel were writing and recording “Bridge Over Troubled Water,” and other songs for what would become the album of the same name in the latter part of 1969. After wrapping up a television special and a grueling tour, the exhausted duo set out to finish this seminal album.
Simon said in a 1972 interview with Rolling Stone that his and Garfunkel’s Beatles connection came via George Harrison, in a home on Blue Jay Way, immortalized in the Magical Mystery Tour song of the same name.
“We were in California. We were all renting this house. Me, Artie and Peggy [Harper], (Simon’s wife) were living in this house with a bunch of other people throughout the summer. It was [written at] a house on Blue Jay Way, the one George Harrison wrote ‘Blue Jay Way’ about,” he explained.
However, while the location of the songs was the same, the resulting tunes couldn’t have been more different. “Bridge Over Troubled Water” is a Gospel-influenced folk-pop ballad, while “Blue Jay Way” is psychedelic and experimental.
Source: Lucille Barilla/Parade.com
Producer George Martin wasn’t called the “fifth Beatle” for no reason. Truly, this man is responsible for getting the Fab Four their start and had a big hand in many of their greatest hits. And among those hits, Martin spoke about his top picks and favorite tunes. Let’s look at just a few of George Martin’s favorite Beatles songs, shall we?
This No. 1 US hit from the Fab Four was one of George Martin’s top picks. Years ago, Martin appeared on a 1995 episode of BBC Sounds’ Desert Island Discs, where Sue Lawley would interview various big names in the music world to learn more about their favorite songs and general music taste. Martin appeared on the show to talk about his favorite tunes, like “Oboe Quartet in F Major” by Wolfgang Amadeus Mozart and “Bess, You Is My Woman Now” by George Gershwin. “I Want To Hold Your Hand” from 1963 made it to his list.
This one’s not a song, per se, but a medley of songs that make up more than half of a massively famous Beatles record. George Martin described the second side of Abbey Road from 1969 as “very much [his] favorite” and described the medley as “one of [his] favorite works.” For reference, Side Two of Abbey Road, which wasn’t released last but was the band’s final recording, features 11 songs. Some tracks from Side Two include “Mean Mr. Mustard”, “The End”, and the hidden track “Her Majesty”.
“Side two of ‘Abbey Road’ was very much my favourite,” the world-famous producer once said. “Because it was Paul and I doing what I wanted to do after ‘[Sgt.] Pepper’.”
UMe’s announcement today that it is reissuing Ringo Starr’s first four solo albums on colored vinyl on Oct. 24 puts a spotlight on his celebrated 1973 album Ringo, which enabled him to set a pair of Billboard Hot 100 records that he holds to this day.
Starr is the only ex-Beatle to land two No. 1 singles from one studio album and the only one to release back-to-back singles that both reached No. 1. Starr topped the Hot 100 in November 1973 with “Photograph,” which he co-wrote with his former Beatles bandmate George Harrison. His follow-up, “You’re Sixteen,” a jaunty remake of a 1960 hit by Johnny Burnette, reached No. 1 in January 1974.
Both singles were released from Starr’s third studio album, Ringo, which was produced by Richard Perry, one of the hottest producers of the era. (Perry died last December at age 82.) Starr’s first two studio albums were Sentimental Journey, a 1970 collection drawn from the Great American Songbook, and Beaucoups of Blues, a 1970 country- and folk-shaded album recorded in Nashville. So Ringo was his first contemporary pop/rock album. On the album, Starr collaborated with his Beatles bandmates John Lennon, Paul McCartney and Harrison, as well as Harry Nilsson, Martha Reeves, Billy Preston, Marc Bolan of T. Rex and The Band’s Robbie Robertson, Garth Hudson, Levon Helm and Rick Danko, among others.
Released on Nov. 2, 1973, Ringo reached No. 2 on the Billboard 200. It was Starr’s highest-charting album, which makes him the only ex-Beatle not to top the Billboard 200. Ringo was kept out of the top spot by Elton John’s classic double album Goodbye Yellow Brick Road. (There were no hard feelings: John contributed to Starr’s follow-up album, Goodnight Vienna, co-writing “Snookeroo” and playing piano on the track.)
Source: Paul Grein/billboard.com
There are a few sayings that you need to keep handy when record collecting. The chase is better than the catch. A bird in the hand is worth two in the bush. And in a recent month at Discogs, the online database of audio recordings and marketplace, one saying stands true: beauty is in the eye of the beholder.
Or more accurately, a record's worth is really how much a person is willing to pay for it. And it might shock you how much someone paid for an EP by an Irish quartet, and how it outsold The Beatles.
When Discogs revealed its monthly "The 25 Most Valuable Records Sold" report for September 2025, it was surprising to see that an ultrarare copy of The Beatles' debut album, Please Please Me, came in at second place. At No. 1? The debut release from U2.
U2 (Bono, The Edge, Adam Clayton and Larry Mullen Jr.) experienced their breakthrough success in the 1980s with albums like War, The Unforgettable Fire and The Joshua Tree. But in 1979, they were just starting out, releasing their debut EP, Three.
The band pressed 1,000 copies of their three-song EP, each coming with a hand-numbered sticker on a CBS (Columbia Broadcasting System) sleeve. This particular copy has the band's name spelled as "U-2" on the label. The member's names are inscribed on the records' runouts, STEREO is eplled in all caps, and the "correct spelling of their native 'Ireland.'
Source: Jason Brow/yahoo.com
‘I’ll be around for another 60 years’: Lost tapes reveal John Lennon’s best-laid plans. Only ‘acts of God’ can stop me making music, former Beatle told DJ five years before he was shot dead in New York
John Lennon said he believed he would keep making music for “another 60 years” five years before his death, a newly-unearthed recording has revealed. The Beatles star was shot dead outside his residence in New York in 1980, aged 40.
In the interview, carried out by DJ Nicky Horne in 1975, he said: “Apart from acts of God, I will be around for another 60 years and doing it until I drop.”
Horne recently rediscovered the original recordings in his basement, and elsewhere in the conversation Lennon said he was dissatisfied with his work and wanted to throw away his album Walls and Bridges.
Mark Chapman shot Lennon in the back four times when the musician returned home on Dec 8 1980. Just hours before, Lennon had signed an autograph for Chapman, who remains in prison. Horne said Lennon had made him feel comfortable by baking him chocolate cookies and insisting on doing the interview cross-legged on the carpet in his apartment.
During the chat, the musician expressed fears that his phones had been tapped by the FBI. He had been an outspoken critic of Richard Nixon at the time.
The Guardian has reported that Lennon said: “I know the difference between the phone being normal when I pick it up and when every time I pick it up, there’s a lot of noises.
“[The administration was] coming for me one way or the other; I mean, they were harassing me. And I’d open the door and there’d be guys standing on the other side of the street. I’d get in a car and they’d be following me in a car and not hiding.”
The full interview is to be aired on Boom Radio at 9pm on Wednesday, on the eve of what would have been Lennon’s 85th birthday.
Source: Craig Simpson/telegraph.co.uk
