Beatles News
Tomorrow (April 18), John Lennon‘s 1970 track ‘Love’ will be re-released in the form of nine “meditation mixes” from his son Sean Ono Lennon for Record Store Day.
The tracks are now available to stream on the Lumenate app and will come out on vinyl tomorrow.
Ahead of the release of the mixes, a new video for ‘Love’ has been shared, featuring never before seen footage of Lennon and Yoko Ono on holiday in Greece.
“After the surprising success of the Mind Games (Meditation Mixes), and our collaboration with Lumenate the Meditation App, we are very pleased to bring you Volume Two – a collection of ambient reimaginings of John Lennon’s classic song, to create a meditation of ‘Love,” says Sean Ono Lennon.
Elsewhere, Sean recently said he has “technically” taken over the role of custodian of his father’s legacy.
“But obviously the world is also the custodian of his legacy, I would say,” said Sean. “I’m just doing my best to help make sure that the younger generation doesn’t forget about The Beatles and John and Yoko. That’s how I look at it.”
When asked if he thought it was possible for the new generation to not remember, Sean replied, “To forget about it? I do, actually,” adding, “And I never did before.”
Source: rollingstone.co.uk/Will Richards
The Boys of Dungeon Lane is not only the first new solo album to be released by Paul McCartney in over five years; it is a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs, from one of the most culturally significant figures of our time.
With The Boys of Dungeon Lane, Paul McCartney turns the lens inward, revisiting the formative years that shaped not only his life, but the very foundations of modern popular culture. In a career defined by timeless storytelling and unforgettable characters, Paul now tells the most personal story of all, his own. The Boys of Dungeon Lane is his most introspective album to date and takes the listener back to where it all began.
These extraordinary new songs find Paul in a candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania. These were the years that historians continue to examine, the quiet, unguarded days that unknowingly laid the groundwork for a cultural revolution. Paul visits them not as myths or folklore but as his own memories.
The album takes its title from one of the many standout tracks which is available now, Days We Left Behind, a stripped-back and deeply intimate track that captures the emotional core of the project. Dungeon Lane is a place Paul still sees when returning home serving as a symbolic gateway to a pre-fame world: afternoons by the Mersey, birdwatching book in hand, “smoky bars and cheap guitars”, and dreams not yet lived.
Source: thebeatles.com
The Beatles dominated pop and rock music across the globe in the 1960s. But like all great things, they too came to an end. Their tumultuous breakup occurred in 1970, following their final album release, Let It Be. And from there on out, each of the Fab Four dove headfirst into their solo careers. And on this day, 55 years ago, each of The Beatles had a solo hit on the UK charts. That’s a pretty big feat, considering they had quite the career as a band to follow up. And the songs in question are a mix of still-famous hits and somewhat forgotten deep cuts. Let’s take a look at the start of the Fab Four’s individual solo careers, shall we?
On this day, April 17, 1971, all four former members of The Beatles had solo hits on the UK charts. Those hits include Paul McCartney’s “Another Day”, John Lennon’s “Power To The People”, George Harrison’s “My Sweet Lord”, and Ringo Starr’s “It Don’t Come Easy”.
“Another Day” by Paul McCartney made it to No. 2 on the Official Singles Chart Top 100 in the UK, first entering the chart on February 27, 1971. A standalone single, this folk rock jam was McCartney’s debut single as a solo artist, and it was a co-written effort between him and his wife and frequent collaborator, Linda McCartney. The song would be followed by the single “Uncle Albert/Admiral Halsey”, another memorable hit from early in McCartney’s career.
“Power To The People” by John Lennon and The Plastic Ono Band peaked at No. 7 on the UK chart. It first entered the coveted chart on March 20, 1971. A standalone single written by John Lennon, “Power To The People” would be featured on an album for several years until the 1975 compilation album Shaved Fish.
Source: americansongwriter.com/Em Casalena
Paul McCartney believes The Beatles’ long-standing producer, George Martin, elevated the band.
Martin, who served as McCartney‘s producer in the 1980s on a series of solo projects, was praised by the Wings frontman in The Lyrics. McCartney wrote of the impact Martin had on the group in his book, detailing the source of inspiration for every song he had written. When writing of And I Love Her, McCartney singled out George Martin as a crucial influence on the song and how it was formed by The Beatles. He went on to explain how the song had been written for his at-the-time girlfriend, Jane Asher, who became a sort of muse for All My Loving.
McCartney wrote: “Another thing worth recalling is that George Martin was inspired to add a chord modulation in the solo of the song, a key change that he knew would be musically very satisfying; we shifted the chord progression to start with G minor instead of F-sharp minor – so, up a semitone. I think George Martin’s classical training told him that that would be a really interesting change. And it is.
“And this sort of help is what started to make The Beatles’ stuff better than that of other songwriters. In the case of this song, the two Georges – George Harrison with the intro and then George Martin on the key change into the solo – gave it a bit more musical strength. We were saying to people, ‘We’re a little bit more musical than the average bear.’
“And then, of course, the song – which is now in F major, or arguably D minor – eventually finishes on that bright D major chord, a lovely, pleasing resolution. So, I was very proud of that. It was very satisfying to make that record and to have written that song for Jane.”
All My Loving featured on With The Beatles, and a last-minute guitar addition from John Lennon made all the difference, according to the band. McCartney wrote: “The thing that strikes me about the All My Loving recording is John’s guitar part; he’s playing the chords as triplets.
Source: cultfollowing.co.uk/Ewan Gleadow
Lennon and Ono's wedding and "bed-in" inspired media frenzy and a Beatles song.
"The Ballad of John and Yoko" was banned by over 100 U.S. radio stations.
Lennon called the song "a prayer... a gospel song," and it still became a hit.
It’s no exaggeration to say that John Lennon and Yoko Ono had one of the most iconic (and controversial) love stories of all time…or that the couple’s relationship was the target of one of the biggest media frenzies in history. One of the most turbulent periods on Lennon and Ono’s timeline happened over a two-week span in 1969 when the pair got married in Gibraltar and held their first “bed-in” in Amsterdam, being hounded by the press all the while. To top it all off, the now-classic Beatles song Lennon wrote about the experience ended up getting banned.
Recorded on April 14, 1969, and released as a non-album single on May 30, “The Ballad of John and Yoko” chronicled Lennon and Ono’s journey in a funny, sort of exasperated way:
“Drove from Paris to the Amsterdam Hilton / Talkin’ in our beds for a week / The newspeople said: ‘Say what’re you doin’ in bed?’ / I said: ‘We’re only try to get us some peace’ / Christ you know it ain’t easy / You know how hard it can be / The way things are goin’ / They’re gonna crucify me”
The song was recorded by just Lennon and Paul McCartney, as George Harrison and Ringo Starr were away at the time and Lennon was in a hurry to get the track out.
“Paul knew that people were being nasty to John, and he just wanted to make it well for him,” Ono said later, per Rolling Stone. “Paul has a very brotherly side to him.”
Since Lennon had gotten into a bit of hot water previously when he compared the popularity of the Beatles to that of Jesus, he anticipated that the lyrics about “Christ” and being crucified might ruffle a few feathers. According to the official Beatles website, he even sent a note warning record exec Tony Bramwell.
“No pre-publicity on ‘Ballad Of John And Yoko’ especially the ‘Christ’ bit,” Lennon wrote. “So don’t play it round too much or you’ll frighten people — get it pressed first.”
Alas, even after it was pressed, the song encountered plenty of backlash. In fact, “The Ballad of John and Yoko” was banned by over 100 U.S. radio stations, with radio program directors calling it “profane,” “sacrilegious,” “offensive,” and “objectionable,” according to a Rolling Stone article at the time.
Source: parade.com/Jacqueline Burt Cote
Almost everyone can sing along to “Maybe I’m Amazed” by Paul McCartney. The song was first released by him in 1970, not coincidentally the same year that the Beatles, made up of Paul McCartney, John Lennon, Ringo Starr, and George Harrison, split up. Fueled partly by Paul McCartney’s desire to do a solo project, his wish came true with his debut solo album, McCartney.
But it wasn’t until seven years later that “Maybe I’m Amazed” became a hit for him. The song is written as a love letter to his wife, Linda McCartney, whom he wed in 1969, and her devotion to him amid the upheaval with the end of the Beatles.
“Maybe I’m Amazed” says, “Maybe I’m amazed at the way you’re with me all the time / And maybe I’m afraid of the way I leave you / Maybe I’m amazed at the way you help me sing my song / You right me when I’m wrong / Maybe I’m amazed at the way I really need you.” What Paul McCartney Says About Writing “Maybe I’m Amazed”.
It was Lennon who first left The Beatles, departing the band in 1969. But it was Paul McCartney who first moved full-speed ahead with his solo career, with McCartney.
Buoyed by Linda McCartney’s devotion, he not only wrote “Maybe I’m Amazed” but also created a movie around the song, long before music videos were popular. The movie includes photos taken by his wife.
Source: americansongwriter.com/Gayle Thompson
The 85-year-old musician followed up on an announcement first made in March.
Sir Ringo Starr's new album release date is approaching and the former Beatle said he s excited for the new project to be launched on April 24. Ringo's new album, Long Long Road, is his second with T Bone Burnett. It features collaborations with Sheryl Crow, Billy Strings, Molly Tuttle, Sarah Jarosz and St. Vincent.
He took to Instagram overnight to share an update on the release. A picture of Ringo holding the peace sign was shared with the caption: "Here it comes, my new record Long Long Road. Peace and love."
Fans of Sir Ringo commented on the post as they await the new music from him. One comment said "Looking forward to it" and another fan added "This is the day after my birthday, thank you Ringo. My favourite Beatle."
Other messages included: "And arriving exactly when needed. Heartfelt anticipation" and "You are such a treasure."
The new album follows on from Sir Ringo’s 2025 album Look Up which marked his first number one album on the UK's official country chart. Sir Ringo said: "I'm blessed to have T Bone in my life right now and working with me on these records. After we did the last record, which I love listening to, this one just sort of happened."
Sir Ringo added that the album includes musical influences from guitarist Carl Perkins, as he said: "I recorded two Carl Perkins songs with The Beatles, and both T Bone and I wanted one on this record and he found this beautiful track I'd never heard before, I Don't See Me In Your Eyes Anymore."
Source: liverpoolecho.co.uk/Courtney Eales
The Beatles started running out of steam towards the end of the 60s. Their fervor for recording wasn’t what it was during their heyday. But one song reignited their passion for the craft, at least among the band’s central songwriting duo, John Lennon and Paul McCartney. On this day in 1969, the pair recorded one of their final efforts together—a song so controversial that it was banned by the radio.
The Beatles’ Song, Recorded by John Lennon and Paul McCartney, That Was So Controversial the Radio Banned It
“The Ballad Of John And Yoko” was recorded soon after the namesake couple’s wedding in 1969. The simple ceremony was encapsulated into this track, which ultimately became a non-album Beatles single.
“It was very romantic,” John Lennon once said. “It’s all in the song, ‘The Ballad Of John And Yoko’, if you want to know how it happened, it’s in there. Gibraltar was like a little sunny dream. I couldn’t find a white suit—I had sort of off-white corduroy trousers and a white jacket. Yoko had all white on.”
“It’s a piece of journalism,” he continued. “It’s a folk song. That’s why I called it ‘The Ballad Of.’”
Lennon penned this song, clearly in his honeymoon phase. He then took the track to McCartney, who instantly connected to it. The pair then went to Abbey Road and finished the recording in a single day, without their other bandmates. Though this was a move of necessity rather than exclusion, it did reflect the band’s fracturing state.
This song was a recording feat for Lennon and McCartney, but it wasn’t a runaway hit. Thanks to its touchy subject matter, this song was banned by multiple radio stations.
Source: americansongwriter.com/Alex Hopper
The Beatles were the biggest and most important act of the 1960s, but you’d never know it by looking at Billboard’s Easy Listening chart (now called Adult Contemporary). Easy listening stations wanted to have a distinct identity from pop stations in the 1960s. Some artists did well in both formats, including Frank Sinatra, Petula Clark and Glen Campbell. But many artists fared much better on the Easy Listening chart than they did on the Hot 100. Among them: Jack Jones, Al Martino, Andy Williams, Perry Como, Vikki Carr, The Lettermen, Tony Bennett, Barbra Streisand, Eddy Arnold, Jerry Vale and Ed Ames.
Even “Yesterday,” one of the most classic (and oft-recorded) ballads in music history, failed to crack the Easy Listening chart. The 1965 single logged four weeks atop the Billboard Hot 100, but it went nowhere (man) on Easy Listening. Those adult-skewing stations were more inclined to play the schmaltzy “Red Roses for a Blue Lady,” which was a top 10 Easy Listening hit for three artists that year — Vic Dana, Bert Kaempfert & His Orchestra and Wayne Newton.
The Beatles didn’t crack the AC chart until November 1969, with George Harrison’s ballad “Something,” which reached No. 17. That was a song so undeniable that genre GOAT Frank Sinatra often introduced it in concert, as he did here, by saying: “It’s one of the best love songs, I believe, to be written in 50 or 100 years.”
The Beatles finally broke through at AC in 1970, just as they were calling it quits. “Let It Be” logged four weeks at No. 1 that spring; “The Long and Winding Road” peaked at No. 2. In the 1970s, the gap between what pop and AC stations played narrowed considerably, as such acts as Carpenters (whose first single was a ballad remake of the Beatles’ 1965 smash “Ticket to Ride”), Neil Diamond, John Denver, Olivia Newton-John and Helen Reddy regularly climbed high on both charts. Bee Gees, Chicago and Elton John, who, like the Beatles a decade earlier, bridged pop and rock, became AC mainstays in the 1970s.
By 1976, when The Beatles’ 1966 track “Got To Get You Into My Life” was belatedly released as a single (to promote the then-current Rock’n’ Roll Music compilation), it made the top 10 on both the Hot 100 and the AC chart. Easy listening stations that wouldn’t even play an exquisite ballad like “Yesterday” in 1965 now hopped on a vibrant pop/rock track. AC radio had gotten hipper and more contemporary over the preceding 11 years, thanks in large to The Beatles and the generation of acts they influenced.
Source: billboard.com/Paul Grein
Biographies can be a tricky, difficult genre to pull off. The best are written from a distance and focus on a critical assessment of their subject. They’re not afraid to hold the person at the center of the story accountable for indiscretions in either personal or professional life choices. The key to a successful biography has always been objectivity, distance, and a willingness to take a stand. This is especially true when it comes to divisive artists whose legacies are rich but still questionable. In the matter of Yoko Ono, the multi-hyphenate visual/recording artist, poet, sculptor, pioneering performance artist, widow of Beatle John Lennon, any biographer who undertakes a manageable account of the nonagenarian's life and times has to make a choice. Should he cover the prolific output, the colorful life, or both?
Ono turned 93 in February, and has been retired for approximately the past 10 years. She’s living on a farm in upstate New York. She’s given over the family empire to her fifty year old son Sean Lennon, who oversees boxed set releases of work by his father (Mind Games) and both parents together (Sometime In New York City.) Early in the prologue of Yoko Ono: A Biography, Sheff discloses his access to the world of John and Yoko: It was the fall of 1980. They had been recording their comeback album, Double Fantasy, a release that alternated tracks as a sort of dialogue between each other. Sheff spent nearly three weeks with them that September, wrote the feature for Playboy, and was devastated like most of the world at Lennon’s December 8, 1980 murder:
Source: sampan.org/Christopher John Stephens
