The Beatles changed the face of music within a decade of time. But even generations later, their influence and legacy continues to grow, and one way to prove that is through their streaming numbers.

At the time of this writing, the Beatles are ranked the 103rd most listened to artist in the world on Spotify and have over 36 million monthly listeners. Compared to contemporary artists — Taylor Swift for example, who was the single most listened to artist on Spotify in 2023 – these may not seem like very impressive numbers. But when one considers that the Beatles predated the streaming era by several decades and broke up over 50 ago, it's impossible to dismiss this feat.

But what if we break it down even further? Which Beatles songs have been streamed the most? Below, we're counting down the 20 most-streamed Fab Four songs. The below data concerns Spotify numbers specifically, the most popular music streaming service globally, and is of course, subject fo fluctuations. But at of the time of this writing (Oct. 18, 2024), here's where things stand.

20. "All You Need Is Love"
From: 1967 Single
Number of Streams: 207,147,492

Even people who know very little about the Beatles and their catalog are familiar with the sing-along chorus of "All You Need Is Love," an anthem of the flower power movement that frankly is just as relevant today as it was in 1967.

19. "Strawberry Fields Forever"
From: 1967 Single
Number of Streams: 217,356,703

When "Strawberry Fields" was first released in 1967, many were unsure exactly what to make of it — "utterly bizarre, creative, strange and different," as Pete Townshend put it. Yet, decades later, it's become almost synonymous with John Lennon's whimsical style of songwriting and serves as the namesake of a memorial in New York City's Central park, located steps from where the Beatle was murdered.

18. "And I Love Her"
From: A Hard Day's Night (1964)
Number of Streams: 224,348,905

Interestingly, the Beatles only played "And I Love Her" once outside of the studio for a BBC radio program. Nevertheless, the song got a spotlight in the 1964 film A Hard Day's Night, propelled by that lovely acoustic guitar riff from George Harrison.

Source: Allison Rapp/ultimateclassicrock.com

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So many celebrities have appeared on "The Simpsons," that 36 seasons later, the cameos have become a crutch for the show. Worse, the guests have gone from voicing characters (take Dustin Hoffman's uncredited appearance in "Lisa's Substitute") to just appearing as themselves.

The cracks were already showing in the show's golden age. Season 7's "Lisa The Vegetarian" features Paul and Linda McCartney showing up at the end to reassure Lisa she's made the correct choice of vegetarianism. The McCartneys are depicted as friends of fellow vegetarian Apu Nahasapeemapetilon (Hank Azaria), who tend to his secret garden on the roof of the Kwik-E-Mart. After Lisa and the meat-loving Homer reconcile at the end, McCartney's "Maybe I'm Amazed" closes the episode out.

Paul McCartney was the last surviving Beatle to cameo on "The Simpsons" (Ringo Starr beat him to the punch in season 2's "Brush with Greatness", followed by the late George Harrison in season 5's "Homer's Barbershop Quartet"), and he's far from the most loathsome Englishman to appear on the show (that'd be former Prime Minister Tony Blair). But this cameo came with a demand that had series-long ramifications: Mr. and Mrs. McCartney wanted Lisa to remain a vegetarian. Not just at the end of the episode, no, but for the entirety of the series henceforth.

Source: Slash Film

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Ringo Starr is giving his two cents on the "Swiftie effect."

The former drummer for The Beatles recently weighed in on the craze surrounding music superstar Taylor Swift, and he made a bold comparison to the days of Beatlemania.  While sitting down for an interview with American Songwriter, Starr was asked if he believes the "Bejeweled" singer can hold a candle to the amount of cultural influence that The Beatles had.

Of course, he replied, "I do."

"Taylor is 'the now' one," Starr, 84, told the outlet, while quipping that he and the rest of his Beatles bandmates are the "still now" ones.

Starr also mentioned other famous artists, like Madonna, who have certainly had their moments of taking over popular culture, but he seemed to imply that Swift is the dominant influential force for this generation.

During the interview, Starr went on to further sing Swift's praises, stating, "I think Taylor Swift is great anyway."

"She’s pulling them in, you know," he continued, before telling a personal anecdote about his experience meeting the "Anti-Hero" singer.

"When we talk about her, I always have to mention that the first time I met her, she was 14. She was at the Grammys with her mother," the music icon recalled. "Then, I saw a photo of her the other day, just yesterday, of her and her mother."

"So mom's still at it," he said with a laugh.

Fans on social media were glad to hear Starr's take on Swift's monumental level of fame, as one user on X (formerly Twitter) pointed out that Starr is among the only people "who can truly understand the power of fan hysteria."

"Ringo acknowledging Taylor's impact is truly iconic," another user added.

Source: Carly Silva/yahoo.com

Tracked at Abbey Road Studios in February 1968 during a promotional video shoot for Lady Madonna, which was the A-side of the upcoming single, Hey Bulldog tends to fly under the radar of most casual fans, but it actually represents a critical point in the history of The Beatles: it was one of the last sessions tracked as a band before internal tensions drove the team apart.

“Hey Bulldog turned out so well there was some campaigning from John Lennon for it to serve as the A-side of the single instead of Lady Madonna,” said producer Geoff Emerick in Mark Lewisohn’s 1998 book, The Complete Beatles Recording Sessions.

Source: Brian Fox/guitarworld.com

For nearly 10 years, John Lennon and Yoko Ono spoke almost every evening, sometimes for hours at a time, with their close friend Elliot Mintz.

Mintz, a Los Angeles radio and TV host, had grown close to the couple after first interviewing Yoko for her 1971 album, Fly, which led to a series of late-night conversations with Yoko — or John — and eventually, both. Over time, Mintz became one of their closest confidantes. So trusted that it was he whom Ono asked to go through John’s belongings after he was murdered on Dec. 8, 1980.

Nearly 44 years after the rock legend’s death, Mintz, 79, has written a book about their intimate friendship, We All Shine On: John, Yoko & Me.

It was a decision Mintz, who remains very close to Ono, 91, and her son, Sean Lennon, 49, made carefully. “We all know where it’s going to end,” he says. ”I was drawing from a lifetime of experience, most of it happy and joyous but I also knew we would be treading on some very sensitive waters.”

In the exclusive excerpt below, Mintz recalls a visit to their apartment in the fabled Dakota building on Manhattan’s Upper West Side after the murder of Mintz’s close friend, actor Sal Mineo, best known for his roles in such classics as Rebel Without A Cause, for which he was nominated for an Oscar, and Giant.

After Mineo was stabbed by a mugger outside of his West Hollywood apartment on Feb. 12, 1976, Mintz accompanied his body on a flight to New York and attended his funeral.

Source: Liz McNeil/people.com

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Paul McCartney gave John Lennon a “step by step” plan to help his fellow Beatles star get back together with his wife, Yoko Ono. The revelation is part of a memoir by Elliot Mintz, a radio host, that describes his close personal relationship with the couple.

In We All Shine On, Mintz describes how in 1974, while Lennon was producing an album for singer Harry Nilsson entitled the Pussy Cats, McCartney turned up at the recording studio.

Lennon was in the midst of his famous “lost weekend”, in which he had separated from Ono and spent 18 months partying in Los Angeles with other stars, including Nilsson.  During this time, Lennon also began his infamous affair with 23-year-old May Pang, who flew to Los Angeles as his personal assistant.

After Lennon expressed his desire to reunite with his wife, Mintz says McCartney reportedly offered to speak to Lennon for Ono and visited his fellow Beatles star at the recording studio. The two had not performed together since the Beatles had split.

“They were all just looking at us, thinking that something big was going to happen. To me, it was just playing with Paul”, Mintz recalls Lennon saying about the encounter. Sometime afterwards, McCartney sat down with Lennon and “laid out, step by step, what he would need to do to win Yoko back”, the excerpt from The Times reads.

Source: Frankie Vetch/telegraph.co.uk

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