Beatles News
Very few people are aware that George Harrison released two solo albums whilst still a Beatle.
The first is Wonderwall Music and the second is Electronic Sound. Wonderall Music doubles as Harrison’s first solo album and the soundtrack to the film Wonderwall, directed by Joe Massot and starring Jane Birkin, one-time wife of Serge Gainsbourg and mother to Charlotte Gainsbourg. The songs on Wonderwall Music were largely instrumental and the recording was begun in late 1967 and continued into January of 1968. And one must keep in mind that it was music written for film. Even so, there are a few stand-outs.
It was a time when Harrison was deeply into India music, having by this point become quite adept at playing the sitar. The album opens with a hypnotizing track called “Microbes” and is followed by what is perhaps one of my favorite George Harrison songs, “Red Lady Too.” The chord progressions, arrangements and instrumentation on this song are simply brilliant.
Source: DJ Pangburn/spin.com
It’s June 9th, so September 26th is not far off.
That would be the 50th anniversary of the release of The Beatles’ towering classic album, “Abbey Road.” Something is happening, but we’re not sure what exactly.
So far, The Beatles have struck gold with 50th anniversary editions of “Sgt. Pepper” and “The White Album.” Each release was inventive and cool, and sold like crazy.
“The White Album” did include outtakes of two “Abbey Road” songs– “Mean Mr. Mustard” and “Polythene Pam.” But otherwise there are plenty of work tapes, demos, and other miscellaneous music that would be swell to hear from the making of “Abbey Road.” Also, the album, which was remastered for the 2009 box set, could get a Giles Martin remix now. Martin is also working on the 2020 50th anniversary of “Let it Be” and the movie that accompanies it.
Source: Roger Friedman/showbiz411.com
If you ask Beatles fans which album is the best, many will go with 1969’s Abbey Road. Certainly, it’s among the most representative records the band released. It featured rockers like “Come Together,” pop ditties like “Oh! Darling,” and two George Harrison masterpieces.
On the second side, Abbey Road delivered an operatic medley that wowed critics and fans alike. It also served as a fitting close to the band’s last studio album. In so many ways, it was (as the final track announced) “The End.” But don’t expect John Lennon to get sentimental and accept that.
To John, there was much to be admired on the first side of Abbey Road. He was quite proud of “Come Together,” which became his last No. 1 hit with The Beatles. But he considered the rest of the album tossed together and, in short, “junk.”
Source: cheatsheet.com
John Lennon’s life took a number of wild turns in the 1970s. At the start of the decade, he was completing his escape from The Beatles, the world’s most famous band. In late 1970, his triumphant debut solo album answered all questions people had about his powers as a songwriter on his own.
But a few years later, he had become estranged from Yoko Ono in what he called his “lost weekend” phase. Though he was making music and producing albums for others, he was abusing drugs and generally seemed to have lost his way.
That changed when he landed his first No. 1 single (with a hand from Elton John) and worked his way back to Yoko. The following year (1975), Yoko gave birth to Sean and John famously became a househusband to raise him. He kept that routine going through the end of the decade.
Source: cheatsheet.com
Sir Paul McCartney, 76, and wife Nancy Shevell, 59, dressed to impress as they attended a charity event in New York City on Tuesday
Nancy looked demure as she wore a black sweetheart-neck gown and kept her accessories to a minimum by wearing a few silver rings.
The brunette beauty styled her locks into a sleek, straight style and with a side parting so that her hair framed her face well.
Sir Paul put on a dapper display in a black suit, a white shirt and a black tie, while his salt-and-pepper locks were brushed back behind his ears.
Source: Roxy Simons For Mailonline/dailymail.co.uk
John Lennon's seminal 'Imagine' is one of the most celebrated pieces of music of all time.
Released in 1971 from the album of the same name, it cemented Lennon as a songwriting genius on his own right following the breakup of The Beatles the year before.
Nearly 50 years later, and it's still one of the most covered songs ever, and continues to be used as a symbol of the pursuit of world peace.
But what inspired the song and how was it made? Here's all the important facts:
Lennon was inspired by several poems from wife Yoko Ono's 1964 book Grapefruit.
One poem, which Capitol Records later reproduced on the back cover of the original Imagine album titled 'Cloud Piece', reads: "Imagine the clouds dripping, dig a hole in your garden to put them in."
Lennon later explained that the song "should be credited as a Lennon/Ono song. A lot of it – the lyric and the concept – came from Yoko, but in those days I was a bit more selfish, a bit more macho, and I sort of omitted her contribution, but it was right out of Grapefruit."
Source: Tom Eames - Smooth Radio
Micky Dolenz, Christopher Cross and Todd Rundgren are teaming up with former Chicago singer Jason Scheff and Badfinger guitarist Joey Molland for the It Was 50 Years Ago Today tour celebrating the Beatles White Album. (Let’s just ignore the fact that the album came out 51 years ago.) The show will mix in their own hits along with songs from the White Album.
The fine print on the tour poster reads “not affiliated or endorsed by the Beatles individually or collectively,” but many of the artists on the bill do have Beatle connections. Badfinger was the first band the Beatles signed to their label Apple in 1968 and members of the group played on the sessions for John Lennon’s Imagine and George Harrison’s All Things Must Pass. The group also performed at the Concert For Bangladesh alongside Harrison and Ringo Starr. Todd Rundgren, meanwhile, has been a mainstay in Ringo Starr’s All Starr Band going all the way back to 1989 and as recently as 2017. Micky Dolenz befriended the Beatles during his days in the Monkees and was in Abbey Road studios when they recorded Sgt. Pepper Lonely Hearts Club Band.
Source: Rolling Stone
By the mid-’60s, it’s fairly easy to tell who wrote the biggest part of a Lennon-McCartney song. The lead vocals usually gave it away. On Magical Mystery Tour, “Penny Lane” is a clear Paul McCartney number while “Strawberry Fields Forever” an obvious John Lennon song.
Even on a track like “A Day in the Life,” on which both John and Paul sing, you know it’s John song because he has the lion’s share of vocals. (Paul came up with the middle section.) Later, as writers asked them to break down each Beatles tune, Paul and John mostly agreed who did what.
But there were some songs where they didn’t remember it the same. For example, Paul remembered doing more on “A Day in the Life” and “In My Life” than it appears he did.
Speaking with Playboy’s David Sheff the weeks before he died, John remembered having a sizable hand in the composition — most of the lyrics, in fact — to “Eleanor Rigby,” a Revolver song that doesn’t sound like Lenno at all. Yet Paul said he only wrote “about half a line.”
Source: cheatsheet.com
In 2014, John Lennon’s 1962 Gibson J160e guitar, once thought lost, was discovered in San Diego at Marc Intravaia’s Sorrento Valley Sanctuary Art and Music Studio. The following year, it went up for one of the most publicized auctions in Beatles history. However, “Once the story broke on Reuters, there was quite a few awful comments about my friend [John McCaw, the guitar’s owner] from people not knowing the whole story,” Intravaia told the Reader at the time. “He bought it in 1969 from a friend and never knew what he had until he brought it to me last August.”
John McCaw bought the mildly beat-up Gibson acoustic from a friend for $175, in a transaction at the Blue Guitar shop, then located in Old Town. "John joined my Tuesday night Potluck Players instructional jam group in 2009," says Intravaia, "and would bring along his now vintage Gibson from time to time, and we would take turns strumming this instrument while noting its fantastic action - string height and playability - and pretty tone."
Source: Jay Allen Sanford/sandiegoreader.com
Lucia Benavides and her mother, Ida, both say that listening to the music of the Beatles at home in Buenos Aires was formative for them.
Paul McCartney's in the middle of a world tour, unaccompanied by BJ Leiderman, who writes our theme music. The original Beatle is in Lexington, Ky., tonight and was just in South America. And it's there, in Buenos Aires, where Lucia Benavides first became a fan of McCartney's and the rest of the Fab Four - a fandom she shares with her mother, Ida.
LUCIA BENAVIDES, BYLINE: To this day, my mother can recall the moment the Beatles' music reached her home country of Argentina.
IDA BENAVIDES: I remember the night - and that was the beginning of all this - when my dad arrived home from work with an album.
Source: Lucia Benavides/npr.org
