Beatles News
Despite what the media said about it (for better or worse), the Beatles weren’t exactly the soothsayers or cultural gurus-slash-corrupters they were often painted to be—in fact, John Lennon was the first to admit that he didn’t truly understand what he was singing about in one of the Fab Four’s most iconic anthems that seemingly wrapped up the band’s ethos in five short words.
“All you need is love,” the Beatles repeated emphatically in their 1967 non-album single. The song became the foundation for the flower power, “peace and love” movement of the late 1960s. But it wasn’t until 1969 that Lennon realized he actually had no idea what he had been talking about. Yet. The Beatles released “All You Need Is Love” as the A-side to “Baby, You’re a Rich Man” in 1967. The song was part of a massive global television link and served as an affable contribution to the multi-satellite production. How could one argue with the song? All you need is love, love, love is all you need. Songwriting credit went to both John Lennon and Paul McCartney. But years later, Lennon would admit that, in hindsight, he realized he didn’t actually know what he was talking about in 1967.
“When I was singing about all you need is love, I was talking about something I hadn’t experienced,” Lennon said in a 1969 interview with Howard Smith. “I had experienced love for people in gusts and love for things and trees and things like that. But I hadn’t experienced what I was singing about. It’s like anything. You sing about it first or write about it first and find out what you were talking about after.”
Source: americansongwriter.com/Melanie Davis
Complete normalcy and greatness rarely ever walk hand in hand. Rather, the finest minds to grace any field typically have something “off” about them. “Off” given that they see something we don’t, and consequently, their perspective influences their “abnormal” actions. One exceptional talent and thinker who certainly falls under this category is Bob Dylan.
Many famous artists have attested to Bob Dylan’s eccentric personality. David Crosby once stated that Dylan was as “crazy as a f—ing fruit fly,” per the LA Times. Furthermore, Dolly Parton also attested to that fact, as she told the Daily Mail, “I love his music but he’s a weird buckaroo.”
Given those testimonies, it seems some of the music industry’s biggest acts share a mutual perception about Bob Dylan. One other person who agreed with that notion was Dylan’s friend and collaborator, George Harrison. Harrison Admired Bob Dylan’s Eccentric Personality.
Bob Dylan and George Harrison climbed to the top at the same time, but in different genres of music. However, by the end of the 80s, their paths converged as the infamous supergroup, the Travelin’ Wilburys, was formed in 1988. Dylan and Harrison were acquaintances before this, but through their partnership, a more solidified friendship seemingly formed.
Concerning Harrison’s affinity for Dylan, Harrison stated, “Bob Dylan is the most consistent artist there is. Even his stuff, which people loathe, I like.” “Every single thing he does represents something that’s him. He may write better songs tomorrow, sing high on this album and low on another, go electric or acoustic, go weird or whatever, but the basic thing that causes all this change is an incredible character named Bob Dylan,” he added, per the Express.
Out of complete admiration and awe, George Harrison also divulged, “He’s the looniest person I know!” While Harrison did not define his definition of “looniest,” per his prior comments, it seems he’s alluding to Dylan’s ever-changing ways and personality. In other words, Harrison was impressed by Dylan’s ability to find the inspiration and means to reinvent himself on a whim.
Source: americansongwriter.com/Peter Burditt
Years after the first three members of the Beatles bonded over their love of rock ‘n’ roll, the addition of the final Fab Four member would introduce the Liverpudlians to a new type of music they had previously overlooked: country. John Lennon, Paul McCartney, and George Harrison spent their earliest years together trying to emulate the sounds of Elvis Presley and Chuck Berry.
But when Sir Richard Starkey, known professionally as Ringo Starr, entered the picture in 1962, the band began diving into a different style of popular American music with a little less electric guitar and a lot more twang. Paul McCartney famously played American rock ‘n’ roller Eddie Cochran’s “Twenty Flight Rock” during his impromptu “audition” for John Lennon. George Harrison played “Raunchy,” an instrumental by another rock icon from the States, Bill Justis. Together, all three Liverpudlian musicians pored over records by Elvis Presley, Buddy Holly, and Chuck Berry. They might have gotten their start playing skiffle, but their hearts belonged to rock ‘n’ roll.
When Ringo Starr first joined the Beatles in 1962, he brought along a different musical background. Like the rest of his new bandmates, Starr learned most of his musical technique through trial and error. He wasn’t formally trained, which likely helped the experimental nature of the band’s early collaborations. And while he was undoubtedly aware of the same rock music the three guitarists were listening to, he was a bigger fan of country music.
“Ringo was the first guy in the Beatles to really turn us on to country music,” McCartney recalled in the 2025 concert film, Ringo & Friends at the Ryman. “We were kind of very much into rock ‘n’ roll, and he was heavy into country. He had a lot of records we didn’t have, and he was a big admirer of some of the country stars at the time. Some of them, we hadn’t ever heard of, I must admit. He’s got a long love, going way back, of country music.”
Source: americansongwriter.com/Melanie Davis
Ringo Starr has strong opinions about how he’ll be portrayed in the four upcoming Beatles biopics. The musician, 84, told The New York Times on Wednesday, July 2, that he spent two days with the director, Sam Mendes, and offered “extensive notes” on the script.
Starr noted that he had feedback surrounding his first wife, Maureen Starkey Tigrett, explaining that the original script didn’t necessarily showcase how they acted in reality. "He had a writer — very good writer, great reputation, and he wrote it great, but it had nothing to do with Maureen and I," Starr told the outlet. "That’s not how we were. I’d say, 'We would never do that.'"
The former couple married in 1965 and had three children together — Zak, 59, Jason, 57, and Lee, 54, — before divorcing in 1975.
According to The New York Times, Starr is now content with the way he’ll be portrayed on screen after going through the script line by line and sharing his feedback with Mendes. In March, it was officially confirmed that actors Paul Mescal, Barry Keoghan, Harris Dickinson and Joseph Quinn are on board to portray the four members of The Beatles in Mendes’ quartet of movies.
Mescal will play Paul McCartney, Dickinson will play John Lennon, Keoghan is set to play Starr and Quinn will play George Harrison. (Lennon was murdered at age 40 in 1980, while Harrison died of cancer at age 58 in 2001.)
Appearing on Jimmy Kimmel Live! in May, Keoghan, 32, revealed what it was like to meet Starr as he gears up to portray him. The actor told host Jimmy Kimmel that he met Starr at his home, and during the talk show, he divulged how nervous he was during the meeting.
"It was sort of one of those moments where you're in awe and you're just frozen," Keoghan said.
Source: yahoo.com/Erin Doyle
There was shock when legendary music producer George Martin – known as the 'Fifth Beatle' – died in 2016 and left just £1million in his will.
His eldest daughter Alexis Stratfold said at the time that it was a 'joke' for her to get £68,000 in a bequest (alongside his chauffeur and secretary) when her father's wealth had been estimated at between £250-400 million. But she was lucky. Her brother Greg – Martin's eldest son – was cut out altogether.
And it can be revealed that Greg is consulting lawyers because he believes his half-brother Giles may have benefited from a house and a £3.5million legacy. These, Greg claims, were separate from the will and were 'always meant to be his'. Alexis and Greg are George Martin's children by his first wife, Sheena Chisholm. But their father left her for Judy Lockhart-Smith, a secretary at the Beatles label Parlophone, in 1962, and they had two children: Giles and Lucie.
The older children were largely excluded from Martin's successful later life. Alexis was bitterly hurt when invitations to their father's memorial did not include their names. Greg did not even attend. The actor, writer and producer told me: 'The only thing I inherited from my father was his coat of arms. I was not even mentioned in the will, and Alexis was left a small amount of money on the same terms as some of his staff.
There was shock when legendary music producer George Martin – known as the 'Fifth Beatle' – died in 2016 and left just £1million in his will - but his son Greg – Martin's eldest – was cut out altogether (Greg and Martin seen in 1999)
'It was painful. It is painful. I believe that my father would not have done that if it was not for Judy. 'He used to try and slip me money sometimes, like $100, and say: 'Don't tell Judy!' He added: 'I believe there must be a huge amount of money hidden away'.'
Source: dailymail.co.uk/Alison Boshoff
There are 17 ticket stubs going under the hammer at Richard Winterton auctioneers. Ticket stubs for 1960s gigs by The Beatles that cost pennies at the time are among a collection expected to fetch up to £500 at auction.
The 17-stub archive includes two for The Beatles and Roy Orbison at Birmingham Town Hall in June 1963, costing fans eight shillings and sixpence. The Liverpool band was originally second on the bill, but were bumped up to co-headline as Beatlemania grew and ended up closing the set.
Richard Winterton Auctioneers described the "rare and nostalgic collection", which spans performances between 1962 and 1964, as a "wonderful piece of music history".
Of the 17 tickets, 16 are for performances in Birmingham and also include The Beatles' first outing at the city's Odeon, on 11 October 1964. There are additional stubs for The Cliff Richard Show at the Hippodrome, The Searchers at the Odeon, and Brenda Lee at the Town Hall.
One stub reveals the owner snagged a balcony seat for an unnamed performance, at the Royal Shakespeare Theatre in Stratford-upon-Avon, for just 7 shillings.
In addition, there is a complete ticket for Jazz 1963 at Birmingham Town Hall, presented by The Musicians' Union and The Labour Party, in October 1963. PA Media A black and white image of Paul McCartney, John Lennon, Ringo Starr and George Harrison taken in 1963. The men are all in black jackets, shirts and ties.PA Media
In 1963, Beatlemania was taking over the UK, just months before it would do the same in the US during the band's first visit, in February 1964
"Two ticket stubs for The Beatles at the height of Beatlemania are especially evocative – how incredible it must have been to see the Fab Four live in 1963 and 1964," a spokesperson for the auctioneers said. "With a host of other iconic names in the collection, this is a wonderful piece of music history."
The stubs will go under the hammer on 14 July, at the Lichfield Auction Centre in Fradley Park.
Source: bbc.com/Susie Rack
Paul McCartney and Ringo Starr’s friendship has survived decades. The only surviving members of The Beatles, the two men, now both well into their 80s, have a special bond.
“With John [Lennon] and George [Harrison] not here, I think we realize nothing lasts forever,” McCartney told The New York Times of himself and Starr.
The Beatles and their fans certainly know that to be true. Lennon was assassinated in 1980 when he was 40. Harrison died in 2001 after a cancer battle. He was 58. With those tragedies in mind, McCartney said, he and Starr “grasp onto what we have now because we realize that it’s very special.” “It’s something hardly anyone else has. In fact, in our case, it’s something no one else has,” he continued. “There’s only me and Ringo, and we’re the only people who can share those memories.”
When McCartney, Lennon, and Harrison crossed paths with Starr in 1962 and invited him to join their group, it was a consequential move.
“He was a fantastic drummer,” McCartney recalled. “We asked him if he would be in our band, and luckily for us he agreed.” Starr wasn’t the first drummer to play with The Beatles, but, according to McCartney, he was the best.
“Even though I’ve played with other drummers, he’s the best,” McCartney said. “Ringo has got a certain feel that is very difficult for other drummers to capture. He’s Ringo. And nobody else is.”
Starr’s love for drumming dates back to 1957 when his stepfather bought him his first kit. “When I first started, my mother would come to the gigs. She would always say, ‘You know, son, I always feel you’re at your happiest when you’re playing your drums.’ So she noticed,” he said. “And I do. I love to hit those buggers.”
Source: americansongwriter.com/Paige Gawley
They had the whole music world waiting for what they’d do next. Yet amidst those myriad expectations, it’s safe to say that The Beatles’ release of the single “Strawberry Fields Forever”/”Penny Lane” in 1967 was something that no one saw, or heard, coming.
These two songs represented just how far the band was pushing the limits in the studio, since they no longer had to worry about touring. And it was just the first taste of the incredible music that the group was about to foist upon the world in that magical year.
The Beatles’ momentous decision to quit touring shook up their fandom. Was it a sign that they were considering breaking up? Even George Harrison wondered about their future as the band left their final gig in San Francisco in August 1966.
Once the shock of the decision wore off, and they had taken some time away, The Beatles filed back into Abbey Road studios in November 1966 to get back to work. They had some vague ideas about what they wanted to do once they started. And they had written a few songs that they wanted to try.
There was some talk about doing an album where all the songs would be based on the childhood experiences of the group. Although that never came to pass, each of the two songs that they chose for their first single of 1967 could have fit that concept. Those two songs also shared a sense of fearlessness. Especially when it came to what the band was cooking up in the studio.
Dual Masterpieces
The Beatles’ John Lennon based the title of “Strawberry Fields Forever” on the grounds of a Salvation Army children’s home near where he grew up. His imagination ran wild from there with stream-of-consciousness lyrics that expressed feelings of confusion and self-doubt. The music, starting with a woozy Mellotron and continuing through passages that alternated between crackling rock and pomp-filled classical music, was hallucinatory.
Paul McCartney followed suit in “Penny Lane” in terms of looking back to places of his youth. If McCartney’s tale was a bit more straightforward, the lyrics were still startlingly accomplished. And the music, chugging along brightly and set apart by a piccolo trumpet, kept pace in terms of invention.
Even as advanced as the songs from Revolver, their previous album, had been, “Strawberry Fields Forever” and “Penny Lane”, released as a double A-sided single in February 1967, represented a huge leap forward. It was impossible to categorize these songs or try to pin them down. But their brilliance was undeniable.
Source: americansongwriter.com/Jim Beviglia
On this day (July 1), the Beatles’ eighth studio album, Sgt. Pepper’s Lonely Hearts Club Band went to No. 1 on the Billboard 200 albums chart. It would retain the top spot for 15 consecutive weeks, making it the Fab Four’s most successful album in the United States. More than a massive chart success, the album introduced the world to a new incarnation of the iconic band and became the soundtrack to the rising hippie culture.
The mid-1960s saw the Beatles drifting away from the sound and image that made throngs of teenagers scream until they fainted. They were aging and, more importantly, maturing as musicians. As a result, they wanted to expand their musical horizons. This made playing their new material, specifically songs from Revolver, almost impossible. After a lackluster world tour, Liverpool’s favorite sons chose to retire from touring and spend some time apart.
According to a Billboard feature on the album, members of the Beatles took a three-month break. George Harrison traveled to India on a spiritual retreat, John Lennon dipped his toes into the world of film, and Paul McCartney took a trip to Africa. When they came back together, they were refreshed and full of new ideas.
Along with the “fifth Beatle” George Martin, they stepped into Abbey Road Studios to create their most ambitious work. Knowing they would never have to play the songs live, they were free to pile effects, instruments, and musicians high to create a collection of unforgettable tunes. 700 studio hours later, Sgt. Pepper’s Lonely Hearts Club Band was finished.
The Beatles See Unprecedented Success with Sgt. Pepper’s Lonely Hearts Club Band
Sgt. Pepper’s Lonely Hearts Club Band brought the Beatles, a band previously on the verge of breaking up, massive success. It spent 27 weeks atop the UK Albums Chart and 15 weeks atop the Billboard 200. However, that was only the beginning. It later became one of the best-selling albums of all time. Today, many of the songs on the album have garnered hundreds of millions of streams on Spotify since appearing on the streaming platform in December 2015.
Source: americansongwriter.com/Clayton Edwards
Near the end of John Lennon‘s life, all signs pointed to him never playing a Beatles song live again. He wasn’t frequently on the road as a general rule. The likelihood that he would revisit his old material amid one of his rare appearances was close to zero. Luckily for Beatles fans, Lennon did manage to sneak in one final live performance of a Beatles classic before he was murdered. Find out which Beatles song bookended Lennon’s career below.
One of Lennon’s last performances saw him play alongside Elton John at Madison Square Garden. It seems that only the consequences of a bet (more on that later) could bring Lennon back on stage after so many reclusive years.
Amid the set, Lennon and John decided to play a rendition of “I Saw Her Standing There.” This early Beatles cut is among their most beloved songs. It is indicative of the writing style of Lennon and Paul McCartney. It was one of the first songs they penned together.
“I wrote it with John in the front parlour of my house in 20 Forthlin Road, Allerton,” McCartney once said. “We sagged off school and wrote it on guitars and a little bit on the piano that I had there.”
“We were learning our skill,” he continued. “John would like some of my lines and not others. He liked most of what I did, but there would sometimes be a cringe line, such as, ‘She was just seventeen, she’d never been a beauty queen.’ John thought, ‘Beauty queen? Ugh.’ We were thinking of Butlin’s so we asked ourselves, what should it be? We came up with, ‘You know what I mean.’ Which was good, because you don’t know what I mean.”
In many ways, it seems fitting that “I Saw Her Standing There” would be the last Beatles song Lennon ever performed–poetic almost.
Final Performance with Elton John
Before their MSG performance, Lennon and John wrote a collaborative track, “Whatever Gets You Thru The Night.” The pair already had a strong personal friendship, but this song also connected their careers.
After writing the song, John made a wager with the former Beatle, begging him to join him in New York for a surprise appearance if the song went no. 1. Much to Lennon’s surprise, the song did reach the top of the charts. He went through with his end of the bet, leading to the iconic and bittersweet performance below.
Source: americansongwriter.com/Alex Hopper
