Beatles News
Yoko Ono has long been associated with The Beatles through her marriage to and creative collaboration with John Lennon. Even decades later, there are still people who believe she was solely responsible for breaking up the Fab Four. This theory completely ignores the group’s own interpersonal problems at the very least, but at its worst, it paints Ono in a negative light that she didn’t deserve.
Lennon once called Ono “the world’s most famous unknown artist.” He added that “everyone knows her name but no one knows what she actually does,” according to a post from online gallery Arthive. This remains true to this day, despite Ono’s far-reaching and prolific influence.
Overall, she’s more known for being married to a Beatle than for her own artistic endeavors. These, as a whole, are varied and many. It could be argued that, for the uninitiated, her legacy has been boiled down to being John Lennon’s wife. However, Yoko Ono is far more influential in the music and art worlds than just that. Yoko Ono Did Not Exist in a John Lennon Vacuum
Yoko Ono has always been avant-garde. Her entire art and music career has been about pushing boundaries of what’s ugly, unlistenable, and interpretive. She did this long before she met John Lennon, and she continued to do it after he died.
In the early 1960s, Ono worked her way into the international avant-garde art scene. She lived between New York, Tokyo, and London at the time, helping to initiate the Fluxus and Conceptual Art movements abroad.
Source: Lauren Boisvert/American Songwriter
It has taken fans over six decades to actually realize how The Beatles ended up being called what they are today and it turns out the name has a dual meaning too
The Beatles were initally called The Beetles and The Silver Beatles. Founded in 1960, everyone now knows The Beatles as The Beatles, but they initially had several other names until John Lennon had his say.
The story behind The Beatles' naming has gone down many routes before, and this is believed to be because of the band’s famously mischievous nature. Throughout their time together, they offered a mix of stories about the origin of the name, including accounts of dreams involving flaming pies, floating buns, and mysterious men visiting them on flying carpets.
These bold explanations are likely because they found the real, much more straightforward origin of the name was not as 'out-there' enough for their standards.
Looking back to where it all began in 1960, the band, then just a trio consisting of John Lennon, Paul McCartney, and George Harrison, was still undecided on a band name, though they had recently performed as Johnny and the Moondogs.
Lennon’s friend from art school, Stuart Sutcliffe, joined the band after his pals convinced him to invest £65 ($86) he earned from selling a painting into a bass guitar. At the time, the band also did not have a permanent drummer; instead, they rotated through a stream of drummers, with Tommy Moore appearing most frequently.
Lennon and Sutcliffe eventually came up with the name The Beatles during one of their late-night sessions. They brought it to the rest of the band on an April evening in 1960 while walking along Gambier Terrace by Liverpool Cathedral.
Initially, McCartney wasn't won over by the name as he thought it sounded a bit creepy, but he changed his mind after learning about its clever double meaning.
Source: themirror.com/Ellie Hook
Many artists have covered the 1969 Beatles classic “Come Together” over the years, for better or worse.
John Lennon originally wrote “Come Together” as a song for Timothy Leary’s 1969 campaign for governor of California against incumbent Ronald Reagan. Leary didn’t end up using the song or winning his bid for office. When the Beatles began recording their album “Abbey Road,” Lennon started singing “Come Together” in the studio and fleshed out the rest of the lyrics.
Em Casalena, a music writer for American Songwriter, admitted that those lyrics are pretty nonsensical, and Beatles fans have been trying to parse through them for years to find meaning. Still, Casalena said, the song became a hit and inspired countless musicians to cover it.
Joe Cocker, the late rock and blues singer, was recently posthumously inducted into the Rock and Roll Hall of Fame, in part for his covers of Beatles hits. Paul McCartney even wrote a letter of support about Cocker to push for his induction.
Source: wbaa.org/Ashley Locke, Peter O'Dowd
Is it getting "Hot In Heree" or is a "Cruel Summer" approaching?
With the sunshine season just around the corner, there's no better time to blast a bright, feel-good track to match the mood.
Now's the perfect time to kick back and listen to sunshine tracks on repeat with one legendary hit, hailed as the ultimate summer song, at the top of your playlist.
Whether you enjoy "Walking On Sunshine" or basking in a "Summer Breeze" that makes you feel fine, there's one song that's so synonymous with summer that you can't help but crack the windows and turn the volume up every time it's played.
Not only is this timeless tune the best summer song ever written, but it single-handedly cures long, cold, lonely winters and returns the smiles to the faces!
According to a list compiled by TimeOut, the best summer song of all time is The Beatles classic, "Here Comes The Sun."
Other songs that made the list include "Espresso" by Sabrina Carpenter, "Lovely Day" by Bill Withers, "Everybody Loves The Sunshine" by Roy Ayers, and "Summertime Sadness" by Lana Del Rey to round out the top five.
Here's what TimeOut had to say about the best summer song of all time:
"We know, this isn’t exactly the tune that makes you want to hit the day fests and sink vodka tonics. But it is sort of the ultimate summer banger to ever exist if you think about it. When our cold, dark hearts get that first hit of sunshine, when we throw open the windows to see summer in bloom, that’s what this song feels like. Happy. Enchanting. Full of hope before the cold winter falls on us once again. Summer's here, folks!"
Source: Logan DeLoye/IHEART
EXCLUSIVE: The director of Borrowed Time: Lennon's Last Decade refused to feature one key thing in the film.
John Lennon's final ten years are forensically examined in director Alan G. Parker's new documetary Borrowed Time: Lennon's Last Decade. With contributions from musicians, journalists, and close friends of John the film promises to set the record straight on the truth behind many famous Lennon moments, including when Yoko Ono first came on the scene. However, one thing that doesn't get a mention is the name of the man who murdered the former Beatle on December 8, 1980. Speaking exclusively to Express.co.uk in advance of the movie's release on May 2, Alan explained his reasoning.
“There's two things we had right from the get go. Number one was…if anybody mentions his name, they're not going in the movie. His name is not mentioned in the movie, because my belief is that part of the reason that killing took place was for a bit of the fame to rub off on the man himself," he said.
"He won't be getting any of it (fame) from me, because I won't put his name anywhere. The plan was, if any interviewees mentioned him we'd suddenly say 'sorry, camera off, there's your money, goodbye!'"
John's death shook the world and is a huge part of his legend but Alan also felt there had been enough focus on it in the decades since.
Source: Fran Winston/express.co.uk
Many Americans learned that John Lennon had been gunned down when sportscaster Howard Cosell broke the news during a Monday Night Football broadcast on Dec. 8, 1980. But painter Robert Morgan knew much sooner. He heard the shots outside his apartment on Manhattan’s Upper West Side just before 11 p.m. that night. After running to his window, he peered down and saw his famous neighbor splayed on the sidewalk.
Sensing that he was witnessing history, Morgan instinctively reached for his camera. As his finger hovered over the shutter, he stopped.
Morgan tells his story in the new documentary Borrowed Time: Lennon’s Last Decade, which premieres in U.K. cinemas and on the Icon Film Channel on May 2. Directed by Alan G. Parker — who previously covered the Beatles in the 2017 documentary It Was Fifty Years Ago Today... Sgt. Pepper and Beyond — the film captures the flurry of activity in Lennon’s final months as he emerged from his self-imposed exile from the music industry and returned to the recording studio.
Borrowed Time, named for one of the last songs the rock legend would ever record, details sessions for Lennon’s comeback album, Double Fantasy, as well as plans for a proposed world tour — his first since his days in the Beatles. Parker interviews set designers and lighting technicians who describe the innovative stage production that Lennon had in mind, one that was intended to (in Lennon’s words) “give Mick [Jagger] and Elton [John] f---ing ulcers!” The elaborate plans are a poignant glimpse of a future that would never be.
Source: people.com/Jordan Runtagh
By the end of the Beatles‘ tenure, John Lennon and Yoko Ono were inseparable. Despite the band working on their final albums together, Ono was a fairly constant presence in the studio. That is, until the band recorded their send-off song, “The End”. Find out why Lennon didn’t want Ono in the studio for this particular session, below.
“The End” is sparse lyrically. The majority of the song is made up of impressive playing from each member on their respective instruments. The jam session feel to this song, brought Lennon back to his roots as a musician, according to engineer Geoff Emerick.
In fact, he felt so thrilled to be playing around in the studio with his bandmates that Lennon asked Ono to stay out of the room–which was against the norm at the time. From Emerick’s point of view, Lennon seemed to want a pure moment with the band before they fully fractured into pieces.
“Yoko was about to go into the studio with John–this was commonplace by now–and he actually told her, ‘No, not now. Let me just do this. It’ll just take a minute,’” Emerick once said of the recording session for “The End”. “That surprised me a bit. Maybe he felt like he was returning to his roots with the boys.”
Source: Alex Hopper/American Songwriter
Ringo Starr has opened up about the one Beatles song he believes 'ruined his career' - and it's all down to a track written by John Lennon for his son Julian.
Ringo Starr has confessed there's one Beatles song that's always made him nervous - John Lennon's track Good Night.
The song, written for John's five year old son Julian, was the closing track on the 1968 album, The Beatles, and featured Ringo on vocals.
However, the drummer wasn't thrilled with the song, recalling, "They ruined my whole career when they gave me Good Night. I wanted to be a rocker. A lot of it was John or whoever wrote it saying, 'Well, you do this one Ringo.'"
Despite his reservations, Ringo acknowledged that his fellow Beatles thought he could bring something special to the song, saying, "They'd written it and they felt I could present that in a great way which was a nice feeling."
He also credited Paul McCartney with helping his career. "I thank Paul you know because I'm on tour because I do A Little Help from My Friend.
Source: the-express.com/Scarlett O'Toole
On This Day, May 1, 1966 …
The Beatles performed a 15-minute set at the New Musical Express Annual Poll-Winners All-Star Concert at the Empire Pool in London.
The performance, which took place in front of about 10,000 people, wound up being the band’s final scheduled live performance in Britain. Their actual final live show was the 1969 concert on the roof of Apple Studios, but that was a surprise.
The Beatles performed a five-song set at the NME show, with performances of “I Feel Fine,” “Nowhere Man,” “Day Tripper,” “If I Needed Someone” and “I’m Down.”
Other artists on the bill that night included The Rolling Stones, The Who, The Yardbirds, The Spencer Davis Group, Herman’s Hermits and Roy Orbison.
Source: KSHE 95
The Beatles had to keep a bruising schedule in the early years of their recording career. In addition to their constant touring and live appearances, they were generally expected to crank out a pair of albums and a couple of singles per calendar year.
This itinerary helped them develop as writers, especially John Lennon and Paul McCartney. The duo handled pretty much all the group’s original compositions at that time. It explains how fascinatingly offbeat tracks like “I’ll Be Back”, which appeared on A Hard Day’s Night in 1964, came into existence.
If you’re looking for a turning point in The Beatles’ career in terms of their writing skills, A Hard Day’s Night is a great choice. Their third album also represented the first time that Lennon and McCartney wrote every single one of the tracks.
It was an extremely atypical feat in the rock and roll world. Cover songs still loomed as a huge part of the average band’s recording repertoire. Lennon and McCartney were essentially getting songwriting reps that their peers lacked. You can understand why their writing was vastly improving.
John Lennon came up with the idea for “I’ll Be Back”, and likely did the bulk of the writing. Keep in mind, however, that this was an era where McCartney would often add his two cents to Lennon’s compositions (and vice versa). Thus, it’s likely that there was some collaboration in the finished product.
Source: Jim Beviglia/American Songwriter
