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Sometimes when you go to the record store and flip through an artist’s section, you’ll find some odd albums that aren’t typically included in their discography. Whether it’s an alternative version of a record or a compilation (official or otherwise), there is often a larger story at play in a musician’s catalog than a simple list of their studio albums. The Beatles’ catalog is one that is far more extensive than it may appear.

The Beatles have many alternative versions of their records, albums that excluded songs that weren’t accepted in specific markets, and several compilations. Their discography is usually boiled down to 17 studio albums (in the U.S.), but there is a wealth of material awaiting any fans who are willing to dig deeper.

If you dig long enough, you might come across the Beatles’ rarest (and weirdest) album, Yesterday… And Today. Learn more about this hidden Beatles record below.  Yesterday… And Today was released in 1966. The record is a hodgepodge of songs that are more famously featured on other projects. “Nowhere Man,” “Yesterday,” “Drive My Car,” and “Day Tripper” are all featured on this Beatles album. As the title suggests, the project was intended to serve as a bridge between one stage of their career and the next. It was also an effort to introduce certain songs to an American audience. Though it technically served a purpose, it still feels very random in the grand scheme of their time as a band.

Source: americansongwriter.com/Alex Hopper

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Beatles legend Sir Paul McCartney is heading out on the “Got Back” tour this year, but before the trek even kicks-off, fans are calling-out the star over exorbitant ticket prices.

Tickets for the run went on sale via Ticketmaster on Tuesday, July 15. During the presale, fans reported headaches while waiting in the virtual queue — which included over 200,000 people — with wait times exceeding 90 minutes. Fans began to compare the sale to Taylor Swift’s Eras Tour debacle, dubbed the “Beatlemania version.”

When fans did finally make it through the online queue, they reported egregious ticket prices. “Platinum” fan presale tickets were up-for-grabs for a whopping $1,258. Others found tickets in the nosebleeds for $622.

It’s wild. I hear Americans are in more debt than ever and nobody has any money. Then I sign up for the Paul McCartney presale, log into Ticketmaster, and see this.

There are 210K people in front of me buying $300+ tickets. M

Source: ticketnews.com/Olivia Perreault

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Ringo Starr achieved international fame as the drummer of The Beatles - but not many fans may know how his nickname, which he still uses professionally today, was born

Fans of The Beatles are only just realizing how Ringo Starr got his name - and it's an interesting story.‌

The musician, whose birth name is Richard Starkey, achieved international fame as the iconic band's drummer. Now 85 and touring with his All-Starr Band, which has scheduled shows in various US cities including Las Vegas and Chicago, he is still widely referred to as Ringo Starr.  ‌

But not many fans may know that his nickname was actually linked to his passion for wearing jewelry. This meant that instead of being called Ritchie, he started being referred to as Rings, which quickly transformed into the more Western-sounding name, Ringo.

And his surname, Starkey, became shortened to Starr as it fit better with Ringo. Another reason for this was that his solo shows could then be billed as Starr Time. A fan wrote on Reddit, "I was just watching the Lindsay Ellis thing on the Beatles' breakup and there's a scene where (I think) George greets Ringo as "Rich" and I was like, who the f--k is Rich? And only then remembered that I actually knew that Ringo Starr wasn't the dude's birth name, but it was super unfamiliar knowledge."

Source: themirror.com/Chiara Fiorillo

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 Director Sam Mendes thought he was all set with the script for his massive biopic The Beatles — A Four-Film Cinematic Event, until he got a bunch of “corrections” from Ringo Starr, 85, who — along with Paul McCartney, 83 — are the only two surviving members of the Fab Four.

The demanding drummer reportedly spent two days pelting the director of the James Bond flicks Skyfall and Spectre with “extensive notes” insisting on script changes.

Most of the “Yellow Submarine” stickman’s gripes had to do with him and first wife Maureen Starkey Tigrett, mom of their three kids, including drummer Zak Starkey. “He had a writer — very good writer, great reputation — and he wrote it great, but it had nothing to do with Maureen and I,” Ringo insists to The New York Times. “That’s not how we were. I’d say, ‘We would never do that.’ ”

The epic stars Barry Keoghan as Ringo, Paul Mescal as Paul, Harris Dickinson as John Lennon and Joseph Quinn as George Harrison, and is due out in 2028.

Ringo says he accepts that bossman Mendes “will do what he’s doing” and in the end, “I’ll send him peace and love.”

Source: Doug Montero/yahoo.com

 

John Lennon was profoundly shaped by one person whose influence and sudden loss would alter the course of his life.

John Lennon was at the start of his music journey when a devastating tragedy struck, leaving a lasting impact on the young man he was and the music legend he would become. The future Beatles founder was profoundly shaped by one person whose influence and sudden loss would alter the course of his life and help define his path to global superstardom.

On this day, July 15, 1958, John's mother, JuliaLennon, was struck and killed by an off-duty police officer named Eric Clague. Lennon was just 17 at the time of the tragedy, and his mother was 44.

John was born on Oct. 9, 1940, to Julia and Alfred Lennon. He was their only child together.

When he was four, the future musician was taken in by his aunt, Mimi Smith, and uncle, George Smith, to provide the young boy with a stable home life. John would live with the couple throughout his childhood and adolescence.

Although John resided with Mimi, he maintained a strong and affectionate bond with his mother, Julia. She nurtured his early love of music, buying him his first guitar and teaching him basic chords on the banjo and ukulele.

John's childhood friend Nigel Walley shared his memories of the tragedy per The Beatles Bible. He said, "I went to call for John that evening, but his Aunt Mimi told me he was out. Mimi was at the gate with John’s mum, who was about to leave."

Walley continued, "We stood chatting and John’s mum said 'Well, you have the privilege of escorting me to the bus stop!' I said 'That will do me fine. I’ll be happy to do that.'"

"We walked down Menlove Avenue and I turned off to go up Vale Road, where I lived. I must have been about 15 yards up the road when I heard a car skidding. I turned round to see John’s mum going through the air. I rushed over but she had been killed instantly."

Julia’s death deeply traumatized John, who would later refer to her in the songs "Julia," "Mother," and "My Mummy’s Dead." His first son, Julian, with wife Cynthia Lennon, was named for her.

Source: parade.com/Lucille Barilla

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"I immediately gravitated toward the concept of an all-AI video," he tells Billboard of the visual.

“We are all just characters in each other’s lives,” Corey Feldman sings in his new song “Characters,” which arrived June 22. And in his new music video for the track, which Billboard is premiering on the actor-singer’s birthday on Wednesday (July 16), the former child star takes viewers through various characters he’s portrayed throughout his decades-long career.

“This new music video … serves as a creative time capsule that highlights many of the most memorable characters I’ve played in my over 50-year career in both film and music,” Feldman, who directed the visual, tells Billboard.

The video begins with a young boy resembling Feldman walking to the center of a stage to sit down on a stool highlighted by a stage light. As he begins singing, the little boy morphs, and his appearance changes from some of the actor’s younger roles (the cherubic blond child from his first acting gig in a McDonald’s ad, to little Regi with his baseball cap in Bad News Bears) to his famous tween and teen parts (The Goonies, Stand By Me, The Lost Boys) and roles in his adult years (Queeny in Corbin Nash and channeling late friend Michael Jackson in his own music video for “The Joke”).

The star shares that when he was first conceptualizing the idea for the “Characters” visual, his first thought was, “I could never afford it!” And then it hit him that he could do it. “Rather than trying to film myself in different costumes and makeup, I immediately gravitated toward the concept of an all-AI video. I loved the artistic statement in that contrast between old and new,” he explains. “I also thought about starting the video with the imagery of myself as a kid, like in that McDonald’s commercial from way back.”

Source: billboard.com/Anna Chan

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If you grew up as a teenager or young adult in the 1960s, you had the privilege of experiencing a band that changed the course of popular music more than any other. It was, of course, The Beatles.

In this article, we're ranking The Beatles' songs based on how they redefined music through experimentation and innovation, and how each song broke new ground technically, artistically, or culturally, including "Strawberry Fields Forever" and many other revolutionary hits.
Understanding Musical Innovation in The Beatles' Era

In the early 1960s, studios primarily served as venues to capture live performances on film. The Beatles, however, took a completely different approach from other artists. With their first album, Please Please Me (1963), they set out to replicate their energetic live nightclub performance and went on to record the full release in under 12 hours.

They were at a turning point when recording studios became creative laboratories, where, thanks to multitrack recording technology, musicians could now add, remove, and manipulate musical elements. The Beatles, alongside producer George Martin and engineers such as Geoff Emerick, took full advantage of this and transformed Abbey Road Studios into a place destined to create masterpieces.

From songwriting to microphone placement, they innovated at every step, making writing original material a creative expectation, not an exception. As a result of their innovations and unique music style, the band held the No. 1 single on the Billboard Hot 100 for a total of 59 weeks.

Source: wmgk.com/Rob Baird

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As astronomically successful and unique as John Lennon’s short life was, tragedy and hardship punctuated his 40 short years, from the death of his mother on July 15, 1958, to his own fateful end in December 1980. The latter event would impact the entire world, not to mention his former bandmates. But the former tragedy was equally influential, deeply affecting Lennon, his band, and the music they created.

Without Julia Lennon, John might not have grown into a musician. Perhaps he would have settled for a blue-collar job or the bohemian life of a visual artist. Fortunately for John (and the rest of the world), Julia happily passed down her love of music to her son. 

Considering her son’s global cultural influence, it should come as no surprise that Julia Lennon (née Stanley) was as every bit as charismatic, daring, and rebellious as her son, John Lennon, would come to be. If there were ever a problem child in the Stanley family, they would likely give Julia the title. She danced, sang, joked, and played instruments without any care for lady-likeness or societal (and familial) expectations that might be looming over her.

Julia married Alf Lennon in 1938, much to the chagrin of her family, who didn’t believe the Merchant Navy steward had the proper means to support the family. Nevertheless, the marriage persisted, and eventually, Julia and Alf became pregnant with their first and only son, John Lennon. Alf and Julia’s marriage fell apart shortly thereafter, and John’s life didn’t get much easier after that. Julia’s sister, Mimi Smith, insisted that John live with her instead of Julia. Various accounts dispute the reasoning behind this arrangement, but it went into effect nonetheless. John moved into a small bedroom in his aunt’s house in 1945.

Source: americansongwriter.com/Melanie Davis

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The iconic boy group, with John Lennon, Paul McCartney, Ringo Starr, and George Harrison, stole the hearts of many with their loving voices and looks. George temporarily left The Beatles in January 1969 due to creative differences and the band's internal dynamics. He rejoined the group days later and helped create a fan favorite song from their most iconic album, Abbey Road.

While George studied Indian music when working with Ravi Shanker, which he incorporates into the mix, along with other sounds, in the middle of the song, the Beatles member made one tiny error.

George was stuck when it came to the final verse and did not know if it should have been “it seems like years” or “it feels like years”. He went a different route and sang a mixture, combining the two, "it seels like years”. The singer was known for his powerful lyrics.

Their lyrics have also made headlines for being controversial.

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The band's song I Am the Walrus released in November 1967, written by John and credited to John-Paul (the songwriting partnership between the two). The track was released on the B-side to the single Hello, Goodbye and on the Magical Mystery Tour EP and album. It also appeared on the Beatles' 1967 television film Magical Mystery Tour.

Source: Jailene Cuevas/themirror.com

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When The Traveling Wilburys first appeared on the scene, they spread joyous vibes across the music world. Here were five legends putting aside any ego, to the point that they even used fake names, to deliver effortlessly rootsy music that charmed and enthralled listeners.

But when they returned for their second album a few years later, a bit of gloominess hung around the edges. One of the Wilburys had passed away in the interim, leaving a gaping hole that the four remaining members knew they couldn’t even try to fill.
The Wilburys Rise

The common story about the creation of the Traveling Wilburys is that it was a spontaneous thing. But that’s not quite the case. As he was making his 1987 album Cloud Nine, George Harrison expressed to Jeff Lynne that he wanted to one day put together a band featuring all his favorite artists. He mentioned Roy Orbison and Bob Dylan as ideal members.

That dream became a reality when Harrison, needing to make a B-side for a single, assembled Lynne, Dylan, Orbison, and Tom Petty. Harrison’s record company reverberated with excitement when they heard the finished product, “Handle With Care”. They asked if the collaboration could be more than a one-time thing.

In a two-week period in the spring of 1988, the five men put together enough material for an album. The band name evolved from Harrison’s term for when a studio recording sounded funny for unknown reasons. With all five men taking aliases, Traveling Wilburys Vol. 1 arrived in October 1988. It became an immediate sensation, both critically loved and commercially successful.

Source: americansongwriter.com/Jim Beviglia

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