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Join The Dark Horses for a tribute to George Harrison this Saturday, Sept. 22, at 7 p.m. on the Railroad Green.

This is the final concert in the Village of Warwick Summer Concert Series for 2018.

“A Concert for George” is a celebration of Harrison’s 75th birthday. The Dark Horses is a band comprised of Glenn Arnowitz, Michael O’Brien, Paul Binotto, Mike Hickey and Gerard “Gee” Mancini with Gloria Esch, Christy Hickey and the Warwick Valley Chorale.

The band came together for this purpose – to pay tribute to Harrison and the music he wrote at the Warwick Summer Concert Series. The original concert date was rained out back in July.

The band will perform all of the songs Harrison wrote for the Beatles, including “Something,” “While My Guitar Gently Weeps" and “Here Comes the Sun.”

Source: WARWICK/chroniclenewspaper.com

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The legendary musician has embarked on a short series of dates across Canada in support of his latest album ‘Egypt Station‘. In a four-star review, NME said: “McCartney’s always been about inclusivity and openness, but this latest glimpse into his life feels like a particularly enlightening one.”

Last night’s show at Quebec City’s Centre Vidéotron was the first proper tour date McCartney has played on this record, following a series of secret shows at London’s Abbey Road, Liverpool’s Cavern Club, and New York’s Grand Central Station. During the 39-song setlist, he dug from all corners of his back catalogue, treating fans to cuts from The Beatles, Wings and his own solo career.

 

 

Source: Rhian Daly/nme.com

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Paul McCartney has said he can now “rationalise” The Beatles’ decision to split in 1970.

The now-solo artist, who just released his 17th solo album Egypt Station, was 28-years-old when The Beatles parted ways.

Speaking to NME, he said he had “mixed feelings” at the time but “I can look back on it and go, do you know what, even though it was really sad, and really crazy times, we made bloody good albums’.”

“You work out your problems through music,” he continued. “And the thing about The Beatles is we were always a great little band. I don’t even notice it now, I just listen to the songs and think, ‘That was a good one.’”

Asked what advice he would have given to his younger self he said: “What I first thought of was: listen to people’s opinions more, particularly within the group. But I did listen to people’s opinions and what would happen was I would feel like I had to give my opinion and not get too nervous, because you’ve got to be strong in those situations.

Source: Roisin O'Connor Music Correspondent/independent.co.uk

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The 1968 track’s title was appropriated by the American cult leader

Paul McCartney has revealed that Charles Manson put him off playing 1968 track ‘Helter Skelter’ live for a long time.

American cult leader Manson, whose followers were responsible for the Tate/LaBianca murders in 1969, appropriated the song title for his prophecy of an apocalyptic race war between whites and blacks.
“He was quite certain that The Beatles had tapped in to his spirit, the truth – that everything was gonna come down and the black man was going to rise,” said Catherine Share, one of Manson’s followers, in 2009.

Source: Anna Matheson/nme.com

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Paul McCartney is the talk of the town this month, and his new album is getting a lot of buzz, too. McCartney’s recently released Egypt Station — described as “loose, randy, and a little political” by Craig Jenkins in his Vulture review — premiered at No. 1 on the Billboard 200 album chart, making it the former Beatle’s first chart-topping project since April 1982’s Tug of War. Tug of War, his first post-Wings album, featured “Ebony and Ivory,” his hit duet with Stevie Wonder.

Source: Halle Kiefer/vulture.com

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He was famous as a Victorian circus owner and was then immortalised in a song by The Beatles.

And Pablo Fanque now lends his name to the new student accommodation which has been completed in All Saints Green - just around the corner from where he once lived.

As a young man Fanque, born William Derby, lived in Ber Street. He joined a circus where he trained and handled horses. But he was also skilled as a tightrope walker and trapeze artist.

He struck out on his own in the early 1840s, becoming the first black circus owner in the country. His circus primarily performed in the north of England.
It was a poster for one of his shows which was the inspiration for John Lennon when he wrote Being For The Benefit of Mr Kite!The song, which features on the Fab Four’s 1967 album Sgt Pepper’s Lonely Hearts Club Band, includes the lyric: “The Hendersons will all be there/Late of Pablo Fanque’s Fair.”

Source: Dan Grimmer/edp24.co.uk

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Paul McCartney is celebrating the release of his new record, 'Egypt Station'.

Sir Paul McCartney has cracked the top spot on the Billboard 200 chart for the first time in nearly four decades with his new record Egypt Station.

It’s the eighth time that the legendary musician has reached the coveted spot but the first time a solo record of his has debuted at number one.

The last time Macca made it to #1 was in 1986 with Tug Of War -- the album that featured the “Ebony And Ivory” duet with Stevie Wonder and was made by Beatles producer George Martin.

Source: Michaela Morgan/Daily News

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As a young girl, Rosanne Cash became a die-hard Beatles devotee — even serving as president of a Fab Four fan club.

Now the four-time Grammy winner will be honored with the “John Lennon Real Love Award,” acknowledging her decades of work as both artist and activist.

Cash, in an interview with the Daily News, said Lennon has remained a guiding light across the decades since she first saw him on “The Ed Sullivan Show” with his fellow moptops.

“He’s still alive in so many ways,” she said from Nashville. “Musically, as an activist, as just this enormous heart. That we got to be on the same planet at the same time as John, that in itself is a gift.

“He still resonates with so many of us today. He’s still a constant inspiration, from when I was 8 years old to right now.”

Source: Larry McShane/nydailynews.com

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"I sometimes will just think, oh right, OK, Beatles session, writing session with John, and I say, ‘What do you think of that?’"

Paul McCartney has revealed that he still judges new songs by imagining how John Lennon would react.

McCartney spoke to NME about the release of latest solo album ‘Egypt Station’ and confirmed that he still judges new material by imagining what the Beatles would have said about it.
He said: “You know, you do sometimes, particularly if you’re wondering about a line and you think, is this any good or is it crap, I sometimes will just think, oh right, OK, Beatles session, writing session with John, and I say, ‘What do you think of that?’ And he’ll either say, ‘It’s great, keep it,’ or, ‘No, it’s no good, re-write it.’“So you often, you know, look to the past for reference. But I don’t do it all the time. That’s just occasionally if I’m wondering if it’s going to work, remembering things like when I’m writing ‘Hey Jude’ and playing it to John for the first time; I said I’d change the line ‘The movement you need is on your shoulder’ and he said, ‘You won’t, you know’. So those are the little moments I refer to and think, ‘Is it one of those lines or is it rubbish’.”

Source: Amy Smith/nme.com

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McCartney spoke to NME about his set list preferences

Paul McCartney says he’ll never play a Beatles album in full on stage because it would be “too limiting.”

The Beatle, who has just released his 18th solo studio album ‘Egypt Station’, sat down with NME to talk about his career and latest record.

And when it came to choosing songs from his huge backcatalogue to play live, McCartney shot down the idea of dedicating a full set to one album.

When asked by NME’s Dan Stubbs in this week’s Big Read whether he’s ever thought about playing a Beatles album in full on tour, he replied: “No. I think that’s kind of a cool idea but I’m not tempted at all to do that. It’d be too limiting.”

But McCartney went on to explain that while he’d never do it himself, he applauds others for trying it.

He added: “It’s the kind of thing other people do, and I wish them well with it, but to me if I’m doing one album and ‘Hey Jude’ isn’t on it, and I’m in a crowd of 40,000 people, I’m going to want to do ‘Hey Jude’ because it brings people together.”

Source: Anna Matheson/nme.com

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