Beatles News
The track featured on Wings‘ 1971 album ‘Wild Life’, which will be given a remastered reissue on December 7. The new edition of the record will feature rough mixes, home recordings, b-sides, a DVD of rare footage, and more.
Speaking about the song, which you can listen to below, McCartney said: “With ‘Dear Friend’, that’s sort of me talking to John after we’d had all the sort of disputes about The Beatles break up. I find it very emotional when I listen to it now. I have to sort of choke it back. I remember when I heard the song recently, listening to the roughs [versions of the remasterings] in the car.
“And I thought, ‘Oh God’. That lyric: ‘Really truly, young and newly wed’. Listening to that was like, ‘Oh my God, it’s true!’ I’m trying to say to John, ‘Look, you know, it’s all cool. Have a glass of wine. Let’s be cool.’”
He added that he was thankful the pair reconciled before Lennon’s death in 1980 because “it would have been terrible if he’d been killed as things were at that point and I’d never got to straighten it out with him.” McCartney described ‘Dear Friend’ as him “reaching out” to his former bandmate.
Source: Rhian Daly/nme.com
When it comes to Beatles nostalgia, the band’s self-titled 1968 “White Album” has a king-size reputation — the biggest album (30 songs!) by the biggest band in the world at the time. But, to paraphrase a Beatles song, it was all too much, and its producer, George Martin, and at least a couple of its participants, George Harrison and John Lennon, would be among the first to agree.
A half-century later, little has changed, at least in the marketplace for more Beatles. Despite a $138 price tag, a newly released 50th anniversary “White Album” box set is No. 2 on the Amazon CD/vinyl sales rankings. It’s a 4-pound doorstop: six CDs and a Blu-Ray disc containing the original album, 27 early acoustic demos and 50 session tracks, most of them previously unreleased, plus a hardcover book. The mix, by George Martin’s son, Giles, is immaculate, and in many ways the Beatles have never sounded better or more intimate.
But is the actual music worth the fuss? The pop historians have trained generations to believe the Beatles could do no wrong, and that the “White Album” was one of the group’s greatest achievements. It undeniably contains some of the band’s finest songs. But does it really make the case for the Beatles in late-career overdrive, or is it a wildly erratic hit-and-miss hodgepodge that could’ve been better served as a single album?
Source: Greg Kot/chicagotribune.com
There’s something to be said for having your ears scrubbed clean every so often and experiencing a beloved classic for the first time — again. The 50th-anniversary reissue of “The Beatles,” a.k.a. the White Album, does exactly that. It’s more than just nostalgia at work here. This is reappraisal, reinvigoration — a wholesale reintroduction. It’s as though someone had blown the dust off your youth and handed it back to you it in high-definition Sensurround.
The new/old White Album was released Nov. 9 in four different editions, two on vinyl, two on CD, all featuring new stereo remixes of the original 1968 album’s 30 cuts overseen by Giles Martin (son of the late Beatles producer George Martin) and Sam Okell. The 4-LP and 3-CD versions add in the “Esher demos,” acoustic test versions of 21 cuts recorded by the group at George Harrison’s home in Esher, Surrey. The 6-disc coffee-table version — a monolith that hard-core Beatlemaniacs will probably dance around “2001”-style — tacks on three discs of revelatory outtakes, rehearsals, and alternate versions, a book that reprints the original handwritten lyrics and breaks down the genesis and recording of every cut, and a Blu-ray audio disc for serious soundaholics.
Source: Ty Burr - Globe Staff / bostonglobe.com
Producer Chris Thomas and engineer Ken Scott have been speaking about the double LP, which has the formal eponymous title of The Beatles. The album has already gone platinum 19 times. On the new 50th-anniversary deluxe box sets released on November 9, the album’s 30 tracks are remastered and joined by 27 early acoustic demos and 50 session takes, most previously unreleased, in a process overseen by Giles Martin, son of the record’s main producer George Martin.
Scott and Thomas recall John Lennon’s surprising choice of favorite songs; why Ringo Starr walked out at one point; how George Harrison came into his own and stood up to George Martin; and how Paul McCartney fell asleep on the mixing desk after a hard day’s night finishing the White Album.
Thomas, now 71, was working as an assistant to George Martin at his independent production company AIR at the time of the White Album. He watched the early sessions from May 1968 then took time off on a short vacation, he said in an interview at the Arts Club in London: “I came back at the beginning of September. There was a little handwritten note from George Martin on my desk saying ‘I hope you had a nice holiday, I am off on mine now. Make yourself available to The Beatles.
Source: Mark Beech/forbes.com
Rosanne Cash has been named the recipient of the “John Lennon Real Love Award,” an honor she will accept at the 38th Annual John Lennon Tribute concert November 30th in New York City.
Cash will perform several of her favorite Lennon and Beatles classics during the concert, which will also include guests Marc Cohn, Jesse Colin Young (the Youngbloods), Willie Nile, Scott Sharrard and Mark Erelli.
Non-profit organization Theatre Within presented its first tribute event for the late musician as a neighborhood gathering at their studio shortly after Lennon was gunned down outside the Dakota apartment building in New York in December 1980. Proceeds from the tribute will support Theatre Within’s ongoing free workshops in creative expression and mindfulness, which use Lennon’s songs and message to encourage creativity and truth. The organization currently provides workshops through Gilda’s Club NYC, for children who have lost a parent to cancer, as well as adults in treatment and others impacted by cancer. The tribute concert is the only event of its kind worldwide sanctioned by Lennon’s widow, Yoko Ono.
Source: Stephen L. Betts/rollingstone.com
Ringo Starr is having a big moment. Pushing 80, the Beatle drummer shows no signs of slowing down. Thanks to the revelatory new Super Deluxe edition of the White Album, his legend is getting a boost. Fans can savor new dimensions to his playing on the 1968 masterpiece, in the definitive new mix from Giles Martin — finally, we can hear Ringo rock out on “Long, Long, Long” in all his glory. It proves what true fans have always known — he was the heartbeat of the Beatles.
But Ringo’s moving forward. The 78-year-old mocker who sang “Photograph” has a new coffee-table book of photos, Another Day in the Life. The book follows Ringo’s adventures around the world, dating back to his Fabs days — as he says, “photos by me and a few picked up along the way.” (Like the man says in A Hard Day’s Night, you can learn from books.) There’s a foreword from David Lynch, calling it “Ringoism in book form,” as well as Ringo’s own unique commentary, like when he reflects on the cover of Abbey Road: “We were sitting in the studio thinking, ‘We need a cover, let’s go to Hawaii! Let’s go to Egypt! Oh, sod it, let’s just walk across the road.’”
Source: Rob Sheffield/rollingstone.com
“Hey Jude” remains the Beatles’ biggest-ever hit, the one that stayed at #1 for the longest. It’s also a document of the moment that the band finally started coming apart for good. And from at least one perspective, it’s a song about that fracture — one band member wishing a warm and only slightly premature farewell to his greatest collaborator.
In the spring of 1968, John Lennon separated from his wife Cynthia, leaving her for Yoko Ono. Paul McCartney felt bad for Julian, John’s five-year-old son. He went to visit Cynthia and Julian, to check in on them. And when he was on that trip, he came up with the idea for “Hey Jude,” thinking of it as “Hey Jules” at first. (He ultimately liked the name “Jude” better.) Julian didn’t learn until he was a teenager that the song was about him, but he also has memories of being closer with McCartney than he was with his own father.
So McCartney, by most accounts, wrote “Hey Jude” to comfort Julian. But John Lennon heard something else in the song. Years later in interviews, Lennon said that he thought the song was about him — that it was Paul giving him his blessing to go off with Ono and to leave the band behind him. For that matter, Paul McCartney had only just broken up with his longtime girlfriend Jane Asher and taken up instead with his future wife Linda Eastman. So maybe he was singing the song to himself.
Source: Tom Breihan /stereogum.com
You don’t have to be a fan of the Beatles to appreciate their brilliance.
Over their relatively short career as the fab four from Liverpool, the Beatles recorded 206 original compositions across several different albums. It’s hard to pinpoint exactly how many albums sold, but data suggest it’s somewhere between 272 million and 600 million.
More recently the Beatles celebrated the 50th anniversary of the so-called “White Album” (actually knowns as The Beatles) by remastering the originals and releasing a treasure trove of outtakes & previously unheard versions in a new box set.
As I listened to the new, sonically superior versions of classic songs like Back in the U.S.S.R, Blackbird, and Dear Prudence, I found myself clamoring for the other goodies nested in the box set package.
As part of the 50th-anniversary celebration, the new “White Album” comes with early recordings logged from George Harrison’s home. During the mid-to-late 1960’s, Harrison lived in the village of Esher, a part of Surrey and southwest of London. Before going into the famous Abbey Road Studios to record the “White Album,” the Beatles spent time at Harrison’s home going through their material to develop early-stage arrangements. All of it was recorded on a four-track recorder.
Source: Dan Pontefract/forbes.com
A 59-year-old man was charged in Germany on Monday on suspicion of trying to sell stolen diaries and other items that had belonged to the late Beatle John Lennon.
The suspect, identified by the Berlin prosecutors’ office only as Erhan G., in 2014 commissioned an auction house in Berlin to sell the items, receiving an upfront payment of €785,000 (US$884,000), the office said in a statement.
Glasses from the estate of John Lennon are pictured during a press conference in Berlin. The glasses were among items stolen from Lennon's widow Yoko Ono in New York in 2006. Photo: Agence France-Presse
The items, which were stolen from Lennon’s widow Yoko Ono in 2006 and ended up in Berlin, also included letters, a recording of a Beatles concert and a pair of Lennon’s glasses.
Among them was Lennon’s last diary which ended on December 8, 1980, the day he was shot and killed in New York.
It contained the entry that on that morning Lennon and Ono had an appointment with photographer Annie Leibovitz. The resulting portrait of a naked Lennon curled up around Ono on their bed ran on the January, 1981 cover of Rolling Stone magazine.
Source: scmp.com
Slowhand: The Life and Music of Eric Clapton is my eighth rock biography since Shout! The True Story of the Beatles in 1981. It left me feeling more than ever that writing books about such people is no job for a grownup and determined never to be talked into another one.
I had intended Shout! to stand alone, but it started a chain reaction that has kept me chained ever since, with only temporary breaks for novels, short stories, plays, TV documentaries, musicals and journalism.
Researching the Beatles provided an irresistible flying start to a biography of the Rolling Stones, whose story was so closely bound up with theirs. Afterwards, it was almost obligatory to “do” Buddy Holly, who established the rock band concept with the Crickets, and first inspired John Lennon and Paul McCartney to try songwriting, as they in turn inspired Mick Jagger, Keith Richards and hundreds of other musically unschooled young Brits. Then there was no escaping Elton John, who was discovered by the Beatles’ music publisher, Dick James, and took to wearing outsize spectacles like Holly although his eyesight was normal.
Source: Philip Norman/theguardian.com
