Beatles News
If you listen to a certain corner of the internet (it began offline long ago, actually), you’ll hear some interesting theories about The Beatles. We present a taste of those in the italics below.
There’s only one thing you need to know about Paul McCartney: He’s dead. In November 1966, he blew his mind out in a car. The following year, his replacement, named William, took over on Sgt. Pepper’s. (Billy Shears is just another way of saying, “Billy’s here.”)
It’s obvious. Otherwise, why would Paul wear a black carnation in Magical Mystery Tour while his bandmates wore red ones? And why would he be barefoot on the cover of Abbey Road? That’s a clear sign he’s dead. (George Harrison is obviously the gravedigger; Ringo is the undertaker.)
We won’t even touch the part of Paul holding a cigarette in his right hand on the album cover. Everyone knows he was left-handed, and thus would only hold cigarettes in his left hand.
Source: cheatsheet.com
As with the 50th anniversary editions of Sgt. Pepper’s Lonely Hearts Club Band and The Beatles (aka The White Album), any fan could argue that this new mix of Abbey Road is unnecessary. Some may go as far as saying that tinkering with the Fab Four’s last-recorded studio album is sacrilegious. If you’re happy with your old vinyl or early CD, no one can fault that. For those who enjoy digging deeper into the Beatles legend, however, this anniversary set is marvelous and revelatory. For this review, your humble scribe made comparisons to a clean 1995 LP pressing and the 2009 CD remaster (a major overhaul itself).
Source: illinoisentertainer.com
In a city filled with stunningly beautiful monuments, a Gothic bridge of much atmospheric antiquity, a languid river, a sprawling palace complex, the John Lennon Wall is a bit of an anomaly. But there is no doubt about it: this wall dating back to the 60s is a historical record-of-sorts, replete with much drama and turbulence. Spanning a stretch of less than a kilometre, the compound wall belongs to the Sovereign Military Order of Malta, a Catholic lay religious order. Every conceivable inch of it is covered with bright, even lurid, graffiti. Just off-centre is the familiar face, with its round glasses.
Alongside Lennon’s face run the words ‘All you need is love’. The face is almost fully covered with fresh drawings now, only the eyes watch steadily.
Source: Sheila Kumar/newindianexpress.com
Paul McCartney has had a decade spanning career as a solo artist which would be the envy of almost any musician you care to mention. The artists who can claim his success or longetvity are few and far between. At the same time, he forever lives in the shadow of his achievements with The Beatles half a century ago.
His self title debut solo album featured the eternal classic Maybe I’m Amazed but was otherwise homemade and low key by design. For all its charm it felt like a minor work compared to the grand statements of John Lennon and George Harrison’s solo debuts.
He regained popular acclaim in The Seventies with Wings But was seldom a critics’ favourite and there’s a pervading opinion that he was never as good without his old friends from Liverpool.
Source: whatculture.com
By the time The Beatles settled in to write the songs that would make up their legendary 1967 album Sgt. Pepper’s Lonely Hearts Club Band, John Lennon and Paul McCartney’s songwriting partnership had drastically transformed from the early days when they would write songs face-to-face, trading lines. It was now far more common for one of them to write a song on his own and then bring it in so the other could edit, criticize, and maybe embellish upon the raw material provided.
In the case of Pepper’s monumental closing track “A Day In The Life,” the collaboration came from the melding of seemingly disparate parts of songs that the two had written separately. As Lennon told Playboy shortly before his death in 1980, “I was reading the paper one day and noticed two stories. One was about the Guinness heir who killed himself in a car. That was the main headline story. He died in London in a car crash. On the next page was a story about four thousand potholes in the streets of Blackburn, Lancashire, that needed to be filled.”
Source: Jim Beviglia/americansongwriter.com
Mary, Sylvia, Val and Pam performed at the same venues as the Rolling Stones and The Kinks and had equal billing with Chuck Berry in Hamburg, where they were known as “the female Beatles”. Which must have really annoyed John Lennon. When he met them backstage at the Cavern, he told them: “Girls don’t play guitars.” They turned down the Fab Four’s manager Brian Epstein, hung out with Jimi Hendrix and The Four Tops, helped The Kinks record their first No1 and guitarist Pam had a fling with Mick Jagger. But Mary McGlory, Sylvia Saunders, Valerie Gell and Pamela Birch never became household names like their male contemporaries.
Now, more than 50 years on, the incredible story of the four teenagers and their part in the Merseybeat revolution is finally being told in a new musical, Girls Don’t Play Guitars, a whirlwind tour through the band’s five years together, created with the help of its two surviving members, drummer Sylvia, 72, and bassist Mary, 73, pictured right.
Source: Kat Hopps/express.co.uk
By 1965, The Beatles had written some great songs. They’d put “Please Please Me,” “A Hard Day’s Night,” and the Paul McCartney masterpiece “Yesterday” on vinyl and sold millions of records around the world.
But as catchy as those tunes (and their song titles) were, the band had yet to name an album with any sort of creativity. Of their first five releases, the title either came from a song or film name (e.g., Help!) or had a generic name (e.g., With The Beatles).
Prior to the release of Rubber Soul (December ’65), it was clear the band could do better. The record, which George Harrison called his favorite with The Beatles, featured classic tracks like “In My Life” and “Nowhere Man.”
In a nod to the psychedelic age, the band used an stretched-out photo and bubble lettering for the album cover. And for the title, they used a phrase Paul heard an American bluesman had used to describe Mick Jagger.
Source: cheatsheet.com
Dressed exactly as John Lennon, Paul McCartney, Ringo Starr and George Harrison once did, the Mersey Beatles, a tribute band, comes out onto the stage and immediately transports the Buskirk-Chumley Theater’s audience back to the 1960s.
Beatlemania and the classic moptop hair, returned.
On the evening of Oct. 16, the auditorium of the BCT lit up with sing-alongs, dancing and laughter as the Beatles cover band, the Mersey Beatles, performed the entirety of the Beatles’ eleventh studio album, “Abbey Road,” as well as a set of the Beatles’ greatest hits.
Audience attendee and Bloomington resident Michael Esposito was excited.
“My favorite song from the Beatles is ‘While My Guitar Gently Weeps,’” Esposito said before the show began. “It reminds me of my family growing up. It’s very nostalgic.”
Source: Greer Ramsey-White/idsnews.com
Former LIFE photographer Bob Gomel captured some of the earliest days of Beatlemania. Many of his photos were never shared with the public, until now. VPC
If it were not for the Isley Brothers, the Beatles would still be Liverpool.
That's the word from Paul McCartney, who told guitar legend Ernie Isley of the debt the Fab Four owed the Isleys when they met at the Apollo in the Hamptons benefit in 2012. The Beatles, of course, covered the Isley Brothers hits “Twist and Shout” and “Shout” early in their career.
The Isleys had just finished performing “Shout” at the benefit.
“We came back off the stage, taking selfies and signing autographs,” Ernie Isley said. “My wife Tracy said to me Paul McCartney’s over there and I said, 'Where?' She points and he was about four tables away. I squeezed through the tables, tapped him on his shoulder and he stood up at his full height and gave me bear hug that cut my wind off.
Source: Chris Jordan, Asbury Park Press
When The Beatles described how hectic their lives were from 1963-67, they weren’t exaggerating. Over that time, the band released nine albums of original songs. On top of that, they owed the record company between two and four singles (separate from the records) each year.
Meanwhile, they mixed in two feature films, one poorly received TV movie, and countless concerts and appearances. Indeed, you might be running from fans and snapping at people, too, if you had that type of schedule.
Once the band quit touring for good, they had more time to spend in the studio to lay down whatever sort of tracks they liked. And they used as much of it as they could (over four months) to make their first album as purely studio musicians: Sgt. Pepper’s Lonely Hearts Club Band.
Source: cheatsheet.com
