Beatles News
Ringo Starr has said he “never” practices the drums on his own, preferring to play with other people.
It seems ‘never practising” for Starr applies to just solitary playing, as he has been quite busy lately – recently releasing the album What’s My Name on 25 October this year.
Starr made the statement in Rolling Stone’s latest Artist on Artist interview, where has speaking to fellow drummer and Foo Fighters frontman Dave Grohl. Grohl echoed Starr’s opinion, saying “I don’t like playing alone. I only like playing when there’s music.”
Ringo went on to joke about the negative influence too many formal lessons, saying “when I’m doing shows, and people hold up their little seven-year-old: ‘This is Tommy. He loves you, and he’s taking drum lessons.’ And I always say, ‘I hope he’s not taking too many!’”. The pair’s extensive conversation also touched on shared influences, the development of Beatles songs’ themes and what Starr thought when he first heard Nirvana.
Source: Sam Roberts - guitar.com
By 1967, the cat was out of the bag as far as The Beatles and drugs were concerned. Before that, fans might have heard the band sing about a “Day Tripper” or felt like they’d been on an acid trip listening to Revolver, but after the release of Sgt. Pepper’s Paul McCartney admitted he’d taken LSD.
That led to all sorts of speculation about the band’s music. On the subject of “Lucy in the Sky With Diamonds,” many insisted the initials (i.e., LSD) spoke volumes about the song’s content. (John Lennon said it was about a drawing his son Julian had made at school.)
Marijuana was a different story, however. During recording sessions, The Beatles were spotted puffing on a joint and having a laugh. And Paul later said he wrote “Got to Get You Into My Life” not about a woman, but about weed.
Fab Four pot use really took off in 1965. Late that year, they recorded the album George Harrison called the first when they were “fully fledged potheads.” And the stories about them filming Help! earlier in the year definitely back up that assessment.
Source: cheatsheet.com
For the Sgt. Pepper’s Lonely Hearts Club sessions, The Beatles wrote several songs based on newspaper articles they’d read. In the most famous example, John Lennon combined stories about a car wreck and a call for public improvements (4,000 potholes in Blackburn) on “A Day in the Life.”
But the list only begins there. On “Lovely Rita,” Paul McCartney invented a fictional meter-maid based on an article he read about that new profession (circa 1967). And Paul once again turned to the papers when he wrote “She’s Leaving Home.”
While Paul had invented his fictional band led by Billy Shears for the album’s concept, he had a real-life subject in mind when telling the story of a wealthy runaway girl. And the craziest part is, Paul had met the same girl four years earlier while making a TV appearance.
Source: cheatsheet.com
The new remastered version of "Abbey Road" offers some interesting alternate versions and mixes on the very last album The Beatles recorded — although it wasn't the last to be released.
"Abbey Road" topped the charts in both the U.S and England when it shortly after it debuted on Sept. 26. 1969. Now, a new remastered and remixed 50th Anniversary Deluxe Edition has been released. Is it worth it? Yes and no.
I learned a long time ago remastering a classic album sometimes pays off — and sometimes it doesn't. Although sometimes previously unheard notes can be brought to the fore, that doesn't necessarily improve the listening experience.
When compact discs were first released, not every album was immediately available in the then-new format. Although they were touted to have improved sound, discerning listeners soon learned that many of the discs didn't sound as good as the vinyl they were supposedly replacing.
It took a matter of years for many albums to be converted to CD, with The Beatles — amazingly — among the last of the classic artists to have all their albums released as compact discs.
Source: James Beaty/mcalesternews.com
Stella McCartney got candid about her career trajectory and the realities of the fashion industry this week while speaking at the WWD Apparel + Retail CEO Summit in New York. Known for never using fur or leather, the designer also doubled down on the importance of both style and sustainability.
She told WWD’s Bridget Foley, who moderated the talk: “When I started, I was Paul McCartney’s daughter. That was the only headline I had. I came to fashion with that label. I had to shake that puppy off for a while.”
It wasn’t until this year that McCartney leaned into her family history with the launch of the “All Together Now” collection, inspired by The Beatles’ film “Yellow Submarine.” She said, “I definitely avoided The Beatles for a period of time. That’s why I went into fashion and not music. I didn’t want to give people the easy route with me. It took time.”
Source: Nikara Johns/footwearnews.com
Ringo Starr has recalled the time he discovered that his Beatles bandmate John Lennon had been killed.
The legendary musician was murdered by obsessed fan Mark Chapman on December 8, 1980. Lennon had been shot four times at close range outside his Manhattan residence.
In a new interview with Rolling Stone, Beatles drummer Starr opened up to Foo Fighters‘ Dave Grohl about the moment he was told the tragic news.
“When John went, I was in the Bahamas. I was getting a phone call from my stepkids in L.A. saying, ‘Something’s happened to John’,” he explained. “And then they called and said, ‘John’s dead’. And I didn’t know what to do.”
Revealing that he “still well[s] up that some bastard shot him”, Starr went on to detail his actions in the immediate aftermath of Lennon’s death.
Source: Tom Skinner/nme.com
When Ringo Starr decided to record a cover of one of the last songs written by John Lennon, the Beatles drummer knew he wanted former bandmate Paul McCartney to play bass.
Then, his record producer found a way to bring in a bit of the late George Harrison.
The producer, Jack Douglas, inserted strings from “Here Comes the Sun” - one of the few Beatles hits written by Harrison - into the Starr’s recording of the song “Grow Old with Me.”
“We’re all on it now,” Starr, in an interview with Reuters, said of the musical reunion. “I had nothing to do with that.”
“Grow Old with Me” is a single on Starr’s new album called “What’s My Name.” Lennon had recorded a demo of “Grow Old with Me” for his 1980 release “Double Fantasy,” but the song never made it onto that album.
Source: Rollo Ross/reuters.com
If there’s one thing Beatles fans have always wanted, it’s “more Beatles.” Otherwise, it’s hard to imagine the endless reissues being successful. In the last few months (i.e., 50 years later) alone, we’ve seen an Abbey Road reissue and heard of a pricey vinyl singles collection coming in November.
So when the band returned from India in 1968 with tons of new songs, it didn’t seem like a negative. “Paul [McCartney] must have done about a dozen,” John Lennon said then. “George [Harrison] says he’s got six. I wrote 15. And look what meditation has done for Ringo — after all this time he wrote his first song.”
But the band couldn’t come close to cramming all that music on one record. For a group that usually released tightly produced, single-disc albums, something would have to give. (Indeed, many things gave during the wild sessions that produced the White Album.)
Producer George Martin, often considered the fifth Beatle, was among those who thought a double album was a bad idea. And he told the band about it at the time.
Source: cheatsheet.com
After The Beatles broke up, the questions didn’t stop coming. People were still listening to the Fab Four’s records throughout the 1970s and wanted to know everything — the meaning behind songs, who wrote and played what, and any other details a Beatle might divulge. (That hasn’t really changed.)
Maybe the most popular topic was whether John Lennon or Paul McCartney wrote the main part of a Lennon-McCartney classic. Once an interviewer got that answer, they usually shifted to the inspiration for the song and how it got made (who played what, etc).
Fortunately for Beatles fans who enjoy in-depth looks at the music, John and Paul usually obliged. However, the meaning behind a few songs has remained obscure over the years. “And Your Bird Can Sing” (Revolver) is one of them.
Source: cheatsheet.com
Looking back at the Beatles’ darkest hour, it’s easy to point to the White Album sessions (1968). After all, there was so much negative energy John Lennon and Paul McCartney almost fought in the studio. And that’s not mentioning how Ringo quit the band for a few weeks that August.
Meanwhile, George Harrison had written some of his best work (“While My Guitar Gently Weeps,” “Long, Long, Long”) but still had trouble getting his band mates interested in his songs. Indeed, the White Album didn’t come easy.
But The Beatles did finish their double album without breaking up. In the January ’69 Let It Be sessions, you could argue band relations were just as bad while the results were significantly worse. (George called it “the low of all-time.”) This time around, there was an actual fistfight in the studio.
That incident, combined with an argument with Paul, led directly to George walking out on the group. But John didn’t seem worried about George’s absence at all. He had suggestions for what song they should play and who might replace their departed lead guitarist.
Source: cheatsheet.com
