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Phil Rudd has recently joined AC/DC with Brian Johnson and Cliff Williams to release an album amid the ongoing coronavirus pandemic. The album titled ‘PWR/UP‘ and will be released on November 13th.

Whatever, recently, during the interview, the successful drummer was asked, “Who were your guys, the drummers that you were rocking to when you started out?”, Phil Rudd replied and said:

“Well, we got Ringo, Charlie Watts, Ian Paice, just those ’60s guys, British rock guys, and Ringo’s sort of always a special kind of a dude. He was great – he was great, he had really great attitude.”

Following that conversation, the interviewer said that it’s funny to think of Ringo Starr and that if he thinks whether he is so underrated. Phil replied:

“I saw him play with Carl Perkins and Eric Clapton on that Carl Perkins birthday show they did – he’s just hot, he’s on it.

Source: Talha Cetinbas/metalcastle.net

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While we await the release of Peter Jackson’s The Beatles: Get Back, we already know where the living members of the Fab Four stand on the documentary’s release. Both Ringo Starr and Paul McCartney expressed their approval of this alternate look at the Let It Be sessions.

As for George Harrison and John Lennon, we only have their takes on 1970’s Let It Be — and both recalled the period as extremely unpleasant. ““It was just a dreadful, dreadful feeling and, being filmed all the time, I just wanted them to go away,” Lennon said in Beatles Anthology.

Harrison said more or less the same thing. “For me, to come back into the winter of discontent with The Beatles [during the Let It Be shoot] was very unhealthy and unhappy,” he recalled in Anthology (in the ’90s). At another point, Harrison described it as “painful.”

Originally, Harrison saw Let It Be in a far more positive light. In a March ’70 interview with the BBC, he described the film and record as “a good change” from previous Beatles releases. He liked the imperfections the project revealed.

Source: cheatsheet.com

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The Beatles spent almost all of their time writing and recording songs. During the recording sessions for the band’s fourth album, Beatles for Sale, inspiration struck John Lennon. Although the album was about to be finished, he couldn’t help but write the music and lyrics for yet another show-stopping hit.

The song in question was the 1964 hit I Feel Fine.

Although all the songs had been recorded for Beatles for Sale, Lennon worked with his peers to perfect the somewhat country-and-western hit.

The single was released just one month before the release of Beatles for Sale in November of 1964, and was an instant success.

As soon as I Feel Fine was released it topped charts in the UK, USA, Canada, Ireland, The Netherlands, New Zealand, Norway, and Sweden.

Source: Callum Crumlish/express.co.uk

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The Beatles made 50 million last year 06 November, 2020 - 0 Comments

Apple Corps Limited's annual accounts showed a turnover of £50,244,899 for the 12 months ending in January, the equivalent of £137,657 a day, despite the group having gone their separate ways more than 50 years ago.

According to the Daily Mirror newspaper, of the figure, surviving members Sir Paul McCartney and Sir Ringo Starr, along with John Lennon's widow Yoko Ono and George Harrison's widow Olivia, received £6.1 million each.

This was made up of £1,417,000 in dividends and £4,719,500 in “connection with the provision of promotional services and name and likeness rights”.

Apple Corps' figures also showed they made a pre-tax profit of £8,606,191.

A large chunk of the money comes from Las Vegas stage show 'Love', a joint venture with Cirque du Soleil.

Source: pressofatlanticcity.com

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Paul McCartney wrote this song about his wife Linda, who died of breast cancer in 1998. McCartney never wavered in his love for Linda, and even made her part of his band so she could tour with him.

"Maybe I'm Amazed" was written in 1969 just after The Beatles broke up. McCartney credits Linda with helping him get through this difficult time.

The studio version of this song was never released as a single (no tracks on the album were), but it is one of the most enduring songs on McCartney's first solo album. A concert version was released as a single in 1977 to promote the Wings Over America live album. Credited to Paul McCartney & Wings, it went to #10 in the US in April 1977.

McCartney, an animal rights activist, appeared on The Simpsons episode 3F03, "Lisa The Vegetarian." McCartney helps Lisa become a vegetarian and tells her that if you play this song backwards, you hear a recipe for lentil soup. Over the closing credits of that episode, if you listen carefully, you can hear the backwards message. As an extra feature on The Simpsons DVD, you can hear McCartney read the recipe and say, "There you have it Simpsons lovers, oh and by the way, I'm alive."

Source: songfacts.com

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In many ways, 1960s It girl Jenny Boyd's life has been overshadowed by that of her more famous elder sister. Pattie met George Harrison of The Beatles while playing a school girl in A Hard Day's Night, later marrying him and inspiring several of his songs, before leaving him for his friend Eric Clapton, who wooed her with Lola, written about her. Yet now Jenny, aged 72, is stepping into the spotlight, with the publication of her own memoir, Jennifer Juniper: a Journey Beyond the Muse.

Born on 8 November 1947, she met her future (two time) husband Mick Fleetwood aged 16, and was with him when he formed Fleetwood Mac, one of the most famous and successful bands of the 20th century. She headed to California to experience the hippy revolution of San Francisco's Haight-Ashbury aged just 19 in 1966, before joining her sister Pattie and brother-in-law George on The Beatles' famous trip to India in 1968, spending time with the band as they learned from guru Maharishi Mahesh Yogi.

Source: Rebecca Cope/tatler.com

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The Beatles recorded hundreds of songs throughout their careers. Many of them made it onto their albums, but a collection of them failed to get appearances in records or single releases. So then, it is surprising to hear that the band’s drummer, Ringo Starr, favours one song over the rest, and it was a B-side of a single.

Shortly into the band’s career they released Paperback Writer - one of their best-known songs.

The single was released in 1966, but was not featured on any of the Fab Four’s studio albums.

While the track itself was a runaway hit, hitting number one in the UK charts instantly, it is the other side of the disc that Ringo remembers fondly.

Rain appears on the B-side of Paperback Writer, and was also recorded during the recording sessions for the band’s seventh album Revolver.

Source: Callum Crumlish/express.co.uk

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The Beatles came to an end in 1970 after a collection of disagreements, and a slow degradation of relationships between the four members. John Lennon, George Harrison, Paul McCartney, and Ringo Starr were the most popular people on the planet, but they simply couldn’t work together any more after ten years of hard recording, performing, and touring.

The 1960s were a different time for the band, however. Despite becoming icons later in the decade, they began with nothing to their names, and no notoriety.

A recent interview with former Fab Four pal and artist Klaus Voorman told of the band’s squalor in the earlier days.

Voorman first explained to The Guardian that he met the band in Hamburg, Germany, in 1960.

After storming out of the home of his girlfriend at the time - The Beatles' photographer Astrid Kirchherr - he came across a club that the Fab Four were playing at.

Source: Callum Crumlish/express.co.uk

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Like most classic-rock era bands, their biggest hits tend to get played into rote memory, while adjacent album cuts may languish in relative obscurity. In cases like 1968's The Beatles, they released so many songs in a rush that the project can become overwhelming. With others, including 1970's Let It Be, chart-topping hits tend to suck up all the oxygen.

That said, in still other cases, the most overlooked song from each album can be pretty well known. That's a function of the Beatles' place in rock history, as this music has sparked some of rock criticism's most probing explorations. (In fact, one of these tracks sparked a comparison in London's largest newspaper to the early modernist composer Gustav Mahler.)

John Lennon's role as the group's early principal songwriter meant he inevitably dominated this list – though key tracks from Paul McCartney and George Harrison find a home, too. Together, they created a discography that yielded 20 No. 1 Billboard smashes, 34 other Top 10 finishers, and a few notably underrated moments along the way. Keep scrolling for a look back at the most overlooked song from every Beatles album.

Source: ultimateclassicrock.com

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In September 1969, the bass player and artist Klaus Voormann, who had recently left Manfred Mann, received a phone call from John Lennon. There was nothing unusual in that. Voormann had known the Beatles for nine years and was part of the band’s tight inner circle. It was Voormann’s own band, Paddy, Klaus and Gibson, that Lennon and George Harrison had attempted to go and see live on the night they were famously dosed with LSD at a dinner party. Ringo Starr was already at the gig and was noisily confronted by his lysergically altered bandmates claiming that the venue’s lift was on fire. A year later, he had designed the Grammy award-winning cover of Revolver.

The issue was more what Lennon wanted him to do. Lennon had whimsically agreed to perform live at a rock’n’roll revival festival in Toronto at two days’ notice and was trying to cobble together backing musicians to play as the Plastic Ono Band. Eric Clapton had agreed to play guitar, but Voormann took more convincing, on the not-unreasonable grounds that headlining a festival with a new band who hadn’t rehearsed didn’t seem like one of Lennon’s more inspired ideas.

Source: Alexis Petridis/theguardian.com

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