Beatles News
Paul McCartney urged the British government not to make a change to copyright laws that he says could let artificial intelligence companies rip off artists. The government is consulting on whether to let tech firms use copyrighted material to help train artificial intelligence models unless the creators explicitly opt-out.
McCartney told CBS News partner BBC that would make it harder for artists to retain control of their work and undermine Britain's creative industries.
"You get young guys, girls, coming up, and they write a beautiful song, and they don't own it, and they don't have anything to do with it. And anyone who wants can just rip it off," the 82-year-old former Beatle said in an interview to be broadcast Sunday. An extract was released Saturday by the BBC.
"The truth is, the money's going somewhere. When it gets on the streaming platforms, somebody is getting it, and it should be the person who created it. It shouldn't be some tech giant somewhere," he said.
Britain's center-left Labour Party government says it wants to make the U.K. a world leader in AI. In December, it announced a consultation into how copyright law can "enable creators and right holders to exercise control over, and seek remuneration for, the use of their works for AI training" while also ensuring "AI developers have easy access to a broad range of high-quality creative content."
Publishers, artists' organizations and media companies, including The Associated Press, have banded together as the Creative Rights in AI Coalition to oppose weakening copyright protections.
"We're the people, you're the government. You're supposed to protect us. That's your job," McCartney said. "So you know, if you're putting through a bill, make sure you protect the creative thinkers, the creative artists, or you're not going to have them."
Source: cbsnews.com
Former Beatles drummer Ringo Starr has been enjoying plenty of media attention for his new country-flavored album, Look Up. As he’s explained in multiple recent interviews, Starr has been a fan of country music since he was a child, and his love of the genre is apparent from the material he sang with the Fab Four.
In a new article in the U.K. magazine Mojo, Paul McCartney talked about Starr’s affinity for country music and why he thinks the genre is well-suited for his Beatles bandmate.
“He always loved country from the first minute I met him,” McCartney shared. “He liked the old country singers like George Jones and people like that, and he was a big fan of that.”
Sir Paul added, “I think, you know, maybe, it suits his personality. He’s a very sincere, straightforward guy, and I think that’s the sort of theme behind a lot of country music.”
Starr’s amiable nature inspired Beatles fans to launch a “Ringo for President” campaign back in 1964. Mojo jokingly asked McCartney if he would support a Starr candidacy, and Paul seemed amenable to the idea … well, sort of.
“Ringo for President? Yeah, absolutely! He would do a great job,” McCartney enthused, then added, “President of what is the question.”
Source: americansongwriter.com/Matt Friedlander
Legendary guitarist George Harrison said he “couldn’t join a band” with Paul McCartney after The Beatles’ split.
Harrison would work with Fab Four bandmates John Lennon and Ringo Starr on various projects after The Beatles’ break-up, but he and McCartney would only work together once before revisiting unreleased material from the band. McCartney and his wife, Linda, provided backing vocals on All Those Years Ago, the fourth track of Harrison’s 1981 album, Somewhere in England. He and McCartney, joined by drummer Starr, would lay down new instrumentals for Free as a Bird and Real Love.
But Harrison maintained for years he could not join a band with McCartney again, and while it was “nothing personal”, the Something and All Things Must Pass songwriter said he was more inclined to work with Lennon. A press conference appearance from Harrison confirmed he “couldn’t join a band” with his former bandmate again.
He said: “Paul is a fine bass player, but he’s a bit overpowering at times. To tell the truth, I’d join a band with John Lennon any day, but I couldn’t join a band with Paul McCartney. It’s nothing personal; it’s just from a musical point of view.”
Source: cultfollowing.co.uk/Ewan Gleadow
Instruments used in the recording of The Beatles' classic album 'Sgt Pepper’s Lonely Hearts Club Band' have gone on display in Liverpool. French horns were used on the 1967 album, which was number one in the UK charts for 23 straight weeks, and two of them have now been exhibited at Liverpool Beatles Museum on Mathew Street.
Sian Kenrick, whose late father Tony Randall played the horn, got in touch with the museum in December. After officials confirmed they would like to put the instrument on display, Mr Randall’s family got in touch with the relatives of John Burden, another of the four French horn players on the album.
Museum owner Roag Best said: "He was the guy Paul McCartney stood next to and, because Paul couldn’t transcribe music, he would hum the tune and say ‘can you write that down?’ He would have to write the music for the other French horn players."
Before he died, Mr Burden remembered the session saying: "They didn’t really know what they wanted. I wrote out phrases for them based on what Paul McCartney was humming to us and George Martin. All four Beatles were there but only Paul took an active interest in our overdub."
Families of both musicians flew in from Ireland and New York to be at the museum on Thursday to see the items unveiled, with members of Liverpool Philharmonic Orchestra providing music. Mr Best said: "None of the instruments from the album have ever appeared and it is an iconic album.
Source: Dan Haygarth, Eleanor Barlow/liverpoolecho.co.uk
Ringo Starr spent the first decade or so of his time as a musical superstar as one-fourth of the biggest band in the world. The music he released with The Beatles continues to make history, selling and streaming its way onto the charts to this day.
As millions of people around the world keep listening to The Beatles, Starr is focused on his solo career. He took a sonic risk with his latest release, which has paid off beautifully, as he earns a very special win—one that has eluded him throughout his decades-long post-band life.
Starr’s latest project Look Up debuts at No. 1 on a pair of charts in the U.K. this week. The set marks his first to rise to the summit on any of the main albums tallies in the nation under his own moniker.
Look Up launches in first place on both the Official Americana Albums and Official Country Artists Albums charts. Unsurprisingly, Starr hasn’t worked much in country or Americana before, so the title marks his first time reaching either of those rosters in any capacity.
Starr has released dozens of projects outside of The Beatles, though he hasn’t been nearly as successful as the other three former members of the rock group. Many of his full-lengths have missed the main list of the most-consumed albums throughout the U.K., though lately, his popularity seems to have surged, and his more recent efforts have performed well enough to chart.
Source: forbes.com/Hugh McIntyre
Two songs by the Beatles, originally released in the 1990s, are set to be remixed using artificial intelligence to enhance John Lennon’s vocals, Dahni Harrison, son of George Harrison, revealed during an interview with The Yomiuri Shimbun.
After Lennon was shot and killed in 1980, the other members of the Beatles received demos of the songs from his wife Yoko Ono. Lennon had recorded the vocals and piano for the demos at his home before he died.
The surviving members added their vocals and instrumentation and released “Free As a Bird” and “Real Love” as new songs by the band.
They also worked on “Now And Then,” but decided to shelve the piece after finding Lennon’s vocals and the piano for the song could not be separated.
Later, AI made it possible for Lennon’s vocals to be isolated from the piano. Paul McCartney contributed bass and piano to the track and Ringo Starr added drums, while guitar by George Harrison was provided through a recording from the 1990s, before his death in 2001. “Now And Then” was released in 2023 as the Beatles’ last song.
But as for “Free as a Bird” and “Real Love,” though recorded with cutting-edge technology in the 1990s, Lennon’s vocals sound distorted, and sounds that appear to be instrumental are not completely separated.
“I hope for it to be worked on the same way … to remix those original songs using the same technology as we used on ‘Now And Then,’ because they didn’t have that in the ’90s,” said Dahni.
Source: japannews.yomiuri.co.jp/The Yomiuri Shimbun
Sir Ringo Starr inadvertently has his late Beatles bandmate George Harrison to thank for his new country album.
The Fab Four drummer worked with T Bone Burnett on the LP, titled 'Look Up', with the American musician co-writing and producing the 11 tracks that feature.
Ringo, 84, had known Burnett, 77, for many years, but it was a chance between the pair back in November 2022 at a party to launch Olivia Harrison's book 'Came the Lightening - Twenty Poems for George' at the Sunset Marquis hotel in Los Angeles that inspired them to record together.
After being sent one song by Burnett, the pair met up in Los Angeles and the guitarist told Ringo he had nine tracks in total ready to go and so they quickly decided they would make a country music album.
Recalling being at the event to support George's widow Olivia, Ringo said: "We bonded as friends in the ‘70s because I was a resident in LA for a while and I had a lot of parties and any party I had he was there. I did not invite him once! He would be there and he’d come with one of the band. So he would be there and I got to know him a little bit.
"How this record came about was because Olivia was reading poems for George at the Sunset Marquis hotel and I was there and T Bone was there and a lot of other people were there. ‘How are you doing? What’s going on?’ I’m doing this. If you’ve got a song that you think would be good for me send it down.’ That’s how it started.
"He was the inspiration. He sent me this song and it was the most beautiful country track I’d heard in many years. It was sort of ‘50s country and so I thought, ‘I’ll just make a country EP now.’"
Source: yardbarker.com
You’d be forgiven for wondering what year it is when looking at some of the names in the running for the 2025 Brit Awards.
This year’s nominations include some serious throwbacks with the likes of Coldplay, Bring Me The Horizon, The Cure, and even The Beatles all getting nods. The Beatles’ AI-enhanced track Now and Then featuring John Lennon’s rediscovered vocals has landed the icons their second-ever song of the year nomination.
This is the first time in 42 years the group as a whole has been nominated for anything at all – even honorary awards. Sir Paul McCartney has landed a handful of nods over the years, but his last nomination was in 1990, not including his outstanding contribution to music honour 17 years ago.
Source: metro.co.uk/Danni Scott
The Beatles kept up a very prolific recording pace throughout their time together in the ’60s. Even when they gave themselves a little breathing room between records, they pushed the pedal to the metal when they returned to action. For example: the double LP The White Album in 1968.
As a result, the group’s songwriters had to keep their ears open for inspiration so they could fill out these records. On “Ob-La-Di, Ob-La-Da,” which appeared on The White Album, Paul McCartney used the motto of a musician acquaintance as a crucial jumping-off point to writing the song.
The Beatles headed to India in 1968 to study meditation. In between their mantras, however, they had a lot of free time on their hands. And with their minds cleared of distractions, they were able to churn out a boatload of fresh material, which is why they ended up recording a double album when they got back to work.
“Ob-La-Di, Ob-La-Da” was one of those songs they wrote during their stay. Paul McCartney was responsible for writing it. But, as he explained in The Beatles Anthology, the title was donated to him:
“I had a friend called Jimmy Scott who was a Nigerian conga player, who I used to meet in the clubs in London. He had a few expressions, one of which was, ‘Ob la di ob la da, life goes on, bra.’ I used to love this expression. … He sounded like a philosopher to me. He was a great guy anyway and I said to him, ‘I really like that expression and I’m thinking of using it,’ and I sent him a cheque in recognition of that fact later because even though I had written the whole song and he didn’t help me, it was his expression.”
While writing the song might have come easily to McCartney once he had Scott’s phrase in hand, getting it right in the studio was another matter. The band recorded it in several different styles, including one that included Jimmy Scott playing his instrument. They eventually scrapped all that and went for a slightly reggae feel, which was new for the band.
Source: Jim Beviglia/americansongwriter.com
French horns used to create the sound of one of The Beatles’ most acclaimed albums have gone on display.
The brass instruments can be heard on Sgt Pepper’s Lonely Hearts Club Band, which was released by the group in 1967 and was number one in the UK charts for 23 straight weeks. Two of the four French horns used on the album have been exhibited at Liverpool Beatles Museum. Sian Kenrick, whose late father Tony Randall played the horn, got in touch with the museum in December.
After officials confirmed they would like to put the instrument on display, Mr Randall’s family got in touch with the relatives of John Burden, another of the four French horn players on the album.
Museum owner Roag Best said: “He was the guy Paul McCartney stood next to and, because Paul couldn’t transcribe music, he would hum the tune and say ‘can you write that down?’ “He would have to write the music for the other French horn players.”
Before he died, Mr Burden remembered the session saying: “They didn’t really know what they wanted. I wrote out phrases for them based on what Paul McCartney was humming to us and George Martin.
“All four Beatles were there but only Paul took an active interest in our overdub.”
Families of both musicians flew in from Ireland and New York to be at the museum on Thursday to see the items unveiled, with members of Liverpool Philharmonic Orchestra providing music. Mr Best said: “None of the instruments from the album have ever appeared and it is an iconic album.
Source: Eleanor Barlow, PA/uk.news.yahoo.com
