Beatles News
It was 57 years ago today that The Beatles performed their first US concert. On February 11, 1964, two days after their appearance on The Ed Sullivan Show, the Fab Four’s American gig took place at the Washington Coliseum which had been set up for boxing. This meant that John Lennon, Paul McCartney, George Harrison and Ringo Starr had to perform in the unroped ring, which wasn’t ideal as they’d only be facing 25 per cent of the audience at one time.
So in-between songs The Beatles had to stop three times to rearrange the microphones and turn Ringo’s drum kit around.
Over 350 police officers surrounded the stage, with one finding the noise so loud he used two bullets for earplugs.
The 35-minute set saw The Beatles perform: Roll Over Beethoven, From Me to You, I Saw Her Standing There, This Boy, All My Loving, I Wanna Be Your Man.
Source: George Simpson/express.co.uk
The sloppy, posthumous Live in New York City LP documents John Lennon's final full concerts — but rather than reflecting his musical genius, it reminds of wasted opportunities.
Despite its failure on a creative level, the music served a good cause. The album, released Feb. 10, 1986, samples the former Beatle's pair of Plastic Ono Band gigs at the August 1972 "One to One" festival. The Madison Square Garden event, which also featured Stevie Wonder and Roberta Flack, raised money for Staten Island's Willowbrook State School for children with intellectual disabilities — an institution whose horrifying conditions were revealed in a Geraldo Rivera expose earlier that year.
"[Rivera] came all the way to San Francisco to meet us," Yoko Ono later recalled. "He convinced us to do this. Without him, it wouldn't have happened."
Lennon and Ono had already played multiple benefit shows — like a 1969 UNICEF show in London — operating under the moniker Plastic Ono Band. They worked with a shifting crew of musicians — including Eric Clapton, bassist Klaus Voormann and future Yes drummer Alan White, all of whom appeared during their set at the Toronto Rock and Roll Revival, chronicled on the Live Peace in Toronto 1969 album.
Source: ultimateclassicrock.com
In the Beatles' early days, the songwriting partnership between John Lennon and Paul McCartney was balanced and consistent enough to warrant their 50/50 credit system. But the sweetly resolute road song "All My Loving" deviated from that norm.
The song — which famously opened their debut Ed Sullivan Show performance on Feb. 9, 1964 — was a solo McCartney composition, top to bottom. It originated the previous year, hashed out efficiently in their usual style from those days. And there was one other wrinkle. “It was the first song [where] I'd ever written the words first," the bassist recalled in 1997's Many Years From Now. "I never wrote words first, it was always some kind of accompaniment. I’ve hardly ever done it since either."
McCartney dreamed up the lyrics, envisioning a "little country and western song," as the Beatles traveled in a tour bus to a gig. Temporarily without a guitar, he sat down at a piano in the venue's cavernous backstage area, figuring out a melody. "It was a good show song," he added. "It worked well live."
Source: ultimateclassicrock.com
Beatle George Harrison was pigeon-holed as the "Quiet Beatle," but the youngest member of the Fab Four had an acerbic, dry sense of humor that was as sharp as the rest of his bandmates.
He gave great performances in the musical comedy classics, "A Hard Days Night" and "Help!" while holding his own during The Beatles' notoriously anarchic press conferences. After he left the band in 1970, in addition to his musical career, he would produce the 1979 Monty Python classic, "The Life of Brian."
Harrison clearly didn't lose his sense of humor for the rest of his life. Shortly before his death in 2001, he played an elaborate prank on Phil Collins that shows how the "Here Comes the Sun" singer would go the extra mile for a laugh.
In 1970, Harrison was recording his first solo record and arguably the best by a Beatle, "All things Must Pass." The session for the song, "The Art of Dying" featured former Beatle Ringo Starr on drums, keyboard legend Billy Preston on keys, virtuoso Eric Clapton on guitar, and was produced by the notorious Phil Spector.
Source: Tod Perry/good.is
The late Mary Wilson undoubtedly had many stories to share about her time in one of Motown’s famous acts, The Supremes, and the numerous musicians and artists they encountered throughout the years.
Terri Hemmert spoke with the late Supremes singer last summer as part of the Fest For Beatles Fans and she and Wilson engaged in nearly an hour long conversation about her run-ins with The Beatles, Little Richard, and more.
Wilson began by sharing a story about Little Richard, who was responsible for inducting The Supremes into the Rock & Roll Hall of Fame in 1988. “I was a young kid when he was popular so he was my idol,” she said.
“He would call me up or I’d call him up throughout the years and we’d talk. If you’ve ever tried to get off the phone with a superstar, the man could talk for hours. I’d go ‘hey Richard I gotta go, bye!’”
Then came The Beatles. Wilson said she first met “them in a club in London in 1964 and I think it was one of those private clubs. I think it was called the Ad Lib Club.”
Source: Marty Rosenbaum/radio.com
Seemingly everything is “a little different this year.” As we prepare for the first Valentine’s Day in a pandemic, we should not despair at the modified traditions and instead learn from the liberated work of Yoko Ono, a woman who embraced the unconventional in her art, compelling her audience to engage with the strange, beautiful and disturbing elements of life in ways that make the mundane feel unexpected.
An influential member of the Fluxus art movement, Ono helped pioneer a genre of conceptual art consisting of performative instructions that emphasize artistic process and replicability. These works empower anyone to act out a work of art or merely imaginatively engage with the poetic instructions. Many of these works, known to Ono as “scores,” were published in her 1964 collection “Grapefruit” and made widely available in cheap pamphlets.
Source: emorywheel.com
No matter how many times you listen to The Beatles, there's always something new to discover. They're the most popular, acclaimed, and influential band of all time, and it's impossible to overhype them; all the praise they've been given for the past 50+ years is deserved and then some. It's still astonishing what they achieved with just seven years worth of studio albums, from the countless hit songs to the massive evolution they underwent to their groundbreaking innovations in both songwriting and technology. They've released their fair share of best-ofs, but when it comes to The Beatles, you really don't need one. They really don't have songs that aren't well known; even many of the songs that were never released as singles feel more popular than plenty of bands' biggest hits. Every single one of their studio albums are essential (as are several of their other records, like the Past Masters compilations, which include many of their most iconic non-album songs), and it's actually kind of hard to talk about the "best of" their catalog. The easiest answer is: "all of it."
Source: brooklynvegan.com/
Chris Jericho appeared in an interview with Dax Holt and Adam Glyn, and revealed the name of the celebrity who makes him nervous.
According to Jericho, Paul McCartney is a celebrity he continues to feel nervous around. During the conversation, he revealed an incident when he almost ambushed McCartney.
Jericho and his cousin attended the event where Paul was inducting Ringo. Neither of them had a ticket but made it to the floor because they had an inside contact.
The AEW star wanted to meet Paul McCartney, and hence, pretended to walk through the area like he belonged there and ended up walking right behind McCartney.
“We ended up standing right behind Paul and Ringo and when the show was done, Paul started walking. So I started walking, kind of almost beside him… We finally just meet at the peak. Oh my goodness, what a coincidence.
“I didn’t know what to say but I said ‘listen I see you have your security guard leading you but you got no one behind you. So if any ninjas come, I got your back’. Alright, then I go ‘high-five’, so he gives me a high-five.”
Source: Shuvangi Sen Chaudhury/essentiallysports.com
The Beatles’ Ed Sullivan Show performance became the moment future musical legends would refer to later as the watershed event that fixed their destinies. The band wasn’t just singing and playing musical instruments on Sullivan’s stage; they had permanently changed American culture.
Incredibly, it almost didn’t happen. At least not without lead guitarist George Harrison. The “quiet Beatle” had a raging fever the week of their television performance and nearly had to be hospitalized.
While the band’s seminal moment would come on The Ed Sullivan Show, they had already received airtime in the U.S. just months before on a program called CBS Morning News with Mike Wallace.
Source: cheatsheet.com
Jane Asher is as well-known for acting as she is for dating an ex-Beatle, and in 1964 she brought Swinging London to the canteen of Roger Corman’s The Masque of the Red Death.
Based on the gothic short story “The Mask of the Red Death: A Fantasy,” the film remains the most ambitious installment in Corman’s Edgar Allen Poe cycle of movies, contrasting the bleak landscape of a dying village with the psychological torment of six rooms of color, and one with no color at all, just a deep black with a blood red crimson glow cast on it. Vincent Price stars as the sadistic and satanic Prince Prospero, whose darkness reigns over his dominions.
Price wouldn’t be this malignant again until 1968’s Witchfinder General, which was retitled The Conqueror Worm, even though it had nothing to do with the Poe story. In Masque, he throws decadent orgies to distract himself from the catastrophes which rage out of his control around him.
Source: Tony Sokol/denofgeek.com
