Beatles News
Ringo Starr has named his favourite Beatles song during an appearance on The Late Show With Stephen Colbert.
The legendary drummer revealed the track during Colbert’s 15-question ‘The Colbert Questionert’ – a segment he initially recorded when he appeared on The Late Show back in March.
Colbert asked Starr: “You get one song to listen to for the rest of your life. What is it?” The Beatle quickly answered: “[The Beatles’] ‘Come Together’.
“There’s lots of other favourites, but if you want one, ‘Come Together’ can’t be bad,” Starr said, adding that it was his favourite Beatles song. “I just think it worked perfectly with the band and the song and John being John. I loved that moment.”
Starr also shared his unique take on the afterlife after Colbert asked him what happens when we did. “I think we go to heaven,” Starr said. “Heaven’s great, but you don’t stay there too long; you just gotta get yourself together again and come deal with all that [shit] you didn’t deal with last time you were here.”
Source: Will Lavin/nme.com
In the many decades since the band split in 1970, their music has remained as popular as ever, although Beatles royalties varied, with Lennon and McCartney having most of the songwriting credits. All four had successful solo careers. Paul also formed the band Wings, George formed the Traveling Wilburys with Jeff Lynne, Roy Orbison, Bob Dylan and Tom Petty, and Ringo had his All Starrs band. In 1995 and 1996 the three surviving Beatles also released the three retrospective Anthology albums (and lucrative TV series). The first album alone went 8x Platinum in the US, with sales of over 3.6million. Together with the Beatlejuice radio show host Geoff Johns, we look at how the four musicians all diversified beyond their own music, to generate wealth in sometimes surprising ways.
Source: Stefan Kyriazis/express.co.uk
John Lennon‘s son Sean Ono Lennon has created a new series of animations inspired by the songs on his late dad’s recently reissued 1970 debut solo album, John Lennon/Plastic Ono Band.
Sean used the Spotify Canvas medium to create the series of animated loops, collectively titled “I Am the Egbert,” which you can view using the Spotify app on mobile devices.
The animations were designed to accompany the Plastic Ono Band album’s 11 tracks and the three singles John released prior to the record — “Give Peace a Chance,” “Cold Turkey” and “Instant Karma! (We All Shine On).” The series follows a character named Egbert, whose experiences follow closely the themes and sentiments John expressed in the aforementioned 14 songs.
“I Am the Egbert” was put together by Sean in collaboration with the team that created the Oscar-nominated 2007 animated short “I Met the Walrus,” which was inspired by Jerry Levitan‘s experience meeting and interviewing John and wife Yoko Ono in 1969 when, at age 14, he sneaked into the couple’s Montreal hotel room during their famed “Bed-In for Peace” protest.
Source: kshe95.com
The Beatles’ movies are generally comedic and whimsical, however, one of them made John Lennon and Yoko Ono cry. Interestingly, they were in the presence of another famous person when they wept in the theater. Here’s that celebrity’s insight into why John and Yoko were so affected by the movie.Lennon Remembers is a long interview John gave to Jann S. Wenner, one of the co-founders of Rolling Stone and a major celebrity in the world of classic rock. In his introduction to the 1971 version of Lennon Remembers, Wenner discusses working diligently on the interview over the phone. He met John and Yoko Ono some time after speaking to John on the phone.
Source: cheatsheet.com
Ringo Starr revealed his favorite Beatles song and his thoughts on the afterlife during a bonus interview from the drummer’s recent virtual visit to The Late Show.
Taking part in Stephen Colbert’s 15-question “The Colbert Questionert” — a segment Starr initially recorded when he appeared on The Late Show in March — the host asked Starr, “You get one song to listen to for the rest of your life. What is it?” Starr quickly replied, “[The Beatles’] ‘Come Together.'”
“There’s lots of other favorites, but if you want one, ‘Come Together’ can’t be bad,” Starr said, noting it was his favorite Beatles song. “I just think it worked perfectly with the band and the song and John being John. I loved that moment.”
Starr also shared his unique take on the afterlife when Colbert asked him what happens when we die. “I think we go to heaven,” Starr said. “Heaven’s great, but you don’t stay there too long; you just gotta get yourself together again and come deal with all that [shit] you didn’t deal with last time you were here.”
Source: Daniel Kreps/rollingstone.com
By the time The Beatles’ 11th album, Abbey Road, was released in September 1969, the band had been writing songs for almost a decade. Each of the members had worked hard on their own tracks as well as collaborative efforts. One of the stronger songwriters in the band was George Harrison, who penned such hits as While My Guitar Gently Weeps and Here Comes The Sun. The Quiet Beatle disagreed with Paul McCartney over one track on Abbey Road, however.
The song in question, Maxwell’s Silver Hammer, was one of Paul’s compositions for the record.
The track included a collection of subtle guitar notes, as well as some extra background noises involving metal shards.
Paul’s wife at the time, Linda McCartney, said the track was his experimentation with the "avant-garde".
He himself said the song was “my analogy for when something goes wrong out of the blue, as it so often does, as I was beginning to find out at that time in my life".
Source: Callum Crumlish/express.co.uk
With Brian Epstein dead, Lennon self-medicating with LSD, Yoko Ono's presence a distraction and Starr temporarily leaving the band, it was an album where the Beatles' washed their dirty laundry in the most public manner possible.
These are the 50 things about The Beatles' White Album you need to know.
1. Referring to The Beatles’ ninth LP as The White Album is like referring to 1991’s Metallica as The Black Album – technically incorrect, but universally understood. It wasn’t meant to be called The Beatles, either, but the band opted for simplicity after their working title, A Doll’s House, was gazumped by Family’s Music In A Doll’s House.
2. Sleeve designer Richard Hamilton suggested tainting the virginal cover with a coffee mug ring, but was told this was “too flippant”. He earned his fee with a stamped serial number, unique to each copy and creating, he felt, “the ironic situation of a numbered edition of something like five million copies”.
Source: Henry Yates/loudersound.com
After meeting John Lennon, Yoko Ono became a part of The Beatles’ history. However, that doesn’t necessarily mean she was a fan of The Beatles’ music. Here’s what a reporter said about her relationship to The Beatles’ work — and what she said about it.Jann S. Wenner interviewed John for a famous book called Lennon Remembers. In his 1971 introduction to the book, Wenner discussed what it was like meeting with John and Yoko. “I did this interview with John Lennon in early December 1970, at the offices of his business manager, removed by high stories from the day-time traffic in the middle of the music business on Broadway in New York City,” he said. “We were with Yoko, more or less isolated, in the massive walnut-paneled conference room.”
Source: cheatsheet.com
Sir Tom Jones, 80, rose to fame in 1963 shortly after becoming the frontman for Welsh singing group, The Senators. Since then, the music legend has gone on to achieve worldwide fame, performing with some of the biggest names in the business.
Since finding fame, the Treforest born star has spent over 305 weeks in the UK Top 40, recording songs alongside the likes of Jools Holland and Cerys Matthews.
Now, the music icon has spoken of the time he was approached by The Beatles star, Sir Paul McCartney, 78, who had offered to pen an original track for him.
Shortly after the Liverpool legend had made the suggestion, Sir Tom instantly jumped at the opportunity to record a track written by a member of the world's biggest band.
Despite his initial joy - all was not as it seemed as he faced a hurdle put in place by his then management team.
Source: Daniel Bird/express.co.uk
John Lennon famously wrote a song called “Working Class Hero.” However, the author of a famous book about The Beatles said John wasn’t actually a member of the working class when he was growing up. Here’s a look at John’s early years and the song.
Hunter Davies was the author of The Beatles: The Authorised Autobiography. For The Guardian, he discussed the book Lennon Remembers, which consists of a long interview with John. While praising the book’s entertainment value, he cast doubt on its accuracy. “So can John be trusted in this interview?” he asked. “It’s hardly a balanced account, even about himself. But it’s true to what he felt, that day.”
In Lennon Remembers, John discusses his song “Working Class Hero” at length — and Davies dismisses the notion John was ever part of the working class. “In his head and his memories, John was a working-class hero, but of course he wasn’t,” Davies wrote. “He was brought up in semi-detached suburbia by Mimi, his aunt, a snob who looked down on snotty-nosed councilhouse kids like Paul and George. In his mind, he’d been a teddy boy tearaway, street fighter and gang leader, but in reality he had run like hell when trouble or violence broke out.” For context, teddy boys were the English equivalents of greasers.
Source: cheatsheet.com
