Beatles News
In 1999, a man attacked George Harrison and his wife Olivia in their home, Friar Park. The man attacked George with a kitchen knife and stabbed him 40 times until Olivia could knock him out with a lamp and a fireplace poker. George was recovering from throat cancer, but he had to get part of his lung removed due to the attack. When the news of the home invasion broke, Tom Petty was fearful that his friend was gravely injured.Unfortunately, many believe that the attack took years off George’s life. He was just getting over his first bout of cancer, but it returned later on. Fortunately, when the time came, George left his body the way he wanted and with dignity in 2001.
Source: cheatsheet.com
I’ve just finished the third part of Peter Jackson’s “Get Back,” which ends with the Beatles on the roof at Apple Records, 3 Savile Row after 22 days of rehearsing in January 1969, recording, praying, squabbling, and in the end, coming together.
In Part 3, the group is faced with the decision made by filmmaker Michael Lindsay Hogg, producer George Martin, and recording engineer Glyn Johns that they will indeed play a show on the roof. This is their first live performance since 1966, and, as it turns out, their last ever.
Much happens in the two hours preceding the performance. Paul McCartney, perhaps seeing his control over the situation ebbing, doesn’t want to do it. But John and Ringo do, and George comes around. Once they’re on the roof, all the tension and creative architecture of the preceding 22 days disappears. It’s really a joyous moment. If you know the “Let it Be” from 50 years ago, this much longer take on what happened is incredibly gratifying.
Source: Roger Friedman/showbiz411.com
Fans may have heard about the fateful moment where George Harrison quit The Beatles for several days in 1969 before. But, despite the fact that Harrison’s walkout was captured on film by Let It Be director Michael Lindsay-Hogg, almost no one has seen the footage—until now. The Beatles: Get Back Part 1, the first of a three-part docuseries from Peter Jackson that is now streaming on Disney+, concludes with what may have been one of the Fab Four’s most dramatic moments.
The scene comes at the very end of Part 1, during The Beatles’ seventh day rehearsing at Twickenham. The band is under incredible pressure to write a new album, record it, and rehearse it for a live show in just 22 days’ time, and tensions are running high. The band is rehearsing their new song, “Get Back,” and Paul McCartney is offering Harrison some direction.
Source: Anna Menta/decider.com
Peter Jackson’s three-part documentary chronicles an intensely productive month for the band, culminating in the legendary Jan. 30, 1969, public performance that would be its last.They might have been the most famous musicians in the world, but there was a bit of understandable nerves when The Beatles convened just after New Year’s in 1969. For the past two years they’d sworn off touring, focusing instead on studio experimentation with such aurally adventurous releases as Sgt. Pepper’s and Magical Mystery Tour. Now they wanted to write songs together again, the old-fashioned way, and perform them in front of people.
Source: Sheri Linden/hollywoodreporter.com
‘The Beatles: Get Back’ Review: Peter Jackson’s Documentary Epic Is an Addictive Look at Who the Beatles Were
A heady expansion of the "Get Back" footage becomes an essential diary of the group's greatness.
How does anyone, especially a Beatle, write a melody? The answer may be as simple as it is mysterious. In “The Beatles: Get Back,” Peter Jackson’s sprawling and revelatory fly-on-the-studio-wall documentary, there’s a great moment when we get to see it happen. It’s January 1969, and the Beatles — long-haired, scruffy, bearded, looking less like the “lads” they still call themselves than the grown men they’ve become — have taken over the colorfully dank, cavernous Twickenham Studios. There, they have just three weeks to create and rehearse 14 songs, at which point they’re supposed to play them in front of a live audience for a TV special. (They’re locked into the timing because Ringo has been cast to star opposite Peter Sellers in “The Magic Christian,” a movie set to begin shooting on Jan. 24.)
Source: David Bauder/clickondetroit.com
The nominations for the 2022 Grammy Awards were announced Tuesday, and AC/DC, Foo Fighters, Paul McCartney and the late Chris Cornell all received multiple nominations.
All four artists will compete for the Best Rock Album prize, nominees for which include AC/DC’s Power Up, Foo Fighters’ Medicine at Midnight, McCartney’s McCartney III, and Cornell’s posthumous No One Sings Like You Anymore Vol. 1.
Among the Best Rock Song nominees are Foo Fighters’ “Waiting on a War,” McCartney’s “Find My Way,” and the Wolfgang Van Halen-led Mammoth WVH‘s “Distance.”
For Best Rock Performance, the nominees include AC/DC’s “Shot in the Dark,” Foo Fighters’ “Making a Fire,” Cornell’s cover of Prince‘s “Nothing Compares 2 U.”
Meanwhile, AC/DC’s video for “Shot in the Dark” scored a nod in the Best Music Video category.
Source: z99fm.com
When Peter Jackson’s new docuseries The Beatles: Get Back launches on Disney+ this Thursday, his three-part, six-hour deep dive into the making of the Beatles’ Let It Be album will redefine the fractious period in the band’s history for even the most diehard armchair historians, while also giving a stunningly intimate look into the creative processes of arguably the greatest collaborative relationship of the last 100 years.
“I was always moaning about the original film, because there was no real joy in it,” Ringo Starr recalls of the original 1970 documentary film Let It Be, released just weeks after news that the Beatles had split had hit the press. “I think everyone will enjoy Get Back, though, because you get to see this band work really hard and go through emotional ups and downs to get to where we got in the end. And we did get there. Every time.”
Source: Jeff Slate /insidehook.com
A new documentary about The Beatles streams on Disney+ November 25. Produced by Lord of the Rings director Peter Jackson, it casts new light on the legendary band’s final days. The Let It Be sessions were famously turbulent.
Director Peter Jackson spent four years assembling a documentary of footage about The Beatles’ Let It Be sessions. Originally filmed for the accompanying film of the same name, the nearly 200 hours of video and audio footage ultimately went unused. Jackson narrowed it down to seven hours, showing much more than the well-known infighting and drama behind the band’s final album.
Source: thegreatcoursesdaily.com
It’s not quite as difficult as hobbits driving to Mordor to destroy Sauron’s ring, but Peter Jackson‘s undertook four years to bring an end to the long and winding road of life The Beatles. The result is 7 hours The Beatles: Go back, which restored Jackson from 60 hours of studio sessions to a rooftop concert. Everything was shot in 1969 by Michael Lindsay-Hogg for his film let it be at a time when Apple forbade him to contain much that created understanding and context of the group’s creative process and difficulties that led to controversy and separation. A fan of the hits John Lennon, Paul McCartney, George Harrison in the Ringo Starr since he was a pint-sized kiwi, Jackson used the technical cleaning process that brought his WWI documentary to life. They will not grow old so that it seems as if you are watching live matches. The film will be released from 25-27. November shown in three parts at Disney +. Here he explains the monumental task and reveals who really broke up the band. Contrary to legend, it was not Yoko.
Source: knews.uk
The Beatles reconvened at George Harrison's home in the spring of 1968 upon their return from Rishikesh, India. It was time to get to work.
They recorded 26 rough demos — five from Harrison, 14 from John Lennon and seven from Paul McCartney. The next step was to take the tapes to the studio for refinement and recording, but one song among the McCartney contributions did not jibe with the others.
"Ob-La-Di, Ob-La-Da" had begun to take form while the Beatles were still in India expanding their spiritual horizons and embracing the practice of meditation. One day, author and fellow meditation student Paul Saltzman witnessed McCartney and Lennon begin to work out the structure of the song.
Source: ultimateclassicrock.com
