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George Harrison recalled playing The Beatles’ “Twist and Shout” in Hamburg. He became friends with Eric Clapton around this time.
“Twist and Shout” became a huge hit in the United States.

The Beatles‘ “Twist and Shout” became one of the Fab Four’s most famous covers. George Harrison revealed why he became sick of the song. Notably, the cover performed differently on different charts.George then became much more critical of The Beatles’ time in Hamburg. “Even when we sold records and started doing a lot of tours, it was a bit of a drag because we’d go on the road and we’d play the same tunes to different people and then we’d drop a few and add news ones all the time, but basically it was the same old tunes,” he said.

Source: cheatsheet.com

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The Beatles had a few professional rivals throughout their years in the music industry, with The Rolling Stones being one of the biggest. But the Fab Four were also fans of the music produced by the artists they were "against". John Lennon in particular was a staunch supporter of the music that he enjoyed.

In 1965 Lennon listened to a track from The Beach Boys while being interviewed, and he adored it.


Lennon was given the chance to listen to The Beach Boys' track, The Little Girl I Once Knew, while discussing music. And the iconic Imagine singer leapt into action. He exclaimed: "This is the greatest!. Turn it up, turn it right up! It’s got to be a hit. It’s the greatest record I’ve heard for weeks. It’s fantastic. I hope it will be a hit."

Source: Callum Crumlish/express.co.uk

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Sir Paul McCartney made a stop at Fort Worth’s Dickies Arena Tuesday night for his only Texas tour date. The last time Paul McCartney took to a stage in Fort Worth, it was with a little band called Wings, way back in 1976.

Of course, McCartney did play at the former Globe Life Park in Arlington in 2019, but this night marked his epic return to Fort Worth. The momentous occasion wasn’t lost on the city, which temporarily renamed a stretch of Montgomery Street, which fronts Dickies Arena, Paul McCartney Way to celebrate.

Source: Courtney Dabney/papercitymag.com

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It was 46 years ago Paul McCartney answered his critics and John Lennon, who claimed he often wrote songs that were too corny and sentimental, with the No 1 smash, "Silly Love Songs."

In the song's opening stanza, McCartney sings, “You’d think that people would have had enough of silly love songs/I look around me and I see it isn’t so/Some people want to fill the world with silly love songs/And what’s wrong with that?/I’d like to know/’Cause here I go again.”

Though McCartney wrote the song somewhat tongue in cheek, like so many geniuses, he turned out to be stunningly prophetic. Because watching McCartney Friday night at L.A.'s Sofi Stadium it was abundantly clear how much the world still needs his silly love songs.

Source: Steve Baltin/forbes.com

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RR American Auction House, located in Boston, is auctioning a card signed by members of The Beatles, a month after the release of their album “Please Please Me” in 1962.

In the card, which will be auctioned on May 19, 2022, The Beatles are shown standing together behind their musical instruments, with their elegant signatures clearly visible in blue ink on the back.

Source: egypttoday.com

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Musicians are drawing inspiration from the house where The Beatles first came together as a band to pen a song.

Sir Paul McCartney's former family home, 20 Forthlin Road, Liverpool, is where the band wrote several hits.

The four winners of the National Trust competition have visited the house to draw inspiration for their own music.

Those four, from Wrexham, London and Bath, Somerset, will perform their songs live in the living room of the house on 17 June.

Dylan John Elis, from Wrexham, said: "It's quite stunning and surreal. I'm not quite registering it all but it's fantastic to be here.

"Today myself and other musicians have been invited by the National Trust to write a song about this house and so we are going to be spending the day here, soaking it in and drawing inspiration from it."

Source: BBC News/bbc.com

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For as many riffs as there are in rock n' roll, there are equally as many rifts. It's hard to expect everyone to get along, and it goes without saying that not everyone marches to the same tune. For instance, take two of the most momentous and beloved musicians of the 20th century. Could you imagine an exchange that would prompt one to hold a grudge for two whole decades based off of a single remark made by the other? If you're holding out for a grand tour with Paul McCartney and Phil Collins on the same ticket, maybe don't hold your breath.

Source: Luke Holden/grunge.com

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The Beatles‘ “Don’t Let Me Down” is one of the Fab Four’s most famous later songs. Paul McCartney said the song was John Lennon’s “genuine cry for help” to someone he loved. Notably, the song performed differently in the United States and the United Kingdom.In the 1997 book Paul McCartney: Many Years From Now, Paul discussed the origin of “Don’t Let Me Down.” “It was a very tense period: John was with Yoko and had escalated to heroin and all the accompanying paranoias and he was putting himself out on a limb,” Paul recalled. “I think that as much as it excited and amused him, at the same time it secretly terrified him.”

Source: cheatsheet.com

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Many Ringo Starr songs were written by other musicians. For example, one of Ringo’s biggest hits was written by a pair of writers behind many Disney songs. The songwriters wanted the track in question to give listeners something they hadn’t heard before.

Richard M. Sherman and Robert B. Sherman, also known as The Sherman Brothers, were a pair of professional songwriters. They wrote the songs for some of Walt Disney’s later films such as Mary Poppins and The Jungle Book. They also penned songs used in Disneyland such as “It’s a Small World (After All).” The Sherman Brothers also wrote pop singles.

During an interview in the 2016 book More Songwriters on Songwriting, Richard discussed the origin of The Sherman Brothers’ song “You’re Sixteen.” “We wanted to give the listeners something they hadn’t heard,” he recalled. “They heard so many hard rock beats. But nobody had heard shuffle rhythms.

Source: cheatsheet.com

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George Harrison had some surprising thoughts after The Beatles split in 1970. Out of the group, George was the least suited for fame. By 1969, George was getting frustrated with John Lennon and Paul McCartney for putting him on the back burner. He was sick of being a glorified session man and briefly quit during the Let It Be Sessions.

So, when The Beatles split, George should’ve been the most relieved. However, he wasn’t, not entirely. George hoped for a day when The Beatles made music together again. He assumed that he and his bandmates only needed some time apart to get recording solo out of their systems.

Source: cheatsheet.com

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