Beatles News
George Harrison didn’t always get his flowers in the Beatles writing sessions. Part of what made him move to leave the band was his feeling that it was becoming the Paul and John show. However, he did manage to sneak in a few songs here and there–moreover, when he did, they were mega hits for the group. The final hit he scored for the band became one of their calling cards. Learn more about Harrison’s swan song with the Fab Four, below.
Here comes the sun
Here comes the sun
And I say, it’s all right
Little darling
It’s been a long, cold, lonely winter
Little darling
It feels like years since it’s been here
“Here Comes The Sun” is pop perfection. Though the Beatles were purveyors of rock, Harrison leaned into easy-breezy, easily digestible melodies for this song. While winding down after a long day of fighting with his bandmates, Harrison penned this track at Eric Clapton’s house. The lyrics flowed out of him while feeling the long-awaited warmth of the sun amid a long English winter. This song has a similar effect on all its listeners. It’s impossible to not get a dose of summer-time joy after pressing play on this Beatles hit.
In the years since its release, “Here Comes The Sun,” has become one of the band’s biggest hits. It’s so pervasive that it has become almost second nature to us. Those around in 1969 might remember the first time they heard this track, but those who popped up any decade after might find they’ve known this song since birth. It’s ubiquitous.
Source: Alex Hopper/americansongwriter.com
Part of the paradoxical allure of the Beatles is that despite being largely self-taught musicians, some of their music is so challenging that a traditionally taught musician like George Martin struggled to keep up. The fact that these homegrown Liverpudlians could hold their own among the music world’s best seemed indicative of whatever otherworldly star power they possessed to make them one of the greatest and most enduring bands of all time.
Interestingly, the Beatles song too challenging for George Martin was also one that John Lennon called his “first real, major piece of work.”
The Beatles’ 1965 album Rubber Soul was one of the clearest examples of the band’s creative range thus far in their career. From the moody “Girl” to the parlor-style “Michelle” to the rocking “Drive My Car,” the Fab Four explored genre and subject matter in a way they had only dabbled with in previous records. One of the tracks that stands out the most on that iconic album is the sentimental “In My Life,” a heartfelt and retrospective ballad about remembering lovers and friends I still can recall.
During the recording process, the band ended up with a 12-bar instrumental section with nothing to put into it. Producer and honorary fifth Beatle George Martin came to the rescue, coming up with a melodic piano part to fill the space. The only problem, of course, was when he was playing along to the tape, he realized he wrote far too intricate of a piano part for that tempo. A more proficient pianist could have done it, but they didn’t have one on hand. So, Martin devised a clever workaround: record the piano part to tape at half-speed, then speed it up in post to match the overall tempo.
The results were highly effective, giving the piano a Baroque harpsichord tone that seemed to add to the song’s timelessness. Martin tracked the piano part while the Beatles were on break, and when they returned to the studio, they quickly approved of Martin’s work. “George Martin had a very great musical knowledge and background,” John Lennon recalled in Anthology. “He’d come up with amazing technical things.”
Source: Melanie Davis/americansongwriter.com
The murder of John Lennon remains one of the most infamous showbiz tragedies of all time. On December 8, 1980, Mark David Chapman fatally shot Lennon as he returned to his New York residence.
At that time, Lennon was married to the renowned Japanese artist Yoko Ono, who turns 92 today (Tuesday, February 18), and they had a son, Sean Lennon. For almost four decades, Ono refrained from discussing the harrowing day her husband was killed, partly due to apprehension over potential backlash from avid Beatles fans.
Yet in an interview some years back, she finally opened up about their final moments together.
On an episode of Desert Island Discs, Ono gave a heartfelt account of their last exchange, recalling: "I said 'shall we go and have dinner before we go home?' and John said 'No, let's go home because I want to see Sean before he goes to sleep.'"
When probed on whether Lennon uttered any words after being attacked, Ono somberly answered "no". he also highlighted aspects of life married to one of the biggest stars globally, expressing her belief that she would always be viewed as merely "the wife of an ex-Beatle", reports Liverpool Echo.
Lennon's life was tragically cut short at roughly 11.15pm on the night of the killing. He was swiftly transported to Roosevelt Hospital by police car where he was pronounced dead.
It comes after John Lennon infamously declared in 1966 that the band were "more popular than Jesus", which was met with outcry by American Christians and played a part in The Beatles' retirement from touring at the end of that year.
They also had a number of songs banned by various radio stations. Among them were 'A Day in the Life', which was banned by the BBC for its supposed references to drugs, and 'The Ballad of John and Yoko', which was banned by some radio stations in the United States due to its references to Christ.
Source: Aaron Curran, Chloe Dobinson/express.co.uk
John Lennon had a rough childhood, and, some would argue, an even rougher life. Yes, fame and fortune may seem like guarantees for a fulfilling and carefree life, but this was far from the truth for Lennon. He never had much of a family; his mother died when he was 17, and his father was largely absent for most of his adolescence. Instead, Lennon, who always had a lifelong love for music, found family in his pals in the Quarrymen and, later, the Beatles. Undoubtedly, as the Beatles’ career progressed, the band grew closer and closer together. However, like many bands, tensions eventually arose between the egos of individual members; contracts and finances became more important than creativity and music, and the members (especially George Harrison) became increasingly interested in launching their own solo careers.
Second only to Harrison, it seemed like Lennon was the most anxious of the Beatles to delve into a solo career. And while Lennon and Harrison had solo albums during their Beatles tenure, they were nothing more than experimental, instrumental tracks they constructed in their spare time while they weren’t in sessions. Therefore, “Plastic Ono Band” was Lennon’s first spirited attempt at a purely solo record, and what an attempt it was.
Source: wesleyanargus.com
It’s amazing The Beatles were able to record two classic albums in 1969, considering how relationships between the four men had deteriorated by that time. As it turned out, the infighting also helped a random artist out one fateful evening during that eventful year.
That artist was Steve Miller, then near the beginning of what would become an illustrious career. As fate would have it, he showed up at a London studio one night at just the right time to call on the services of a very frustrated Paul McCartney, and the two made cathartic musical magic.
Friday, May 9, 1969, was the date for a recording session at Olympic Studios in London, a session earmarked for doing some mixing on the project The Beatles had undertaken at the beginning of the year. That project, originally called Get Back but eventually released as Let It Be when it finally appeared in 1970, was to feature some off-the-cuff, in-between-songs dialogue captured during those sessions. This particular evening was devoted to choosing those snippets.
The Beatles started in the afternoon and worked through the evening. But there was a visitor that night that caused some friction. Allen Klein, who had been chosen by John Lennon, George Harrison, and Ringo Starr to take over the band’s managerial duties and financial oversight, showed up as well.
Paul McCartney was holding out, feeling they should do a bit more due diligence before making this decision. The other three insisted McCartney needed to sign that evening. A standoff ensued during the session, with McCartney first suggesting there’d be no harm waiting till Monday, since business couldn’t be conducted on the weekend. He also argued the group should hold out for better terms. None of his bandmates agreed.
Source: americansongwriter.com/Jim Beviglia
A list of 50 terrible songs on otherwise great, classic albums, from the Beatles and Bob Dylan to Harry Styles and Taylor Swift
Illustration featuring music artists
There’s always one. It’s that single track on a great record that sucks to such a profound degree that it almost feels like a sick joke. They exist for all sorts of reasons. Sometimes the lead singer felt obligated to give the drummer one song on Side Two to maintain group harmony. Other times, they took ludicrous amounts of drugs and the idea of having a dog howl for 134 seconds or banging a metal cross against guitar strings for a solid minute and a half felt like a grand plan. And other times, they’re just desperate for a hook and wind up stealing one from a Corn Flakes jingle and placing the shitty tune on the same Beatles album as “A Day in the Life.”
We combed through music history and came up with 50 terrible songs that taint otherwise perfect records. It’s likely that a great many of you will disagree with at least some of these picks. That may be because you’ve heard some of these records so many times that it’s hard to imagine them in any other form. But does Goodbye Yellow Brick Road really benefit from “Jamaica Jerk Off”? Does Synchronicity truly need a song where Andy Summers rants like a lunatic about his overbearing mother? Did Phil Collins really need to deliver “Illegal Alien” with a heavy Spanish accent?
It should be noted that these weren’t always easy calls. The White Album posted particularly vexing questions due to polarizing tracks “Rocky Racoon,” “Good Night,” “Revolution 9,” and “Ob-La-Di, Ob-La-Da.” We didn’t go with any of those songs, and we have little doubt many of you won’t agree with the pick. Likewise, we just couldn’t get with the conventional wisdom that “Treefingers” brings down Radiohead’s “Kid A,” and “La La Love You” has no business appearing on the Pixies’ “Doolittle.” We like both of those songs. The list is ranked from least worst to flat-out worst. If you disagree with us there or on any of our other picks, take to social media and blast us to pieces. We can take it.
Source: au.rollingstone.com
'It’s an honor and a pleasure,' the Beatles drummer said. Ringo Starr is about to mark a new career first.
The 84-year-old musician and drummer for The Beatles was recently invited to make his debut at the Grand Ole Opry House as it marks its 100th Anniversary celebration.
While performing the first of two sold-out shows at the Ryman Auditorium in Nashville, Tenn., on Tuesday, Jan. 14 in support of his new country album Look Up, Starr received a special invitation from Opry member Emmylou Harris.
While Harris joined Starr on stage, she asked if the legendary musician would give his first-ever Grand Ole Opry performance next month.
After pretending to mull over the decision, Starr gladly agreed, stating, "I’d love to. It’s an honor and a pleasure. Thank you."
"What an honor that after all the extraordinary music he has made and all the incredible history he’s been a part of, Ringo Starr will be making his Opry debut during this, the Opry’s milestone 100th year," Opry Executive Producer Dan Rogers said in a statement to Parade. "It’s going to be a night like no other."
Source: Carly Silva/parade.com
In the end, the love you take is equal to the love you make.
A star-studded and historic 50th anniversary special of "Saturday Night Live" ended with Paul McCartney performing the famous medley of songs that ended the Beatles' last-recorded album, "Abbey Road," on Sunday.
The sketch comedy series, known for featuring up-and-coming comics, celebrity hosts and musicals, began and ended with musical performances. Modern pop star Sabrina Carpenter and Paul Simon opened the show with a rendition "Homeward Bound," a song Simon first sand with another Beatle, George Harrison, on "SNL" in 1976.
The show lasted for more than three hours and featured guest appearances that included Eddie Murphy, Will Ferrell, Bad Bunny, Bill Murray, Jason Sudeikis, Tom Hanks, Meryl Streep, Tina Fey, Amy Poehler, Ryan Reynolds, Pete Davidson, Miley Cyrus, Steve Martin, David Spade, Cecily Strong, Martin Short, Drew Barrymore, Jimmy Fallon, Ayo Edeberi, Pedro Pascal, Lil Wayne and Adam Sandler.
Sandler, who was a cast member in the 1990s, performed one of his famous comedy songs celebrating the anniversary.
With many of the cast members and guests gathering for the anniversary special, the "SNL 50: The Anniversary Celebration" is considered the largest TV reunion in history.
In the end, the show paid its ultimate tribute to Lorne Michaels, the show's creator and long-time showrunner.
"The man who made all our dreams come true, Lorne Michaels!" Short said in the show's final scene.
Source: nbcnewyork.com/Brendan Brightman
Rock and roll has its fair share of love stories, but few are as dramatic as the one between Eric Clapton, George Harrison, and Pattie Boyd. This wasn’t just a love triangle — it involved friendship, heartbreak, music, and even voodoo rituals. Let’s see how two of the most famous guitarists in history fell for the same woman. Pattie Boyd, a model and photographer, met George Harrison in the early 1960s. She was dating a photographer named Eric Swayne at the time, but she eventually ended that relationship to be with Harrison.
The couple got married on January 21, 1966, in a ceremony where Paul McCartney was the best man. But their marriage started to fall apart due to Harrison’s substance abuse and repeated affairs. One of these affairs reportedly involved Ringo Starr’s wife, and it became a turning point in the relationship.
Boyd and Harrison separated in 1974, and by 1977, they were officially divorced. While Harrison and Boyd were married, Eric Clapton became good friends with Harrison. He spent a lot of time with the couple and soon fell in love with Boyd.
Clapton sent an anonymous love letter signed ‘E.’ to Pattie, hoping she would realize his feelings. Clapton was also engaged to a woman named Alice at that time and having an affair with Pattie’s younger sister, Paula.
Source: metalheadzone.com
The Beatles were the greatest band of the 20th century, so it’s not exactly surprising that a few myths, legends, and rumors would follow the Fab Four through the years. Some of these rumors spread like wildfire, and all of them are false. That is, except for one myth that can’t really be explained. Let’s mythbust a few legendary Beatles myths, shall we?
1. “Paul is Dead”
This is the Beatles myth of Beatles myths. Back in the day, a rumor spread like wildfire that Macca himself was killed in a car accident in 1967. The band was enormous at the time and only getting bigger, so naturally, it makes sense that the band and their management would fabricate a lookalike to take his place. Some fans even picked apart The Beatles’ music for evidence of the switch, with some claiming that John Lennon reveals McCartney’s fate in the song “I’m So Tired”.
This myth is obviously false, but it’s a fascinating look into how obsessed music fandoms can get. In 1993, McCartney even released a live-recorded LP titled “Paul Is Live” as a humorous reference to the rumor.
Source: americansongwriter.com/Em Casalena
