Despite what the media said about it (for better or worse), the Beatles weren’t exactly the soothsayers or cultural gurus-slash-corrupters they were often painted to be—in fact, John Lennon was the first to admit that he didn’t truly understand what he was singing about in one of the Fab Four’s most iconic anthems that seemingly wrapped up the band’s ethos in five short words.

“All you need is love,” the Beatles repeated emphatically in their 1967 non-album single. The song became the foundation for the flower power, “peace and love” movement of the late 1960s. But it wasn’t until 1969 that Lennon realized he actually had no idea what he had been talking about. Yet.  The Beatles released “All You Need Is Love” as the A-side to “Baby, You’re a Rich Man” in 1967. The song was part of a massive global television link and served as an affable contribution to the multi-satellite production. How could one argue with the song? All you need is love, love, love is all you need. Songwriting credit went to both John Lennon and Paul McCartney. But years later, Lennon would admit that, in hindsight, he realized he didn’t actually know what he was talking about in 1967.

“When I was singing about all you need is love, I was talking about something I hadn’t experienced,” Lennon said in a 1969 interview with Howard Smith. “I had experienced love for people in gusts and love for things and trees and things like that. But I hadn’t experienced what I was singing about. It’s like anything. You sing about it first or write about it first and find out what you were talking about after.”

Source: americansongwriter.com/Melanie Davis

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Complete normalcy and greatness rarely ever walk hand in hand. Rather, the finest minds to grace any field typically have something “off” about them. “Off” given that they see something we don’t, and consequently, their perspective influences their “abnormal” actions. One exceptional talent and thinker who certainly falls under this category is Bob Dylan.

Many famous artists have attested to Bob Dylan’s eccentric personality. David Crosby once stated that Dylan was as “crazy as a f—ing fruit fly,” per the LA Times. Furthermore, Dolly Parton also attested to that fact, as she told the Daily Mail, “I love his music but he’s a weird buckaroo.”

Given those testimonies, it seems some of the music industry’s biggest acts share a mutual perception about Bob Dylan. One other person who agreed with that notion was Dylan’s friend and collaborator, George Harrison.  Harrison Admired Bob Dylan’s Eccentric Personality.

Bob Dylan and George Harrison climbed to the top at the same time, but in different genres of music. However, by the end of the 80s, their paths converged as the infamous supergroup, the Travelin’ Wilburys, was formed in 1988. Dylan and Harrison were acquaintances before this, but through their partnership, a more solidified friendship seemingly formed.

Concerning Harrison’s affinity for Dylan, Harrison stated, “Bob Dylan is the most consistent artist there is. Even his stuff, which people loathe, I like.” “Every single thing he does represents something that’s him. He may write better songs tomorrow, sing high on this album and low on another, go electric or acoustic, go weird or whatever, but the basic thing that causes all this change is an incredible character named Bob Dylan,” he added, per the Express.

Out of complete admiration and awe, George Harrison also divulged, “He’s the looniest person I know!” While Harrison did not define his definition of “looniest,” per his prior comments, it seems he’s alluding to Dylan’s ever-changing ways and personality. In other words, Harrison was impressed by Dylan’s ability to find the inspiration and means to reinvent himself on a whim.

Source: americansongwriter.com/Peter Burditt

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Years after the first three members of the Beatles bonded over their love of rock ‘n’ roll, the addition of the final Fab Four member would introduce the Liverpudlians to a new type of music they had previously overlooked: country. John Lennon, Paul McCartney, and George Harrison spent their earliest years together trying to emulate the sounds of Elvis Presley and Chuck Berry.

But when Sir Richard Starkey, known professionally as Ringo Starr, entered the picture in 1962, the band began diving into a different style of popular American music with a little less electric guitar and a lot more twang. Paul McCartney famously played American rock ‘n’ roller Eddie Cochran’s “Twenty Flight Rock” during his impromptu “audition” for John Lennon. George Harrison played “Raunchy,” an instrumental by another rock icon from the States, Bill Justis. Together, all three Liverpudlian musicians pored over records by Elvis Presley, Buddy Holly, and Chuck Berry. They might have gotten their start playing skiffle, but their hearts belonged to rock ‘n’ roll.

When Ringo Starr first joined the Beatles in 1962, he brought along a different musical background. Like the rest of his new bandmates, Starr learned most of his musical technique through trial and error. He wasn’t formally trained, which likely helped the experimental nature of the band’s early collaborations. And while he was undoubtedly aware of the same rock music the three guitarists were listening to, he was a bigger fan of country music.

“Ringo was the first guy in the Beatles to really turn us on to country music,” McCartney recalled in the 2025 concert film, Ringo & Friends at the Ryman. “We were kind of very much into rock ‘n’ roll, and he was heavy into country. He had a lot of records we didn’t have, and he was a big admirer of some of the country stars at the time. Some of them, we hadn’t ever heard of, I must admit. He’s got a long love, going way back, of country music.”

Source: americansongwriter.com/Melanie Davis

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Ringo Starr has strong opinions about how he’ll be portrayed in the four upcoming Beatles biopics. The musician, 84, told The New York Times on Wednesday, July 2, that he spent two days with the director, Sam Mendes, and offered “extensive notes” on the script.

Starr noted that he had feedback surrounding his first wife, Maureen Starkey Tigrett, explaining that the original script didn’t necessarily showcase how they acted in reality. "He had a writer — very good writer, great reputation, and he wrote it great, but it had nothing to do with Maureen and I," Starr told the outlet. "That’s not how we were. I’d say, 'We would never do that.'"

The former couple married in 1965 and had three children together — Zak, 59, Jason, 57, and Lee, 54, — before divorcing in 1975.

According to The New York Times, Starr is now content with the way he’ll be portrayed on screen after going through the script line by line and sharing his feedback with Mendes. In March, it was officially confirmed that actors Paul Mescal, Barry Keoghan, Harris Dickinson and Joseph Quinn are on board to portray the four members of The Beatles in Mendes’ quartet of movies.

Mescal will play Paul McCartney, Dickinson will play John Lennon, Keoghan is set to play Starr and Quinn will play George Harrison. (Lennon was murdered at age 40 in 1980, while Harrison died of cancer at age 58 in 2001.)

Appearing on Jimmy Kimmel Live! in May, Keoghan, 32, revealed what it was like to meet Starr as he gears up to portray him. The actor told host Jimmy Kimmel that he met Starr at his home, and during the talk show, he divulged how nervous he was during the meeting.

"It was sort of one of those moments where you're in awe and you're just frozen," Keoghan said.

Source:  yahoo.com/Erin Doyle

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There was shock when legendary music producer George Martin – known as the 'Fifth Beatle' – died in 2016 and left just £1million in his will.

His eldest daughter Alexis Stratfold said at the time that it was a 'joke' for her to get £68,000 in a bequest (alongside his chauffeur and secretary) when her father's wealth had been estimated at between £250-400 million.  But she was lucky. Her brother Greg – Martin's eldest son – was cut out altogether.

And it can be revealed that Greg is consulting lawyers because he believes his half-brother Giles may have benefited from a house and a £3.5million legacy. These, Greg claims, were separate from the will and were 'always meant to be his'.  Alexis and Greg are George Martin's children by his first wife, Sheena Chisholm. But their father left her for Judy Lockhart-Smith, a secretary at the Beatles label Parlophone, in 1962, and they had two children: Giles and Lucie.

The older children were largely excluded from Martin's successful later life. Alexis was bitterly hurt when invitations to their father's memorial did not include their names. Greg did not even attend. The actor, writer and producer told me: 'The only thing I inherited from my father was his coat of arms. I was not even mentioned in the will, and Alexis was left a small amount of money on the same terms as some of his staff.

There was shock when legendary music producer George Martin – known as the 'Fifth Beatle' – died in 2016 and left just £1million in his will - but his son Greg – Martin's eldest – was cut out altogether (Greg and Martin seen in 1999)

'It was painful. It is painful. I believe that my father would not have done that if it was not for Judy. 'He used to try and slip me money sometimes, like $100, and say: 'Don't tell Judy!' He added: 'I believe there must be a huge amount of money hidden away'.'

Source: dailymail.co.uk/Alison Boshoff

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There are 17 ticket stubs going under the hammer at Richard Winterton auctioneers. Ticket stubs for 1960s gigs by The Beatles that cost pennies at the time are among a collection expected to fetch up to £500 at auction.

The 17-stub archive includes two for The Beatles and Roy Orbison at Birmingham Town Hall in June 1963, costing fans eight shillings and sixpence. The Liverpool band was originally second on the bill, but were bumped up to co-headline as Beatlemania grew and ended up closing the set.

Richard Winterton Auctioneers described the "rare and nostalgic collection", which spans performances between 1962 and 1964, as a "wonderful piece of music history".

Of the 17 tickets, 16 are for performances in Birmingham and also include The Beatles' first outing at the city's Odeon, on 11 October 1964. There are additional stubs for The Cliff Richard Show at the Hippodrome, The Searchers at the Odeon, and Brenda Lee at the Town Hall.

One stub reveals the owner snagged a balcony seat for an unnamed performance, at the Royal Shakespeare Theatre in Stratford-upon-Avon, for just 7 shillings.

In addition, there is a complete ticket for Jazz 1963 at Birmingham Town Hall, presented by The Musicians' Union and The Labour Party, in October 1963. PA Media A black and white image of Paul McCartney, John Lennon, Ringo Starr and George Harrison taken in 1963. The men are all in black jackets, shirts and ties.PA Media

In 1963, Beatlemania was taking over the UK, just months before it would do the same in the US during the band's first visit, in February 1964

"Two ticket stubs for The Beatles at the height of Beatlemania are especially evocative – how incredible it must have been to see the Fab Four live in 1963 and 1964," a spokesperson for the auctioneers said. "With a host of other iconic names in the collection, this is a wonderful piece of music history."

The stubs will go under the hammer on 14 July, at the Lichfield Auction Centre in Fradley Park.

Source: bbc.com/Susie Rack