Ringo Starr has opened up about the one Beatles song he believes 'ruined his career' - and it's all down to a track written by John Lennon for his son Julian.

Ringo Starr has confessed there's one Beatles song that's always made him nervous - John Lennon's track Good Night.

The song, written for John's five year old son Julian, was the closing track on the 1968 album, The Beatles, and featured Ringo on vocals.

However, the drummer wasn't thrilled with the song, recalling, "They ruined my whole career when they gave me Good Night. I wanted to be a rocker. A lot of it was John or whoever wrote it saying, 'Well, you do this one Ringo.'"

Despite his reservations, Ringo acknowledged that his fellow Beatles thought he could bring something special to the song, saying, "They'd written it and they felt I could present that in a great way which was a nice feeling."

He also credited Paul McCartney with helping his career.   "I thank Paul you know because I'm on tour because I do A Little Help from My Friend.

Source: the-express.com/Scarlett O'Toole

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On This Day, May 1, 1966 …

The Beatles performed a 15-minute set at the New Musical Express Annual Poll-Winners All-Star Concert at the Empire Pool in London.

The performance, which took place in front of about 10,000 people, wound up being the band’s final scheduled live performance in Britain. Their actual final live show was the 1969 concert on the roof of Apple Studios, but that was a surprise.

The Beatles performed a five-song set at the NME show, with performances of “I Feel Fine,” “Nowhere Man,” “Day Tripper,” “If I Needed Someone” and “I’m Down.”

Other artists on the bill that night included The Rolling Stones, The Who, The Yardbirds, The Spencer Davis Group, Herman’s Hermits and Roy Orbison.

Source: KSHE 95

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The Beatles had to keep a bruising schedule in the early years of their recording career. In addition to their constant touring and live appearances, they were generally expected to crank out a pair of albums and a couple of singles per calendar year.

This itinerary helped them develop as writers, especially John Lennon and Paul McCartney. The duo handled pretty much all the group’s original compositions at that time. It explains how fascinatingly offbeat tracks like “I’ll Be Back”, which appeared on A Hard Day’s Night in 1964, came into existence.

If you’re looking for a turning point in The Beatles’ career in terms of their writing skills, A Hard Day’s Night is a great choice. Their third album also represented the first time that Lennon and McCartney wrote every single one of the tracks.

It was an extremely atypical feat in the rock and roll world. Cover songs still loomed as a huge part of the average band’s recording repertoire. Lennon and McCartney were essentially getting songwriting reps that their peers lacked. You can understand why their writing was vastly improving.

John Lennon came up with the idea for “I’ll Be Back”, and likely did the bulk of the writing. Keep in mind, however, that this was an era where McCartney would often add his two cents to Lennon’s compositions (and vice versa). Thus, it’s likely that there was some collaboration in the finished product.

Source: Jim Beviglia/American Songwriter

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Paul McCartney, who recently revealed his favorite Beatles track, has shed light on the unexpected roots of the iconic Beatles tune Golden Slumbers.

Featured on The Beatles' Abbey Road album, the song has been reimagined by various artists, including Neil Diamond and Mumford & Sons. While the melody is well-known to fans, many were taken aback to learn that the lyrics originated from a Victorian song named Cradle Song.

In an episode of his podcast Paul McCartney: A Life In Lyrics, Paul - who admitted to being outraged after a fan theory emerged on a classic Beatles track - delved into the creation of the song. "That chorus that I've used as a chorus, literally, is the lyrics to an old Victorian song," McCartney, who will be played by a hit Irish actor in the upcoming Beatles biopic, said.

When queried if this was what's referred to as sampling, Paul's response was more forthright. He candidly responded, "Well, it's called stealing."

Source: irishstar.com/Scarlett O'Toole

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Ringo Starr and Barbara Bach's love story is more than 40 years in the making.

In fact, on April 27, 2025 it will be exactly 44 years since the pair tied the knot in front of 70 guests in London after meeting on the set of the movie Caveman not long before.  In celebration of the couple's anniversary, here's a look back at some iconic photos from the early days of their relationship!

Starr and Bach first met more than 40 years ago on the set of the 1981 movie, Caveman, in which they played love interests.

The two were both in relationships at the time and told Playboy in 1981 that they "weren't together" until the end of the filming.

"A lot of garbage has been written about us, none of it interesting," Bach said. "The truth is, we weren't together until the very end of Caveman. Working, we got along fine, but we each had other people, our respective friends. Then, all of a sudden, within a week — the last week of shooting — it just happened. We changed from friendly love to being in love."

Source: uk.news.yahoo.com

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On their 1972 album Some Time In New York City, John Lennon and Yoko Ono featured a controversial song with an overall well-meaning message. However, as well-intentioned as it may have been, the song “Woman Is The [Redacted] Of The World” may not have been the radically supportive statement that Lennon and Ono were hoping for.

According to the 2016 book Public Interests: Media Advocacy And Struggles Over U.S. Television by Allison Perlman, Ono initially uttered the phrase in a 1969 interview with Nova magazine. The phrase has been partially attributed to Zora Neal Hurston’s book Their Eyes Were Watching God, in which one of its characters relays a similar statement.

Additionally, Lennon stated in a 1972 television interview that James Connolly, an Irish revolutionary, was also an inspiration, specifically via his quote, “the female worker is the slave of the slave.” The song was apparently meant to express that “women were the most oppressed group in the world and within oppressed groups themselves, women are the most mistreated and relegated to the lowest status rung,” according to Perlman.

Source: Lauren Boisvert/American Songwriter

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