Beatles News
Gone Troppo was released by former Beatle George Harrison back in 1982. A notably pop-rock world with synthy new wave elements, Gone Troppo was dropped later in the year by Dark Horse Records, along with a handful of excellent singles, including “Wake Up My Love”, “I Really Love You”, and “Dream Away”.
It’s a fine production, one that makes good use of the production skills of Harrison, Ray Cooper, and former Beatles engineer Phil McDonald. And yet, it wasn’t a successful release.
The album did make it to No. 108 on the Billboard 200. It also did surprisingly well in Norway at No. 31. However, Gone Troppo didn’t chart at all in the UK. That’s surprising, considering Harrison’s previous album, Somewhere In England from 1981, peaked at No. 13 in the UK and No. 11 in the US.
There’s a reason Gone Troppo was a flop, and it really has nothing to do with the album’s quality. This is a really fantastic release from Harrison. If he cared a little more about promoting it, it likely would have been a smash hit. Why ‘Gone Troppo’ Deserved Better, and It Was Partly George Harrison’s Fault That It Didn’t Succeed
By the time Gone Troppo hit the shelves, George Harrison had become wholly uninterested in the pop music world. As such, he really didn’t try to promote it… at all. Because of this, Gone Troppo remains his only solo album released after The Beatles broke up that didn’t chart in the Top 20 in the US. And after it was released, Harrison took a long break from music that would last (outside of occasional soundtrack compositions) until the release of Cloud Nine in 1987.
Source: Em Casalena/americansongwriter.com
Paul McCartney returned to the stage over the weekend with a two-night stint in the comparatively intimate surroundings of the Fonda Theatre, Los Angeles.
Usually, of course, McCartney – one of the few individuals for whom that hackneyed phrase ‘living legend’ is applicable – plays arenas and stadiums, something he acknowledged early on, saying: “It’s great to be at these little gigs - I mean, it’s not that little.”
“It’s very lovely,” the 83-year-old ex-Beatle said of the venue, which used to be known as the Hollywood Music Box Theatre before it was named after Henry Fonda. “It’s good to see the whites of your eyes.”
The 23-song set covered all the Beatles and Wings classics you’d expect, plus the recent ‘last’ Beatles single, Now And Then, as well as a scattering of lesser heard McCartney songs, including Flaming Pie, Every Night and My Valentine.
Interestingly, there wasn’t room for the just-released new track Days We Left Behind (nor anything from the upcoming album The Boys Of Dungeon Lane). Why? The band are “in the process of learning it,” McCartney told the crowd. “But I’m glad you love it, yeah.”
Stage patter was kept to a minimum, with Macca alternating between piano and his iconic Hofner bass. But he did slip into some misty-eyed reminiscences about the Beatles’ first trip to the US in early 1964.
Source: yahoo.com/Beth Simpson
Each great discography has its own shape, and that is part of what makes an exercise like this worthwhile. Some albums announce themselves immediately with a towering centerpiece. Others spread the wealth around, with the best song revealing itself only once you sit down and listen closely to the album as a whole.
In this series, we go album by album through an artist’s studio catalog and pick the single best song from each release, not just to spotlight the obvious standouts, but to trace how the artist grew, shifted, and occasionally surprised themselves along the way.
The Best Way to Introduce The Beatles. If you know someone who has never delved into The Beatles’ storied discography, these five essential Beatles songs for first-time listeners are sure to pique their interest and have them exploring the group’s albums in full.
The Fab Four of John Lennon, Paul McCartney, George Harrison, and Ringo Starr made some of the most important pop music of the 20th century, and their albums helped reshape both music and pop culture with every release.
But what are the best songs from each of the band’s 12 studio albums, not counting Yellow Submarine due to its dearth of original material? Put on your listening cap and let’s find out.
Please Please Me (1963) – “Please Please Me”
While many of the Beatles’ most notable early-career works came via non-album singles (“From Me to You,” “She Loves You,” “I Want to Hold Your Hand”), their debut album still delivers a steady stream of notable early classics in the group’s legendary discography.
Source: livemusicblog.com/Chris Guest
The Beatles would never be considered “underrated” under any circumstances. They were the biggest band of the 20th century, and their legacy is still felt today. In fact, their releases in the 1960s continue to make fans out of young listeners. That being said, the band has released a few songs that are underrated when compared to their major chart-toppers. Just as well, some of their songs could be described as overrated, too. And both those things can be true when talking about the band’s psychedelic era in the mid-to-late 1960s. Let’s look at two underrated psychedelic gems and one somewhat overrated tune from the Fab Four, shall we?
3 New Wave Hits From 1981 That Every 80s Kid Can’t Stop Singing
Underrated: “Baby, You’re A Rich Man”
This jam was the B-side of “All You Need Is Love” in 1967. Apparently, the song was originally supposed to be part of the Yellow Submarine film but was instead released as a single. Everybody knows “All You Need Is Love”, but I feel like few know “Baby, You’re A Rich Man” quite as well. That’s a shame, because this is a genuinely fun psychedelic pop tune, born out of a true collaboration between Paul McCartney and John Lennon. It also features the clavioline, an early analog synthesizer.
Source: americansongwriter.com/Em Casalena
Sir Paul McCartney says The Beatles "liked" seeing men in the crowd studying their musicianship.
The 83-year-old Hey Jude hitmaker has recalled the Fab Four's first trip to America, and the difference between the demographics in the audiences they were playing to.
Over the weekend, Sir Paul played a couple of intimate shows at the Fonda Theatre in Los Angeles, and he took the time to reflect on his early experiences in the US.
As reported by PEOPLE magazine, he told the fans: “We hadn’t really seen much, and we certainly hadn’t seen America, so it was pretty amazing.
“What we used to notice was that all the guys in the audience were looking at the chords you were playing, and they’d study it… and we kind of liked that. And all the girls weren’t.”
The fans started screaming at the reference to Beatlemania, and Sir Paul was happy to encourage it.
He quipped: "Yeah, the girls were screaming. Give us a Beatles scream!”
During the show, Sir Paul explained why fans weren't going to hear new single Days We Left Behind or other tracks from his new record The Boys of Dungeon Lane at the small gigs.
He explained that he and his band were still "in the process of learning it".
Source: music-news.com
On a weekend when millions of Americans took to the streets to say no to “kings,” an intimate, star-studded crowd in Hollywood showed up in support of a “Sir.”
Stevie Nicks, Taylor Swift, Margot Robbie, Billie Eilish and Ringo Starr were among those who gathered to hear Paul McCartney play the second of two shows at the historic Fonda Theatre on Saturday night.
Playing a set heavy with Beatles and Wings classics, McCartney largely avoided politics aside from poking fun at President Donald Trump’s dance moves — a moment that earned the mention of the president’s name boos from the crowd, who had surrendered their phones before the show.
For those who scored highly coveted tickets to the show at the cozy 1,200-person capacity theater, the music was a much-needed escape and salve.
“I just feel like art and community and any sort of gathering around something that’s going to uplift us or bring us closer to each other in our city, that’s the antidote to troubled times,” Derek Heath, a 39-year-old graphic designer, told CNN before the show. “I think that inherently this experience fits within the world of fighting back against tyranny and fighting back against hate.”
Source: cnn.com/Alli Rosenbloom
Sex Education star Aimee Lou Wood has said playing photographer Pattie Boyd in a Beatles biopic feels “quite intimidating”.
The actress, also known for playing Chelsea in the third series of The White Lotus, will portray George Harrison’s former wife in the upcoming films from Sir Sam Mendes, about the lives and careers of the Fab Four.
Filming has already begun with Wood yet to have her anticipated first “proper day” on set.
Speaking about taking on the role, Wood told The Standard: “With this one, everyone knows these people so it’s very different, and it’s quite intimidating.
“I’ve gone and done my fittings with my blonde hair and my blue eyes. I’m really stepping into a different person.
“We look like them… so it’s kind of trippy.” The 32-year old admitted the preparation for the role will be different from how she usually takes on characters and will require a level of “discipline”.
She added: “I can sometimes be like, ‘let’s just see how it goes, and throw paint at the wall and see’, which is great for certain things, but I actually can’t do that with Pattie.
“I am going to have to really prep, and I am going to have to really be detailed about that, because she is someone who is so recognisable, and obviously not do an impression.
Source: standard.co.uk/Lauren Del Fabbro
The Beatles left an impact on pop culture at large that long outlasted their actual time playing together. And it wasn’t just the fans who felt it. Other musicians couldn’t help but go back to the Fab Four for inspiration. In some cases, these artists even slyly referenced the group in their songs without technically mentioning them. Here are three songs where The Beatles low-key pop up within the lyrics.
The Monkees had to deal with Beatles comparisons more than any other artist. After all, they were molded by their creators in the image of John, Paul, George, and Ringo. Hence, their nickname of the “Prefab Four.” You might think that would have bred some resentment in them towards the Liverpudlians. In actuality, they got along just fine with The Beatles by all accounts. In fact, Mickey Dolenz recounted a meeting with the group on the song “Randy Scouse Git”, the closing track on the Monkees’ 1967 album Headquarters. The song actually feels like what you would expect from a Beatles’ album cut, a little bit silly and somewhat experimental. In the lyrics, Dolenz mentions that “The four kings of EMI are sitting stately on the floor.” He apparently had attended a party with the group, one that, by the tone of the song, took on a psychedelic tenor. Even though Dolenz never mentions the title in the song, it bothered the censors in Great Britain. That’s why, in England, it was released as “Alternate Title”.
Source: americansongwriter.com/Jim Beviglia
Paul McCartney is back with his first new album since the end of 2020, and a new single that honors late former bandmate John Lennon.
The Beatles icon and former Wings frontman, 84, announced Thursday that on May 29 he’ll release “The Boys of Dungeon Lane,” which a press release dubs his “most introspective album to date.”
“The album title, comes from a lyric in the track ‘Days We Left Behind,’” he said of the single and an excerpt of its music video, released along with the news. “I was thinking just that, about the days I left behind and I do often wonder if I’m just writing about the past but then I think how can you write about anything else?”
“The Boys of Dungeon Lane” offers “rare and revealing glimpses into memories never-before shared along with some newly inspired love songs,” according to the press release.
The 19-time Grammy winner and 83-time nominee described the track as being “very much a memory song for me,” weaving in “a lot of memories of Liverpool,” including a “bit in the middle about John and … the street I used to live in.”
Source: themercury.com/New York Daily News
Lou Gramm is proud of his songwriting as a solo performer. His 1987 solo hit "Midnight Blue" was a major success; it hit No. 5 on the Billboard Hot 100. And this year, he offers fans more great songwriting, with a solo album aptly titled Released. But it’s hard to top his work in Foreigner. Being the primary lyricist for Foreigner, his songwriter collaborations with guitarist Mick Jones produced classic rock staples like "Cold as Ice," "Hot Blooded," "Juke Box Hero" and "Urgent."
And as a lyricist, Lou Gramm cites The Beatles as the guiding light to writing catchy yet meaningful lyrics. In fact, there was one Beatles album that set him on his path as a songwriter. “I like Rubber Soul a lot for the melodies,” Gramm says simply, “and the way the lyrics fit the rhythm of the song.”
And it was a particular moment that ignited the flame in him. "It hit me seeing The Beatles on The Ed Sullivan Show," says the singer, "when I was 10 or 11 years old. Hearing those awesome songs just slightly over the screaming crowd and thinking about, I wonder how that would be? Although the screaming made it very exciting, the songs themselves were the part that I loved."
One of Gramm's favorite memories is meeting one of The Beatles, too, namely John Lennon. He tells his story about how he came to meet Lennon.
Source: goldminemag.com
