Beatles News

Two of the Beatles ’ most famous songs will finally be included on Sgt Pepper’s Lonely Hearts Club when the album is re-issued on June 1 to mark 50 years since its release. Despite being written specifically for their eighth studio album, record label EMI chose to put out Strawberry Fields Forever and Penny Lane as a double A side single. Fans were furious it never made the final collection. Regarded as one of the best albums of all time, Sgt Peppers Lonely Hearts Club won four Grammy awards, including making history as the first rock collection to be named Album Of The Year.

Entering to the strains of Billy J. Kramer’s version of Lennon & McCartney’s Do You Want to Know a Secret; actor Ian Sexon takes the audience on a blisteringly paced account of the life of Neil Aspinall. A man at the very heart of The Beatles’ story, a man who shared their brightest and darkest moments, a man, who, unlike almost everyone else associated with the group, took his secrets to the grave. Aspinall went from school pal of Paul McCartney and George Harrison to trainee accountant to first ever roadie, driving his beat-up Commer van the length of the country, to CEO of Apple Corps, The Beatles’ global business conglomerate. Notably, in helping to sustain The Beatles’ legacy, it was Aspinall who masterminded the creation of the world-wide, best-selling, Beatles Anthology documentary, three-volume double album and book.

For this week's CL cover story, "Mammal Gallery braces for an unwritten future," Richard Miller relived the moment former Beatles singer and bass player Paul McCartney wandered into his South Broad drugstore. Here is his story. "He was here at the Merchandise Mart watching his daughter Stella sell some of her wears. She made dishes and such, and he was here with his son James watching. They got bored and wanted to go check out 'the funky side of town' — Little Five Points. He got into a limousine with his son James, and he must've told the driver, 'Take us to Five Points,' which is just a block from the drugstore. So the limousine driver pulled up in front of the store because the next block is not available for cars. Paul got out of the limousine and saw a display for a product we carry called Run Devil Run in our window and said, 'Oh, that’s a cool thing, let’s go in and see what it’s all about.'

Ron Howard’s 2016 documentary The Beatles: Eight Days a Week offered an unprecedented look at the group’s touring years from 1963 through 1966. Among the many rare snippets was color footage recorded at a November 20, 1963, date at the ABC Cinema in Manchester, England. That clip is a Beatles fan’s dream. High-quality color footage of the group from before its February 1964 arrival in the U.S. is hard to come by. What’s readily available is mostly in black and white and often has poor audio quality.

Nearly 15 years after his death, the legacy of George Harrison and his fellow Beatles continues to reveal itself. At the moment, it's in the form of a rare black-and-white photograph in the hands of Olivia Harrison, wife of the late singer-guitarist: It shows the early Beatles posing with their instruments in a barren stretch of Liverpool, England, dressed in matching suits but still looking tough behind their smiles. "Look at the tones in John's face," Olivia says, marveling at the image of a young John Lennon. She is sitting with family friend Nicholas Roylance, publisher at U.K.-based Genesis Publications, who hands her a batch of smaller pictures of George, capturing him as both a Beatle and solo artist. "Where did that come from?" Olivia says, examining one of the pictures. "That's super cute."

A 45 rpm copy of the second single released in the United Kingdom by all four members of the Beatles is expected to earn top lot honors at Heritage Auctions’ Entertainment & Music Memorabilia Signature Auction March 18 in Dallas. The record includes recordings of Ask Me Why and Please Please Me (est. $40,000). John Lennon, Paul McCartney, George Harrison and Ringo Starr all signed the Ask Me Why B-side of the record; McCartney and Harrison also signed the reverse side, which features an A-side recording of Please Please Me. Given to its original owner at the Cavern Club in Liverpool, the single was released Jan. 11, 1963, 13 days before a signing session at the NEMS record shop, where the signatures likely were acquired.

It was the first Beatles record I bought, but it wasn’t my favorite Beatles song. I’d heard “She Loves You” in the fall of 1963, and, while the buddy I first heard it with (a story I have related before) mocked the song (as did the deejay who introduced it), I’d been immediately smitten, though I diplomatically kept my opinion to myself. Thereafter, when I listened to far away radio stations in big cities like Chicago and New York on my transistor radio at night when I was supposed to be going to sleep, I listened for “She Loves You.”

Once dubbed “Beardsley in blue jeans”, the artist Alan Aldridge, who has died aged 73, created some of the most enduring pop imagery of the 1960s and 70s. His illustration of the Who on their second album A Quick One (1966) was a distinctive period piece in which huge song titles swirled out from the musicians’ instruments and earned him a Grammy nomination. His poster for the 1966 Andy Warhol film Chelsea Girls, featuring the naked 16-year-old model Clare Shenstone adorned with suggestive artistic enhancements, was a notorious tour de force that briefly threatened to get Aldridge arrested on pornography charges.

They are the biggest band in pop music history and usually credited with being the most influential. But in reality The Beatles were an average group who did little to change the musical landscape – at least according to one academic, who claims to have the science to back it up. Despite the Fab Four’s 600 million record sales, Professor Armand Leroi dismisses their output as ‘ditties for prepubescent girls’ and claims they ‘sat out’ the musical revolution of the 1960s.

JOHN LENNON thought he was just a kid — in the end, though, George Harrison proved himself The Beatles’ fastest learner. In their earliest days, Paul McCartney would always have the fresh-faced teenage George tagging along with him, but Lennon felt he was wet behind the ears. The truth, however, was that George had already put in the hours and mastered all those American guitar tricks that neither John nor Paul could do!