Beatles News
In 1980, Paul McCartney found that his celebrity wouldn’t help him avoid arrest when he brought drugs into Japan. The musician arrived in Tokyo with half a pound of marijuana in his bag, an amount that could’ve have landed him in prison for seven years. While McCartney ultimately avoided more than a few days of jail time, he said the experience was frightening. Still, he admitted it was stupid to have even been in the situation.
In 1980, McCartney flew to Tokyo in preparation for a multiple-city concert tour with his band Wings. When he arrived at Tokyo’s Narita International Airport, a customs agent discovered half a pound of marijuana in his bag. While he said it was for his personal use, the amount meant that he was at risk for a smuggling charge and up to seven years in prison.
“We were about to fly to Japan and I knew I wouldn’t be able to get anything to smoke over there,” McCartney said in 2004, per History. “This stuff was too good to flush down the toilet, so I thought I’d take it with me.”
When reflecting on the incident, he said he’d been stupid to try to bring drugs to Japan.
Source: Emma McKee/cheatsheet.com
George Harrison disregarded his ego and allowed his friend, Eric Clapton, to play on his song “While My Guitar Gently Weeps.” The Beatle thought Clapton did great work, but they had to make the tune sound more “Beatle-y.”
The Beatle and Clapton briefly crossed paths several times throughout the first half of the 1960s. However, they didn’t become friends until the latter part of the decade.
In Martin Scorsese’s documentary, George Harrison: Living in the Material World, Clapton said George recognized him as an equal because Clapton had a “level of proficiency even then that he saw as being fairly unique too.”
The Yardbirds guitarist also thinks George liked that he was a free agent. “And I think, if anything, he may have already been wondering about whether he was in the right place being in a group,” Clapton said. “Because the group politic is a tricky one. There was a lot about what he had going, which I envied, and there was a lot about what I had going that he envied.”
Source: Hannah Wigandt/cheatsheet.com
Fans were devastated in April 1970 when the Beatles announced they were splitting up. In fact, the band had been falling apart behind the scenes for the previous few years, amid fights, rivalries and resentments. In an extraordinarily frank and unvarnished interview in 1971 with The Daily Express, Lennon opened up about why for the rest of his life the musician would never waver from his conviction he could see "no reason" why they should ever reunite.
The interview was given to Daily Express entertainment journalist David Wigg in October 1971.
Lennon had been increasingly dismissive of some of the Beatles material. Towards the end of the group he also implied McCartney's compositions were rather lightweight.
Source: Stefan Kyriazis/express.co.uk
John Lennon died at the age of 40, after nearly two decades of unprecedented success as a musician. He’d been a creative person all his life and was able to make a career out of it. He said that, in many ways, he was using his creative career as a way to avoid maturing. Lennon didn’t want to age, but he was exhausting himself with his ways of preventing aging. By the time he was in his mid-thirties, Lennon decided that his method of maintaining immaturity was not working for him.
Source: Emma McKee/cheatsheet.com
After The Beatles broke up, John Lennon railed against his former bandmates in a 1970 Rolling Stone interview. Entitled “Lennon Remembers,” the lengthy interview sees the musician discussing his problems with The Beatles, his love of Yoko Ono, and his distaste for his bandmates’ solo careers, among other things. Five years after the interview, Lennon’s opinion of his former bandmates had softened considerably. He also said that they hadn’t cared about his harsh words.
Source: Emma McKee/cheatsheet.com
Paul McCartney had a passion for music at a young age. That passion expanded once he discovered rock ‘n’ roll. Later in his life, McCartney would become a rock legend with The Beatles and his solo career. The former Beatle still recalls the first record he bought that ignited his love for music. McCartney grew up in Liverpool in a working-class home. While his family wasn’t wealthy, they did have a piano in the house that his dad often played. He always loved music, even the old-school songs that his dad would play. However, Paul McCartney says everything changed once he discovered rock ‘n’ roll. In an interview for his website Paulmccartney.com, the British artist said rock was a “completely different sound” when it arrived in Liverpool.
Source: Ross Tanenbaum/cheatsheet.com
The Beatles sometimes had to devise creative ways to get through their many interviews, which tended to be at the reporter’s expense. It didn’t help that the press gave them nicknames that didn’t truly represent their personalities or that they often asked stupid or irrelevant questions.
In The Beatles’ early career, the press observed the band during interviews and gave them “tags” based on their apparent personalities. John Lennon was the witty Beatle, Paul McCartney was the cute one, George Harrison the quiet one, and Ringo Starr was, well, Ringo Starr.
All of the nicknames couldn’t have been farther from the truth. The Beatles were many things, but the press didn’t care enough to discover who they were as people.
Their labels were only half the issue. Once The Beatles’ fame skyrocketed, they had to deal with tons more interviews filled with uninspiring, uninteresting, foolish, and often head-scratching questions.
Source: Hannah Wigandt/cheatsheet.com
George Harrison wanted to evoke the good times he had with The Beatles in his song, “When We Was Fab.” However, not all of the tune’s lyrics stem from fond memories. There’s a dark lyric that speaks about one of the things George hated about being a member of the Fab Four.
George Harrison performing at the Prince's Trust Concert in 1987.
Being Beatle George was hard. It was a constant push and pull between screaming fans and not being able to stretch his creativity to its fullest. Beatlemania aged him and made him paranoid. John Lennon and Paul McCartney often pushed him and his songs aside. However, on top of it all, George desperately wanted to break free and explore spiritualism. He didn’t want to be a glorified session man or a teen idol. George wanted to be God-conscious.
However, years after The Beatles split and everything settled, George came to terms with being a Beatle. When he entered the studio in 1987 to record Cloud Nine, he suddenly wanted to create a song that evoked the spirit of his old band. What resulted was “When We Was Fab,” a song (and music video) that had more Beatles Easter eggs than “Glass Onion.”
Source: Hannah Wigandt/cheatsheet.com
Over 70 million people tuned in to The Ed Sullivan Show on Feb. 9, 1964, to watch the Beatles’ first live U.S. television performance. The Fab Four captured America’s hearts and forever secured a place in pop culture history. Despite TV’s role in the group’s immense success, lead guitarist George Harrison claimed he was not a fan of American television. Many of us can probably relate to his reason.
In a 1971 interview on The Dick Cavett Show, Harrison said he didn’t watch television in America because “it’s such a load of rubbish.”
The world-famous rocker explained, “It just drives you crazy — the commercials. You just get into something and then, ‘Sorry, now, another word from and another word from.'”
The “Here Comes the Sun” songwriter said, “In the end, you know, they just put commercials on all the time.”
Asked whether British TV had advertisements, Harrison responded, “Yeah, but it’s really done good.”
Source: Rita DeMichiel/cheatsheet.com
Roll over, Sgt. Pepper. The Beatles’ Revolver is way beyond compare. Rolling Stone’s Rob Sheffield declared it “the best album the Beatles ever made, which means the best album by anybody.”
And thanks to a lavish new reissue overseen by Beatles producer George Martin’s son Giles Martin, Revolver has never sounded better. It’s got extras (28 early takes, three home demos, remastered mono and new stereo mixes of “Paperback Writer” and “Rain”). You can buy a 63-track super-deluxe special edition (five CDs, four LPs, a 7-inch EP, a 100-page hardcover book); a deluxe special edition (two-CD digipak and 40-page booklet); or the standard special edition (the original 14 tracks, digital and on CD, LP or vinyl picture disc).
So why does 1966’s Revolver outplay 1967’s Sgt. Pepper’s Lonely Hearts Club Band, which used to be widely considered the band’s finest hour? Seven Beatles authorities offer their explanations:
Source: Edna Gundersen/Edna Gundersen
