Beatles News
George Harrison surprised his friend and comedian, Eric Idle, the first time they met. The former Beatle brought his soon-to-be friend to the recording studio, where another singer-songwriter was recording.
Idle wrote, “I had heard that George wanted to meet me, but I was somewhat shy of meeting him. I was shy and tried to avoid him, but he snuck up on me in the back of the theater as the credits began to roll. I hadn’t yet learned he was unstoppable.
“We began a conversation that would last about twenty-four hours. Who could resist his opening line? ‘We can’t talk here. Let’s go and have a reefer in the projection booth.’ No telling what the startled projectionist felt as a Beatle came in with one of the actors from the movie he had just projected and lit up a joint.”
Idle couldn’t get rid of George after that.
Source: Hannah Wigandt/cheatsheet.com
George Harrison said The Beatles needed space to grow. That was one of the biggest reasons they separated in 1970. They all just wanted to fly the nest and experience other things.
During a 1987 interview, Dutch TV pointed out to George that he was only 27 when The Beatles split, yet he’d experienced many unimaginable things. Dutch TV asked what kind of person he was and what he felt when The Beatles split.
George replied, “In no less than 25 words? I don’t know. At the time, when we split, we’d had too much input from everything, all that being closed together, mania, everything like that. We needed a rest from each other, and we needed space to grow.
“I think it’s important because we’re growing all the time and when you, like that situation, it’s just like a family. You’re so close together, and then you grow older, and you want to move, and you want to go into your own house and have your own friends, and that was necessary.
Source: Hannah Wigandt/cheatsheet.com
The Beatles included four main band members: John Lennon, Paul McCartney, Ringo Starr and George Harrison. There were other important band mates before they settled on those four. A Beatles historian named two Beatles whom he called calming influences on Lennon. One was another part of the Fab Four, and one was one of their former colleagues.David Bedford was a guest on the Beatles City podcast on Aug. 23, 2020. Bedford has written books and made documentaries about the band. Here are the two other Beatles whom his sources tell him calmed Lennon over the years. Lennon was perhaps closer to McCartney than Starr and Harrison, because they wrote songs together. For one year, The Beatles had Stuart Sutcliffe on bass. Sutcliffe was a classmate of Lennon’s at Liverpool College of Art and he left the Beatles in 1961 to pursue his art.
Source: Fred Topel/cheatsheet.com
From 1963 to 1969, Paul McCartney, John Lennon, George Harrison, and Ringo Starr recorded a Christmas record for The Beatles’ fan club members. The records were often chaotic, featuring ad-libbed songs, skits, and direct addresses to fans. On their first record, which the band made in the early days of Beatlemania, McCartney spoke directly to the fan club. He told them they were no longer interested in a candy fans had been pelting at them.
The Beatles formed in 1960 and, by 1964, were international celebrities. Beatlemania began in England before 1964, but they reached unprecedented levels of fame on their first visit to the United States. While they appreciated their fans and their new level of success, it could be overwhelming. Scottish concert promoter Andi Lothian recalled how quickly their shows could devolve into chaos.
“The girls were beginning to overwhelm us,” he told The Guardian in 2013. “I saw one of them almost getting to Ringo’s drumkit and then I saw 40 drunk bouncers tearing down the aisles. It was like the Relief of Mafeking! It was absolute pandemonium. Girls fainting, screaming, wet seats. The whole hall went into some kind of state, almost like collective hypnotism. I’d never seen anything like it.”
Source: Emma McKee/cheatsheet.com
George Harrison said he was in “another world” while The Beatles recorded Sgt. Pepper’s Lonely Hearts Club Band and Magical Mystery Tour in 1967. He’d recently experienced the essence of spirituality in one of the holiest places in India. It put things into perspective for him.
In Here Comes The Sun: The Spiritual And Musical Journey Of George Harrison, Joshua M. Greene wrote that George felt awkward being back in London after returning from his six-week trip to India. During his trip, he meditated and read spiritual texts at the base of the Himalayan mountains. The beautiful experience catapulted George into spirituality like nothing else.
So, it’s understandable how hard it was for George to return. It was especially hard for him because The Beatles hadn’t had a spiritual awakening and weren’t coming up with exciting ideas.
Source: Hannah Wigandt/cheatsheet.com
“Love Me Do,” the Beatles’ first single, has never received the plaudits that so much of their output has, and yet, there may have been no more important statement of purpose for the band.
Released in October 1962, “Love Me Do” was also the Beatles’ first hit, reaching #17 in the charts in Britain—even if that was largely because manager Brian Epstein bought up many copies himself, a technique known as “padding.”
The Beatles themselves regretted that they were missing out on the excitement back home—the presumed afterglow of landing a hit—by having to go to Hamburg for a final time as a club band. “Love Me Do” was where the action was, and who could fault The Beatles for wishing to be near their first trace of an epicenter?
The first noticeably different thing about “Love Me Do” is its unusual title. Love me do? The language mirrors a crisp, highly class-conscious, English form of conversation, the province of an older woman in society rather than a working-class Beatle.
Source: Colin Fleming/bestclassicbands.com
The Beatles‘ “Twist and Shout” has a connection to Van Morrison’s “Brown-Eyed Girl” and some other tracks from the same era. “Twist and Shout” lasted longer on the American pop charts than any of the Fab Four’s other hits. On the other hand, the track only became a minor success in the group’s native United Kingdom. The Beatles playing instruments during the "Twist and Shout" era.
“Twist and Shout” was co-written by Phil Medley and Bert Berns. The latter used the pseudonym Bert Russell. Berns also produced other hits such as The Drifters’ “Under the Boardwalk” and Van Morrison’s “Brown-Eyed Girl.” During a 2014 interview with The Forward, Burns’ son, Brett Burns, felt his father was forgotten.
“My father has been gone for so long that his memory has just drifted away,” he said. “He was the very first of the New York songwriters who ruled over the ’60s Brill Building scene to die, and very young at that.”
Source: Matthew Trzcinski/cheatsheet.com
The Beatles dominated the music industry in the 1960s, but their success only lasted for a decade as the band split in 1970. The world was stunned to learn about the band breaking up, but the four members knew The Beatles would end a few months beforehand. Paul McCartney said The Beatles’ downfall began in 1969, but he was told to keep it a secret until it became official.
There are many rumors and theories that Beatles fans have for why the band broke up. Many believe that tensions between the band had been rising for a while, and they simply stopped being friendly with one another. In an interview with Apple Music with Zane Lowe, Paul McCartney said he and John Lennon never had any significant arguments that would have led to The Beatles disbanding, which is why he was surprised when Lennon announced he was leaving.
Source: Ross Tanenbaum/cheatsheet.com
Paul McCartney was always the James Bond producers’ choice to sing ‘Live And Let Die’ in the closing credits of the 007 film, new documents show.
The song, performed by McCartney with Wings, is one of the Beatle’s most successful solo hits as well as the post-credits soundtrack to the 1973 film.
In the years following the track’s release, McCartney and George Martin have both told the story that the film’s producers wanted to replace McCartney with a female singer on the track, assuming that the version presented to them was just a demo.
“He sat me down and said, ‘Great. Like what you did, very nice record, like the score,” Martin wrote in his 1979 memoir All You Need Is Ears. “Now tell me, who do you think we should get to sing it?’ That took me completely aback. [via The Guardian].
Source: Will Richards/nme.com
John Lennon’s son, Sean Ono Lennon, praised one of the Plastic Ono Band’s albums.
He said the voice on the album “has a special frequency.”
Sean said the album may have had a negative effect on his parents’ relationship.
John Lennon’s son, Sean Ono Lennon, said one of the Plastic Ono Band’s albums is the greatest album of all time. Subsequently, he explained why the vocals on the album sound so good to him. Notably, the album in question received some negative responses upon its initial release.During a 1998 interview with Rolling Stone, Sean was asked when he discovered his mother’s debut solo album, Yoko Ono/Plastic Ono Band. “She’s my mom,” he said. “It’s not like you discover it.
Source: Matthew Trzcinski/cheatsheet.com
