Beatles News
Even if you know hardly anything about the frenzied years of Beatlemania, you probably have at least a vague image in your head of tens of thousands of screaming fans – overwhelming the sound of the Fab Four's live performances.
Technology, in every facet of life, has obviously advanced light years in the six decades since, and the world of onstage guitar amplification is no exception.
There was no such thing as an arena or stadium touring circuit when the Beatles took over America in the mid-'60s, and the band's onstage guitar amp rig was laughably inadequate in the face of the sheer volume of the hysteria that greeted them wherever they played.
In a 1997 interview with Guitar World, George Harrison reflected wryly on the band's live situation, remarking, “We used 30-watt [Vox] amps until we got those really big 100-watt amps at Shea Stadium. And nothing was even mic'd up through the P.A. – they just had to listen to our amps and the two vocal mics. Sometimes we'd just play rubbish.
Source: Guitar World
Recently, director Sam Mendes served as a guest lecturer at the Liverpool Institute of Performing Arts (LIPA), and he let out one very interesting nugget about his upcoming Beatles movies.
Apparently, Mendes told the crowd that his plan is to release all four Beatles movies on the same date (via TheInSneider). Is this a good idea? Obviously, most people will first and foremost pay to see the John Lennon and Paul McCartney movies, then George Harrison and finally Ringo Starr. That’s just how it’ll go down.
If Sony does end up releasing all four films at once, then it would save them plenty on marketing costs. Mendes is directing all four, and although no casting has been formally announced, Jeff Sneider has put it out there that Harris Dickinson (John Lennon), Paul Mescal (Paul McCartney), Barry Keoghan (Ringo Starr), and Charlie Rowe (George Harrison) are being eyed for roles.
For the first time ever, Apple Corps. and The Beatles have granted full life story and music rights for a scripted film. Sony chief Tom Rothman stated Mendes was eyeing a mid-2025 shoot in the UK, with all four films released in 2027. There’s also been a rumor that Mendes regular Roger Deakins was asked to lens all of the films.
Source: Jordan Ruimy/worldofreel.com
English singer, songwriter and guitarist John Lennon (1940-1980), English singer, ... [+] songwriter and bassist Paul McCartney, English musician, singer and drummer Ringo Starr and English musician, singer, songwriter and guitarist George Harrison (1943-2001) of the Beatles attend a press party at the home of manager Brian Epstein supporting the release of Sgt. Pepper's Lonely Hearts Club Band, May 19, 1967, in London, United Kingdom. The Beatles's 1 compilation is their first release to hit 450 weeks on the U.K. albums chart—a milestone it reaches this frame.(Photo by Jeff Hochberg/Getty Images)
The Beatles almost always claim at least one space on the U.K. albums chart. They are simply too popular to fall away from the ranking of the most-consumed full-lengths in their home country for very long.
The band’s 1 compilation is typically representative of The Beatles’ ongoing commercial success. The project features many of their most beloved songs, so all the streams of those tunes usually feed into keeping the title on the list (though not always).
This frame, 1 celebrates hitting 450 weeks on the U.K. albums chart. It’s the first release from The Beatles to make it to that number, and it is far and away the Fab Four’s longest-running win.
1 doesn’t face any competition for the title of The Beatles’ full-length with the most weeks spent on the ranking of the top-performing albums in the U.K. Their second-longest-charting title, Sgt. Pepper's Lonely Hearts Club Band, has thus far held on for 277 frames. That’s only a little more than half as long as 1.
Source: Hugh McIntyre/forbes.com
The Beatles were the most commercially successful musical act of their era. The band remains hugely popular, and many of their records have yet to be beaten. The individual members also enjoyed bestseller status with some of their releases, though on occasion, they weren’t afraid to try some unusual things, which meant that sales and awards weren’t necessarily guaranteed.
John Lennon often followed what his heart told him, instead of chasing numbers and sales. One of his less-understood albums that never became the massive win that the musician was accustomed to has returned and become a chart success again, and it’s been decades since it was last seen.
Mind Games reappears on the U.K. albums chart this week. Lennon’s solo album lands at No. 39 on the list of the most-consumed full-lengths in the country, becoming a top 40 smash yet again.
Lennon’s solo collection has been away from the U.K. ranking for a long, long while. The last time it was seen on the albums chart across the pond was back in February 1974.
Mind Games returns following its highly-anticipated re-release. The album was recently expanded to feature a lot of new material, including remixes from his own son, Sean. Several editions of the deluxe product were made available, with some including lengthy audio commentary on the songs. Up to six CDs were sold in some instances, and a coffee table book is apparently on the way as well.
Source: Hugh McIntyre/forbes.com
If it was quarantine fever that prompted Paul McCartney to return to all-DIY studio mode for his new album, “McCartney III,” it may be the the lack of any looming global tour that really helped set the record’s diverting and loose mood. His previous release, 2018’s “Egypt Station,” created with a full band and big-name producers like Greg Kurstin and Ryan Tedder, had its quirks but was clearly designed as the kind of commercial project that would not just reinstate the former Beatle at No. 1 on the charts (which it did) but provide fresh set-list grist that wouldn’t have stadium bathroom queues forming all at once. “McCartney III” is almost nothing but the quirks, undertaken in isolation with an initial intended audience of probably just one: a certain Sussex vegan sheep farmer who must’ve realized by April or May that he’d rather spend the pandemic woodshedding than shearing.
As probably every fan has heard or figured out by now, “McCartney III” is a sequel to 1970’s “McCartney” and 1980’s “McCartney II” in name, methodology and year-ending-in-zero only, and not so much in style. Because when it comes to that, “III” doesn’t really have one — it’s all over the place, and delightfully so, even if he occasionally lands upon a subgenre that you wish he stuck with for more than a song or two.
Source: Chris Willman/ca.news.yahoo.com
The 1966 Beatles album Revolver is loaded with incredible songs. One of the most underrated tracks on the album would definitely be “She Said She Said”. It was one of many songs credited to John Lennon and Paul McCartney. However, the song was actually only written by Lennon with some help from George Harrison. McCartney didn’t really have much to do with it, according to the man himself in Barry Miles’ biography called Paul McCartney: Many Years From Now. Paul McCartney even said that “She Said She Said” is one the rare instances in which he didn’t play on a Beatles song.
So, what happened? According to McCartney, it started with some creative differences he had with the band shortly before they recorded it. He did participate in the first takes for the song, but McCartney did not contribute to the final recording at all.
Why Didn’t Paul McCartney Play On “She Said She Said”?
Paul McCartney has always been known as the perfectionist of The Beatles. So when the band opted to experiment with more psychedelic elements around the mid-1960s, there was quite a bit of head-butting. McCartney pitched an arrangement for “She Said She Said”, which was ultimately ignored. That didn’t sit well with McCartney.
“John [Lennon] brought it in pretty much finished,” McCartney said in his biography. “I’m not sure, but I think it was one of the only Beatle records I never played on. I think we’d had a barney or something, and I said, ‘Oh, f**k you!’ and they said, ‘Well, we’ll do it.’ I think George played bass.”
Source: Em Casalena/americansongwriter.com
The lineup for the upcoming Venice Film Festival was just announced, and it includes two Beatles-related documentaries.
One to One: John and Yoko, directed by Kevin Macdonald and Sam Rice-Edwards, focuses on the relationship between John Lennon and Yoko Ono.
A previous announcement about the film describes it as “a moving look at the couple’s life upon their entry into a transformative 1970’s New York, exploring their musical, personal, artistic, social, and political world.” It centers around the pair’s 1972 One to One Concerts, which were Lennon’s only full-length performances after The Beatles’ 1970 breakup. They featured Yoko, The Plastic Ono Band, Elephant’s Memory and special guests.
The other is Things We Said Today, from Andrei Ujica. According to The Hollywood Reporter, the film focuses on The Beatles’ first North American tour, which happened in 1964.
The Venice Film Festival will take place Aug. 28 to Sept. 7.
Source: ruralradio.com
More than 60 years after Pete Best was ejected from The Beatles and replaced by Ringo Starr, reasons for the ouster continue to be a matter of conjecture.
He wasn’t a good enough drummer. His bandmates were jealous of his good looks stealing female fans’ attention.
His quiet, reserved personality didn’t mesh with the more outgoing, playful personalities of John Lennon, Paul McCartney and George Harrison. It was strictly a business decision.
Pete Best, original drummer for The Beatles, will present a slideshow and lecture at the Valley Dale Ballroom on Sunday, followed by a performance with his band.
Over the next six decades, the list of reasons snowballed. Subsequent interviews with The Beatles revealed what some saw as animus toward Best, particularly in the case of Lennon.
“The reason he got in the group in the first place was because the only way we could get to Hamburg, (Germany), we had to have a drummer,” Lennon said in an interview posted on Beatles historian David Bedford’s website.
McCartney was a bit kinder, saying that Best was a “really good drummer” who merely “wasn’t quite like the rest of us.”
Source: dispatch.com
As more source material comes out about the Beatles, fans are discovering much more about The Beatle they thought they had figured out: George Harrison. In past years Harrison had always been presented as the “Quiet Beatle.” However, as his legend lives on this persona has been shed as folks learn that the artist pulled no punches when it came to speaking his mind.
This information was made public in a 1992 recording session video where viewers can watch Harrison openly criticize Neil Young’s guitar playing. “I’m not a Neil Young fan, personally” Harrison states, “[Young’s playing] it is good for a laugh.”
Harrison goes on to bag Young’s style in the video. He also notes where this musical disagreement all originated—Bob Dylan’s ’30th Anniversary Concert’ at Madison Square Garden in 1992. The concert took place shortly before the release of Harrison’s 1992 recording session.
The concert included a star-studded lineup: Bob Dylan, Eric Clapton, Harrison, and Young. Despite the talent on stage, Harrison believed that Young did the show a grave disservice with his lead playing. In the middle of Young’s solo Harrison looked at Clapton and said “What’s going on?” Clapton’s simple response-“don’t look at me, it’s not me.”
Source: Peter Burditt/americansongwriter.com
The Beatles versus the Rolling Stones is a popular debate. It really strikes a cord with rock fans. Everyone has their pick and they stick by it, vehemently. Though the bands don’t necessarily fuel that fire these days, there was a time when their friendly rivalry was real.
Their intertwining histories as a band started in the early ’60s, when John Lennon and Paul McCartney penned a single for the Stones.
In 1963, Lennon and McCartney happened to run into the Stones’ manager, Andrew Loog Oldham. At the time, the Beatles were steadily rising in the rock ranks and the Stones’ were still trying to find their footing.
“Oldham had almost literally bumped into Lennon and McCartney as they stepped out of a cab,” Bill Janovitz wrote in Rocks Off: 50 Tracks that Tell the Story of the Rolling Stones. “He invited them to the studio where the Stones were rehearsing…The two finished off what had been a McCartney sketch of an idea, handing it the Stones for their single.”
The song in question was “I Wanna Be Your Man.” Though the Beatles would go on to release a version of the up-tempo tune themselves, the Stones were the first to put it out. It helped to not only establish the band in England, but also began to set them apart from their fellow mop tops.
Source: Alex Hopper/americansongwriter.com
