The sheer magnitude of the Beatles’ fame makes it easy to forget that when they first reached the peak of their stardom in the mid-1960s, they were just a group of ragtag, young 20-somethings who happened to land a big break. When the future Fab Four first met, they were even younger teens. For most of us, the idea of forging an entire career (and, more generally, a life) with the people we hung out with in high school. Yet, that’s how the Beatles, one of the biggest rock bands of all time, got their start.

Indeed, before they were topping the charts and touring the world, the band’s primary songwriters, John Lennon and Paul McCartney, were busy trying to see what kind of trouble they could get into at their childhood homes.

And like the resourceful lads they were, they certainly found it. Paul McCartney Describes “Teenage Fool Antics” With John Lennon

The Beatles saw and did more exciting and wilder things during their short tenure as a band than most people will experience in their whole lifetimes. But before they got their big break in the early 1960s, they weren’t that different from any other aspiring young male musician. They taught each other chords, made up silly lyrics to their favorite cover songs, and tried desperately to attract the opposite sex with little to no avail. Paul McCartney and John Lennon longed for the day they could get famous just from playing their guitars. But before that could happen, the two friends passed the time looking for ways to feel older and “cooler” while they wrote their music.

Source: americansongwriter.com/Melanie Davis

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How George Harrison (subconsciously) borrowed a love song from The Chiffons to make something spiritual.

While he always had his fans, it's fair to say that as a singer and songwriter, George Harrison was somewhat overshadowed in The Beatles by Paul McCartney and John Lennon.  Despite writing some of the best songs of the decade, poor George only squeezed 22 songs into the Beatles back catalogue, compared to over 160 by the Lennon-McCartney partnership.

How George Harrison saved Monty Python's Life of Brian film from being axed. How The Beatles' George Harrison coined "grotty" and deconstructed influencer culture in 1964.  He made up for that in the immediate aftermath of the split, releasing the TRIPLE album All Things Must Pass in late 1970.

That album was trailed by the single 'My Sweet Lord', which has remained one of the biggest post-Beatles song by any of the band, 55 years after the break-up. But do you know what track George "subconsciously" borrowed from for the song, or where it got in the charts? Read on for everything you need to know about 'My Sweet Lord'. Who wrote and played on 'My Sweet Lord'?

He started writing the song in December 1969 in wonderful, wonderful Copenhagen when he was hanging out with "Fifth Beatles" Billy Preston and Eric Clapton as part of Delaney & Bonnie's European tour.

George was in a spiritual mood, having written 'Hear Me Lord' and co-written 'Sing one for the Lord', as well as producing a Hare Krishna-inspired tracks for the Radha Krishna Temple (London).

Harrison was looking to mashup east and west with a gospel-Krishna tune.  Billy Preston helped by bashing out some chords while bandleader Delaney Bramlett offered up some "Oh my Lords" and "Hallelujahs", with George coming up with the words pretty quickly, riffing on the vibe of the Christian hymn 'Oh Happy Day'.

It was produced by Harrison with Phil Spector (who was also co-producing the Plastic Ono Band albums with John Lennon and Yoko Ono).

As well as singing lead and backing vocals, George played guitar and slide guitar on the record, backed by an all-star cast of collaborators.

As was as a clutch of unknown session string players, you had Eric Clapton plus Derek and the Dominoes' Bobby Whitlock, Yes drummer Alan White, Badfinger's Pete Ham and Joey Molland, Peter Frampton, Procul Harum's Gary Brooker.

Source: goldradio.com/Mayer Nissim

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Many uncertainties marked The Beatles‘ career. Though, there was one thing that was rarely, if ever, uncertain, and that was where they were going to record. For a devout music fan, it is common knowledge that The Beatles’ home base was EMI Studios on Abbey Road in London. The Beatles did, in fact, record some of their music elsewhere. However, the majority of it was recorded and produced at the iconic studio. Well, on this day, June 6, 1962, The Beatles found their home as they recorded at Abbey Road for the very first time.

Abbey Road is a renowned studio and has been used by musicians such as Sturgill Simpson, Pink Floyd, Radiohead, and many more. However, its acclaim and majesty would not be known if it weren’t for The Beatles. The studio is synonymous with the Fab Four’s illustrious career. And consequently, it is both a monument and a sacred space. However, that would not be the case if it weren’t for Brian Epstein’s tenacity and George Martin’s willingness to give The Beatles a shot at success.
The Day The Beatles Found Their Home

In 1962, The Beatles were on the cusp of success. That being said, their manager, Brian Epstein, had pitched the band to every major record label in London. All denied his pitch, except the head of Parlophone Records, George Martin, who invited The Beatles to EMI Studios on Abbey Road for an audition. So, on June 6, 1962, Paul McCartney, John Lennon, George Harrison, and then-drummer Pete Best all went to EMI in hopes of scoring their big break.

Overseeing the audition were George Martin and engineers Ron Richards and Norman Smith. During the session, The Beatles covered a few songs and played their iconic original singles, “Love Me Do”, “P.S. I Love You”, and “Ask Me Why”. According to Smith, they didn’t impress anyone at first, as he told Sound on Sound that “The Beatles didn’t make a very good impression, apart from visually. I mean, we heard nothing of John and Paul’s songwriting ability.”

Source: americansongwriter.com/Peter Burditt

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Micky Dolenz and Paul McCartney came together in the ’60s.

The Monkees drummer, 80, is looking back at the first time he met the Beatle, 82, decades ago.

“The first Beatle I met was Paul [McCartney], the night before at dinner at his house,” Dolenz told People in an interview published Wednesday. “I’d gone over to England to do a press junket, just myself. As it turned out, a publicist got involved and made it a ‘Monkee Meets Beatle’ thing at Paul’s house for dinner. Just me, him and Martha the sheepdog.”

From what transpired next, it seems like the fellow musicians quickly formed a friendship.

“He invited me to Abbey Road [studios] the next day,” recalled Dolenz. “I don’t even know if he told me the name at the time, but they were working on ‘Sgt. Pepper.’ I just about peed in my pants, but I’m trying to be cool. I got all dressed up thinking … I don’t know what I was thinking.”

“I guess I thought it was gonna be some sort of Beatlemania fun-fest freakout psycho-jello happening thing,” the singer confessed. “So I got dressed up in paisley bell bottoms and tie-dyed underwear and my glasses and beads and hair. I looked like a cross between Ronald McDonald and Charlie Manson.”

But when Dolenz got to the session, things weren’t what he expected. “I walk in and, well … there’s nobody there! I was like, ‘Where are the girls?!’ ” he shared. “It was just the four guys sitting there under fluorescent lighting, like my high school gymnasium, in the middle of the day. John Lennon looks up and says, ‘Hey Monkee Man, you want to hear what we’re working on?’ From then on he called me Monkee Man.”

Dolenz rose to fame after being cast in the 1966 television sitcom “The Monkees” before landing the role as the drummer and lead vocalist in the band that was created for the series.

The performer is the only surviving member of the group after Michael Nesmith died in 2021. Peter Tork passed in February 2019, and Davy Jones died in 2012.

Source: nypost.com/Alexandra Bellusci

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The Beatles Song That Reunited John, Paul, George, and Ringo

Then, John Lennon brought in a song that changed the game. Happiness Is a Warm Gun forced the members to work together and rekindle the magic that made them great in the first place. The complexity of the song made it difficult to get through, but the Fab Four came out of it with their enthusiasm renewed. It was one of Paul McCartney's favorite songs, and every fan has a soft spot for it.

When they got back from India, the Beatles set to work on their eponymous double album, commonly known as the White Album, but despite their productivity, their relationship only got progressively worse as the sessions went on. On his return from India, John Lennon officially left his first wife, Cynthia, and got into a relationship with Yoko Ono. As fans know, the couple became inseparable, with Lennon bringing her over to the recording sessions with him, which no other member of the band did with their partners. Ono's presence in the studio was uncomfortable for all the other Beatles, and they frequently got into arguments about it.
The Beatles_ Eight Days a Week - The Touring Years - 2016

Paul McCartney believes this one John Lennon song helped shape the world as we know it. The drummer went to see Lennon to tell him he was quitting the band, saying, "I’m leaving the group because I’m not playing well, and I feel unloved and out of it, and you three are really close." Surprisingly, Lennon replied, "I thought it was you three!" When he went to see McCartney, he received the same response. Despite the reassurance, Starr ended up leaving the band for a couple of weeks and going away with his family to recharge, but eventually rejoined at his bandmates' insistence.

After his return, the band did their best to improve their working and personal relationships. It worked, to some extent. They were more communicative and productive, but even then, for most of the songs on the White Album, they didn't record together. Except, of course, for this great song.

Source: Val Barone/collider.com

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Ringo Starr has insisted he got by with help from his friends when it comes to drumming. The Beatle says he didn’t become a top drummer through practice, but simply by constant performing with pals. The Fab Four beat man described prepping moves at his home alone as “boring" and never took lessons.‌

Ringo, 84, admitted that his work behind the kit improved because he just went out and played shows. And at that started as a teenager working in a school equipment factory playing with pals to workers during lunch breaks. Asked whether he spent hours in his bedroom or having lessons to become so good behind the kit, Ringo confessed: “I didn't. I hate practicing.

‌“I hated sitting there. I tried it when I first got the kit upstairs in the back room like in all those movies that were made. And it was the most boring thing ever.  "I did all my learning with other musicians, other bands. I was lucky because there were a lot of us around and we weren't all great players. We were all learning.

 “So I learned everything with everyone else at that time in Liverpool."   Ringo got lucky by having pals who loved to do jam sessions during lunchtimes at their local factory.

“But I was lucky in the factory. The guy who lived next door to me in the street worked in the factory. He was Eddie Miles, a great‌
guitarist. He's just one of those guys, who could play anything. And my best friend Roy had made a tea chest bass and I had a snare
drum and brushes. “And we used to play to the men at lunchtime in the basement. And that's how I started. And now look at me.”

Ringo recalled to AXS TV in the US how he had a great well respected role as a drummer with a bigger band than The Beatles in the early 1960s.

‌Source: mirror.co.uk/James Desborough, Mark Jefferies

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