After the break-up of the biggest band in the world, what comes next? Man on the Run, the new documentary featuring rare unreleased music and footage from Paul McCartney, premieres 25th February on Prime Video.

Man on the Run takes viewers on an intimate journey through Paul McCartney's extraordinary life following the break-up of The Beatles and the formation of Wings with his wife, Linda. From Academy Award-winning director Morgan Neville, the film chronicles the arc of Paul's solo career as he faces down a myriad of challenges while creating new music to define a new decade. Through unprecedented access to previously unseen footage and rare archival materials, the documentary captures Paul’s transformative post-Beatles era through a uniquely vulnerable lens.

Man on the Run, presented by Amazon MGM Studios, is produced by Tremolo, in association with MPL and Polygram Entertainment, will be released in select theaters and subsequently available on Prime Video February 25 in more than 240 countries and territories worldwide. Producers include Morgan Neville, Chloe Simmons, and Meghan Walsh for Tremolo; Scott Rodger and Ben Chappell for MPL; and Michele Anthony and David Blackman for Polygram Entertainment. Executive producers include Caitrin Rogers and Paul McCartney.

The film coincides with the release of Paul's book Wings: The Story of a Band on the Run, which will be available on 4th November 2025, WINGS the definitive self-titled collection available on streaming and limited edition vinyl on 7th November, and Paul's Got Back tour dates across North America this autumn.

Source: paulmccartney.com

Ringo Starr’s solo career proved that he could write some excellent songs. But while he was with The Beatles, he lacked the confidence in that department to stack up against the work of John Lennon, Paul McCartney, and George Harrison. Lennon and McCartney made sure that Ringo’s voice was still heard. These three songs, written by the pair, proved tailor-made for Ringo Starr as a vocalist.

“Yellow Submarine” from ‘Revolver’ (1966)

The early drafts of the song that would become “Yellow Submarine” read much darker than the finished version. A demo that was unearthed for a reissue of Revolver found John Lennon singing, in hushed tones, these lyrics: “In the place where I was born, no one cared, no one cared.” Nothing like the happy-go-lucky sea captain narrator who would eventually populate the song. That’s probably because there was no water vehicle involved in the beginning. Somewhere along the line, The Beatles decided to make it into a kids’ song. Rock bands rarely attempted such a thing. Paul McCartney came up with the concept of the “Yellow Submarine”. He and Lennon clearly had a blast making up the seaworthy sound effects in the instrumental break. Ringo Starr’s vocal also carries a lot of the weight, imbuing the simple melody with charm and wonder.

“With A Little Help From My Friends” from ‘Sgt. Pepper’s Lonely Hearts Club Band (1967)

Tired of every piece of music that they created being scrutinized to the hilt, The Beatles decided to record Sgt. Pepper’s Lonely Hearts Club Band in the guise of an imaginary group. The gambit didn’t really deflect any attention. In fact, the album became one of the most closely studied in the history of music anyway. And they didn’t really follow the concept through past the opening and closing songs. But Ringo Starr did help put the idea across by coming on to the fake stage and delivering “With A Little Help From My Friends” as the crooner Billy Shears. Lennon and McCartney wrote the song as the kind of thing you might expect an entertainer like that to perform as a showstopper. And Starr rose to the occasion. He’s extremely lovable, engaging in back-and-forth exchanges with Lennon and McCartney in the verses. And he brings home the high note at the end for everything it’s worth.

Source: Jim Beviglia/americansongwriter.com

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This weekend, music fans gathered for a unique and intimate event inside one of Britain’s most significant musical landmarks — George Harrison’s childhood home at 25 Upton Green, Speke.

Hosted by local Beatles tour guide and storyteller Dale Roberts (@DaleLiverpool), “An Afternoon at George’s” offered visitors a chance to step inside the house where George grew up, long before the world knew his name. The event featured performances from The Paperback Writers, a band celebrated for their authentic renditions of The Beatles’ early rock ’n’ roll sound, and a tour from the owners (Dale Roberts and Ken Lambert) connecting George’s early life to the wider story of Liverpool and The Beatles’ rise.

Guests experienced an afternoon of live music and nostalgia — with the performance taking place in the house where George once strummed his first chords. The weather stayed bright, the atmosphere was warm, and visitors described it as “one of the most special Beatles experiences they’ve ever had.”  ‘An Afternoon for George’ Draws Fans to George Harrison’s Childhood Home
Dale said:

“It’s always special to open the doors to George’s home and share his story in the place where it began. There’s something powerful about hearing the music played here — it’s emotional, it’s real, and it reminds you how human these legends were.”

The event marks a milestone for Dale Liverpool Tours Ltd as earlier this week Dale’s company was shortlisted for Independent Business of the Year at the Liverpool Tourism Awards.

Roberts’ journey from Beatles fan to one of Liverpool’s most well known tour guides was recently featured in The Mirror, which told the story of how he went from working five jobs at the same time to co-owning George Harrison’s childhood home — an opportunity as a working class lad from Walton, he thought was out of reach.

Source: Will Hynd/theguideliverpool.com

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Many Beatles fans anxiously awaiting the four scripted biopics Sam Mendes is directing about each member of the Fab Four that are scheduled to premiere in April 2028. Now, in a recent interview with the syndicated ABC show On the Red Carpet, Ringo Starr admitted that he’s also pretty excited about the movies.

As previously reported, the project is titled, collectively, The Beatles – A Four-Film Cinematic Event. Starring in the movies will be Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney, Joseph Quinn as George Harrison, and Barry Keoghan as Starr.

“The whole thing is mad,” Ringo told On the Red Carpet’s George Pennacchio. “Mendes is] making four movies at the same time. And there’s got to be a lot of interwoven [segments]. Like John will be in mine and I’ll be in Paul’s, and George and John will be in another scene in mine. Whatever. I don’t know how he’s gonna do it, but I loved the idea.”

Starr also revealed that he spent time with Keoghan, who has been learning how to play drums for the role. The 33-year-old Irish actor received an Academy Award nomination for Best Supporting Actor for the 2023 film The Banshees of Inisherin. His other credits include Dunkirk, The Killing of a Sacred Deer, and Saltburn.

“I invited [Barry] to the house when he was in L.A., and he was so great to hang out with,” Ringo said. “But I did tell him, ‘I know you’re having drum lessons, but don’t have too many.’ … I tell everybody that. … Not too many, ’cause then you become the machine, where you need to come through.” 

Starr also reported that he spent time with Mendes going over the script of his biopic, and he suggested important changes to make it more accurate.  “I sat with Sam for two days in London, and we went through it,” Ringo noted. “And he was so great, ’cause I said, ‘That’s not me. That’s nothing that happened.’ ’Cause he had a writer writing the scripts, trying to make sense of it. But in mine, well, it just wasn’t right. So anyway, we got rid of a few pages, and he was fine about it. That’s what I loved.”

Regarding the project as a whole, Ringo added, “I’m as excited as you to see four movies, and the crossovers.”

Source: Matt Friedlander/americansongwriter.com

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What genre would you call The Beatles? Would you call them pop, rock, psychedelic, or doo-wop? Or, would you say they encompassed all of those genres? Personally, I believe they encompass all of those genres, but some famous musicians view The Beatles merely as a pop group, and one of those musicians is The Who’s Pete Townshend.

One cannot argue that The Beatles didn’t make pop music. In their earlier years, The Beatles notched enormous No. 1 pop hits with singles such as “I Want To Hold Your Hand”, “Can’t Buy Me Love”, “She Loves You”, and “Love Me Do”. However, by 1965, The Beatles had significantly altered their sound, leaning toward experimental rock ‘n’ roll with the release of Rubber Soul. And after that, they continued to push the limits of rock ‘n’ roll with albums such as Sgt. Pepper’s Lonely Hearts Club Band, The White Album, and Let It Be.

Despite The Beatles’ invaluable contributions to rock ‘n’ roll and its subgenres, Pete Townshend didn’t consider them a true rock band. Rather, he viewed them “as a big pop phenomenon.”
The Rolling Stones Were Rock and Roll, Not The Beatles

In a 1982 interview with Rolling Stone, Pete Townshend candidly revealed why he didn’t believe The Beatles were a rock ‘n’ roll band. Townshend started off his point of view by stating, “You know, I could sit down and have a conversation with Paul about rock ‘n’ roll, and we’d be talking about two different things.”

Source: Peter Burditt/americansongwriter.com

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"Abbey Road" album sales surged 200%, returning to four major Billboard charts. Vinyl purchases largely fueled the resurgence, highlighting ongoing interest in physical formats. The album nears 500 weeks on Billboard 200, proving The Beatles’ enduring appeal.

More than 55 years after its release, The Beatles‘ iconic “Abbey Road” is proving that great music never goes out of style. The legendary 1969 album just experienced a remarkable surge in popularity, with sales jumping nearly 200% in a single week and landing back on four different Billboard charts.

According to Luminate data, “Abbey Road” sold just over 4,800 copies in the most recent tracking period—a dramatic increase from fewer than 1,700 copies the week before. The surge sent the album soaring back onto multiple rankings, reminding music lovers everywhere why The Beatles remain one of the most influential bands in history.

The album’s comeback was largely fueled by vinyl purchases, with “Abbey Road” reentering at No. 7 on the Vinyl Albums chart and No. 18 on the Top Album Sales chart. The resurgence shows that physical music formats, especially vinyl records, continue to attract dedicated collectors and new fans discovering classic albums.

Source: Deborah Cruz/parade.com

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