The paths of rock legends George Harrison and Bob Dylan first crossed in 1964, sparking a friendship that would profoundly shape both their lives and music. This unexpected bond inspired a deeply personal co-written song that opened Harrison's iconic debut solo album, a poignant ballad celebrating loyalty and connection.

The Beatles, already global sensations, first encountered Bob Dylan in 1964 during their American tour. This meeting proved pivotal, with Dylan famously introducing the Fab Four to marijuana and influencing their shift towards more introspective songwriting. George Harrison, in particular, was drawn to Dylan's lyrical depth and unique artistic vision.

By late 1968, a frustrated George Harrison, feeling stifled within The Beatles, sought refuge at Bob Dylan’s home near Woodstock, New York. Dylan, recovering from a motorcycle accident, was at a quieter, more guarded period in his life. Harrison noticed Dylan's reticence, prompting a desire to connect.

Source: MSN/Jose Williams

Read More>>>

By the end of their recording career, The Beatles had the benefit of three standout songwriters. John Lennon, Paul McCartney, and George Harrison all possessed the ability to spin out a classic at a moment’s notice.

But that wasn’t always the case. It took a while for Harrison to find his songwriting legs. His first song recorded with the band was a bit of an oddball that reflected George’s willingness to push against the norms, a characteristic that would remain a hallmark of his writing throughout his career.

When considering George Harrison’s late-bloomer status as a songwriter within The Beatles, it’s important to remember that he was the youngest member of the group. John Lennon and Paul McCartney were both writing songs at a very young age.

As a result, they had a massive head start in terms of honing their songwriting craft. Not only that, but Lennon and McCartney understood the financial edge that they possessed by cultivating a stronghold on the songwriting duties. While they might have encouraged Harrison to write, they didn’t exactly twist his arm.

For his part, Harrison didn’t force himself to write until he was ready. There were no Harrison originals on Please Please Me, the first Beatles album in the UK. But he had one on the follow-up, With The Beatles. A sick day provided the impetus for Harrison’s first-ever songwriting credit with The Fab Four.
No “Bother”

The Beatles were touring in the summer of 1963 when Harrison spent a day in bed under the weather in a hotel room. With nothing else to do, he decided he’d give songwriting a go. At the end of the day, he’d written “Don’t Bother Me”.

When you look at the Lennon/McCartney originals that The Beatles had recorded to that point, they generally fell into one of two categories. Mostly, they were upbeat songs of romance that doubled as fan service. Or they were songs of lost love.

Source: americansongwriter.com/Jim Beviglia

Read More<<<

The largest collection of Paul McCartney’s personal artifacts ever publicly displayed is part of a new exhibit at the Rock & Roll Hall of Fame centering on his life after The Beatles.

“Paul McCartney and Wings,” which opened Friday in Cleveland, explores the musician’s reinvention after leaving the iconic British rock band through displays of instruments, handwritten songwriting notes and photographs taken by his wife, Linda McCartney, who was keyboardist and harmony vocalist for Wings during its decade-long run from 1971 to 1981, when the band produced hits including “Band on the Run,” “Silly Love Songs” and “Live and Let Die.”

After the breakup of The Beatles, Paul McCartney was no longer just the musician who had been known around the world since his teenage years, but a husband and father of a young family. What he built with Wings reflected that new stage of life, said Andy Leach, the Rock & Roll Hall of Fame’s senior director of museum and archival collections.

Leach said the band’s embrace of domestic life — bringing children on tour, having a married couple perform together and writing songs inspired by his wife, who was also a member of the group — was “remarkable and unusual” for the era, when rock music remained overwhelmingly male-dominated and family life was rarely incorporated so visibly into a band’s public identity.

“What’s interesting about Wings is that they were formed around the idea of reinvention, renewal, risk-taking, experimentation, but collaboration,” Leach said. “And family was at the center of it, too.”

Leach traveled to London to work with McCartney and his team to prepare and transport guitars along with clothing worn during performances to Cleveland. The vast majority of the artifacts are from McCartney’s personal collection.

Source: seattletimes.com/PATRICK AFTOORA ORSAGOS

Read More<<<

Steven Soderbergh’s upcoming John Lennon documentary film recently received an exciting update. Just days after unveiling its official title, the project seems to be gaining momentum ahead of its special screening at Cannes.
What’s the latest update on Steven Soderbergh’s John Lennon movie?

Steven Soderbergh’s movie, John Lennon: The Last Interview, has launched sales through 193, a Legendary-backed sales and production company founded by Patrick Wachsberger. With this movie, 193 has expanded into the category of premium nonfiction movies.

The documentary features exclusive access to the Beatles icon’s final, in-depth conversation, reports Variety.

Its official synopsis reads, “On December 8, 1980, Lennon and Yoko Ono sat down with a small radio crew in their New York apartment to promote the release of their album Double Fantasy. What followed was an unfiltered, wide-ranging discussion about music, politics, fatherhood, and life. Just hours later, Lennon was killed.”

Helmed by Soderbergh, the movie presents “the complete interview for the first time, framed by reflections from those who were present, revealing a man at the height of his creative and personal powers, openly looking toward the future he would never see.”

Source: yahoo.com/Evolve Editors

Read More>>>

Geoff Emerick was just a teenager in June 1962, employed as an apprentice sound engineer at EMI Studios (later renamed Abbey Road), when a then-little-known English rock band recorded a demo in the studio.

John Lennon, Paul McCartney, George Harrison and drummer Pete Best laid down four tracks that day — “Bésame Mucho,” “Love Me Do,” “PS, I Love You,” and “Ask Me Why” — on a magnetic recording tape, which was then shuttled over to record producer George Martin at EMI’s headquarters on Manchester Square.

You know the rest: After ditching Best for Ringo Starr, The Beatles broke out with “Love Me Do,” launched Beatlemania, and became the most famous band of all time. Emerick rose with them, serving as chief engineer on iconic records like Abbey Road and becoming what Variety once called the “behind-the-scenes brains that helped shape the Beatles sound.”

But here’s what you probably don’t know: Emerick held onto that demo tape, which had been sent to a nearby squash court where “tapes went to die.” He kept it in his possession for decades, all the way until his 2018 death, when it was discovered among his things. And now, six decades after it was first recorded, Universal Music Group (UMG) wants it back.

In a legal battle quietly raging in Los Angeles court, both the music giant and Emerick’s estate are asking a judge to rule them the rightful owner of the tape, which UMG has called the “first known Beatles recording.” The estate’s lawyers say it was essentially thrown away, and that only Emerick saved it from destruction. UMG’s attorneys say it was always company property — and that it wasn’t his to save.

Source: billboard.com/Bill Donahue

Read More<<<

Sir Paul McCartney has named John Lennon’s Imagine as one of the songs that mean the most to him.

Sir Paul chose the song as his final entry for Tracks of My Years on Radio 2, a feature in which a celebrity selects pieces of music that have soundtracked different periods of their lives.  Imagine was released in 1971, a year after the Beatles officially split.

“It’s just such classic by John. It was after we split up, so I wasn’t with him when he wrote it. It’s just one of those songs, when you hear it for the first time, you know it’s a killer. And I still love looking at footage of him singing it.

“It’s an anthem, the kind of thing everyone can relate to. It just sums a lot of things up, and it’s got to be one of John’s best songs,” Sir Paul has said.  Lennon and Sir Paul were estranged following the band’s break-up but were reconciled before Lennon’s death in 1980.

At the Glastonbury Festival in 2022, Sir Paul sang a “virtual” duet of I’ve Got a Feeling with Lennon, using Lennon’s performance from the 1969 Apple rooftop concert.  Other songs he has chosen for Tracks of My Years, part of Vernon Kay’s morning show on Radio 2, include That’ll Be the Day by Buddy Holly, Don’t You Want Me by the Human League and Mr Tambourine Man by Bob Dylan.

Dylan is one of Sir Paul’s heroes, and he told Kay that he had been starstruck to meet him at a US festival in 2016. “One of our girls said, ‘Bob Dylan wants to see you,’” he recalled. “We had met up in the ’60s. I came in to see him and was like, wow. It was just him and me in this massive big tent backstage, and he was very complimentary.

Source: telegraph.co.uk/Anita Singh

Read More>>>