Sean Ono Lennon took to X over the weekend to clarify how his late father, John Lennon, provided for him and his half brother Julian Lennon before the former Beatles’ tragic murder in 1980.

Replying to a post on Sunday (Oct. 11) in which someone presumed, “One guy inherited most of the estate, the other largely cut out and forced to engaged in decades-long litigation in pursuit of a comparatively small share of it. Unbearably painful and enraging for the one, surely pretty darn awkward for the other. That they remain friends (and largely always were) is testimony to the redemptive power of being a chill dude with broad implications for the wider world.”

The comment was tied to a post from Sean a day earlier of the Lennon brothers enjoying a nice day out in nature to celebrate his 51st birthday and, according to Sean, the commenter got it all wrong.

“Julian and I inherited the same amount from our dad,” he wrote. “Our trusts were equal. Although his was slightly more, but negligibly so.”

Sean is the adult son of John and wife Yoko Ono and Julian, 63, is Lennon’s eldest, from his six-year marriage to his first wife, Cynthia Lennon. The men appear to have developed a close relationship and often share pictures together on their socials, including posing together at the 2021 Los Angeles premiere of the Peter Jackson’s Beatles miniseries Get Back (see above).

Both men are musicians, with Julian scoring a pair of top 10 Billboard Hot 100 hits from his 1984 debut album, Valotte, “Too Late For Goodbyes” (No. 5) and the title track (No. 9) and releasing six more albums in the years since, including 2022’s Jude, whose title is a reference to the Beatles’ “Hey Jude,” famously written by Paul McCartney in 1968 to comfort a young Julian during his parents’ divorce.

Sean Ono Lennon has had a long, eclectic music career as a member of a number of bands, including the Ghost of a Saber Tooth Tiger, Cibo Matto, the Claypool Lennon Delirium and the Plastic Ono Band. He’s released three solo albums to date, 1998’s Into the Sun, 2006’s Friendly Fire and 2024’s Asterisms.

Source: billboard.com/Gil Kaufman

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During the Beatles‘ heyday, by all accounts, Paul McCartney and John Lennon had a loving, as well as deeply competitive, personal relationship. And while it ended in messy animosity during the Fab Four’s breakup in 1970 and in a series of thinly veiled musical shots they took at each other in their solo material in the years after — check out McCartney’s “Too Many People” and “Silly Love Songs” and Lennon’s “How Do You Sleep?” — in the end they made peace before Lennon’s murder in 1980.

But, as it turns out, there is still one sore subject you can bring up about the two men that will get McCartney riled up: their heights.

On this week’s new episode of the pod Good Hang with Amy Poehler, the Parks and Recreation star waded into the subject with a simple question about the age gap between the Beatles, which unexpectedly turned into a Macca rant about the one fact about the band that he thinks filmmakers keep screwing up.

“George was how many years younger than you, Paul?,” Poehler asked. “I think like about one and a half [years younger],” he said of the late Beatles guitarist/singer, noting that Lennon was one and a half years older than him.

“Who was the tallest?” Poehler wondered in a follow-up.

Oh boy.

“We were all the same height,” McCartney, 84, said a bit defensively, holding up a finger in emphasis. “You really were,” Poehler said with a sly smile as she willfully opened the Pandora’s box.

Source: billboard.com/Gil Kaufman

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The song was released in 1970.

Typically, one-hit wonders are pop songs repeatedly blasted on the Top 40 Radio for a year or so before becoming culturally irrelevant and largely forgotten. However, some one-hit wonders are released by rock bands, as evidenced by Collider‘s recent ranking of “The 10 Best Classic Rock One-Hit Wonders.”

The list, published on September 29, included classic rock songs like 1972’s “Dancing in the Moonlight” by King Harvest, “Come On Eileen” by Dexys Midnight Runners from 1982, and “Because the Night” by Patti Smith Group, released in 1978. Collider named the Jim Gordon and Eric Clapton-penned track “Layla,” off Derek and the Dominos‘ record Layla and Other Assorted Love Songs, the “best classic rock one-hit wonder.”

According to Collider, while “Layla” is a beloved classic rock tune, Derek and the Dominos didn’t put out another record after Layla and Other Assorted Love Songs, their first and only album. As fans are aware, Derek and the Dominos split in 1971, just a year after the band was formed. Pattie Boyd Revealed How She Felt About ‘Layla’ in Her 2007 Book.

The romantic track, released in 1970, was inspired by Clapton’s eventual wife, model Pattie Boyd. However, Boyd was married to Clapton’s friend, George Harrison, for 11 years until 1977. Songfacts reported that Boyd, who wed Clapton in 1979, revealed her opinion about “Layla” while penning her memoir, Wonderful Tonight: George Harrison, Eric Clapton, and Me, published in 2007.

Boyd wrote that Clapton had her listen to the track during a secret meeting “at a flat in South Kensington.”

“He switched on the tape machine, turned up the volume and played me the most powerful, moving song I had ever heard. It was ‘Layla,’ about a man who falls hopelessly in love with a woman who loves him but is unavailable. He played it to me two or three times, all the while watching my face intently for my reaction. My first thought was: ‘Oh God, everyone’s going to know this is about me,'” stated Boyd in Wonderful Tonight: George Harrison, Eric Clapton, and Me, as reported by Songfacts.

Source:aol.com/Nicole Moore

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A rare vintage postcard with autographs of all four members of The Beatles is set to fetch thousands after being kept by a lunch lady for 63 years.

Rose Moulder served with Birmingham City Council's Catering Services where she was responsible for providing hospitality to artists performing at the city's Town Hall between October 1961 and March 1969.

They included world-famous musicians such as The Beatles, The Rolling Stones, Jerry Lee Lewis, The Kinks and Bob Dylan with Rose collecting all their autographs and keeping them safe at her home.

Rose passed away several years ago and now her cherished collection is set to go under the hammer at Auctioneum Ltd in Bristol where it could sell for over $5,370.

Auctioneer Andrew Stowe, from Auctioneum Ltd, said: "It's one of the most exciting collections I've ever seen. "There are seven autograph albums, each being a veritable 'who's who' of acts from the period. "Every turn of a page reveals another icon.

"Plus a large quantity of programs and signed photographs." The collection features seven autograph albums as well as postcards and programs. The highlight, Andrew says, is a postcard autographed by John Lennon, Paul McCartney, George Harrison and Ringo Starr, which is expected to fetch over $4,025. Andrew added: "The Beatles performed at Birmingham Town Hall on June 4, 1963, right at the very start of Beatlemania.

"The tour started with Roy Orbison at the top of the bill, with the Beatles as a supporting act.  "By the time it reached Birmingham, The Beatles had been moved to top billing! "To have such a clear and crisp set of signatures from this time is simply wonderful, and the 'holy grail' for Beatles collectors."

Source: yahoo.com/Talker News

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"Imagine" was released as a single on Oct. 11, 1971, and became one of John Lennon's defining songs

After his 1980 murder, its message of peace took on new meaning. Today, it remains a lasting symbol of Lennon's legacy

Fifty-five years ago today, John Lennon released "Imagine," a song that would become one of the most recognizable recordings of his solo career.  The single was built around Lennon's gentle piano and restrained vocals, presenting a simple but ambitious vision of a world without division.

"Imagine" paired an accessible melody with lyrics that challenged ideas about religion, nationalism and material possessions. Its message of peace would eventually become inseparable from Lennon's legacy, particularly after his death.

According to History, Lennon began writing "Imagine" amid the Vietnam War while still part of the Beatles, drawing heavily on ideas from Yoko Ono, whose poetry collection Grapefruit helped shape the song's concept and eventually led to her being given an official co-writing credit in 2017.

Lennon recorded "Imagine" at Tittenhurst Park, his country home with Ono, working with producer Phil Spector nearly a year after the Beatles publicly split in 1970.

The song stood apart from some of Lennon's more openly political work at the time. Instead of directly addressing a specific conflict, it offered a broader picture of what life could look like without the barriers that divide people. "Now I understand what you have to do: put your political message across with a little honey," Lennon was quoted as saying of the song in Geoffrey Giuliano's 2000 biography Lennon in America, per Billboard.

"Imagine" went on to become a major success, but its place in Lennon's story changed dramatically after he was killed on Dec. 8, 1980. Lennon, 40, was shot in New York City and taken to Roosevelt Hospital, now Mount Sinai West, where doctors tried to save him.

Source: yahoo.com/Tereza Shkurtaj

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The Beatles’ Rubber Soul reenters the Billboard 200 at No. 4 on the chart dated Oct. 17, thanks to the release of an expanded, deluxe edition. The album first appeared in the top 10 on Jan. 8, 1966, when it shot from No. 60 to No. 1, dethroning Herb Alpert’s Tijuana Brass’ megahit Whipped Cream & Other Delights. Rubber Soul remained on top for six consecutive weeks before Whipped Cream returned to the top spot.

Rubber Soul contains numerous Fab Four classics, including “Norwegian Wood (This Bird Has Flown),” “You Won’t See Me,” “Michelle” and “In My Life.”

We thought it would be fun to take a look back at the top 10 the week Rubber Soul first cracked the region. It was jam-packed with superstars, including The Rolling Stones, Elvis Presley, Barbra Streisand and two albums by Alpert & the TJB.

Three of the albums in that top 10 that week received Grammy nominations for album of the year: Whipped Cream, Eddy Arnold’s country smash My World and the blockbuster soundtrack to The Sound of Music. In addition, Whipped Cream contained the record of the year Grammy winner, the zesty instrumental “A Taste of Honey.” Rubber Soul contained the song of the year winner the following year, “Michelle.” (Incredibly, that was the only Beatles song to ever win in that category.)

Source: Paul Grein/billboard.com