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Given how wildly popular The Beatles were, one would imagine they felt anything but isolated. How do you feel alone when the entire world knows your name, and you can’t walk down the street without being recognized? Many musicians have spoken about the perhaps ironic sense of isolation that fame brings. John Lennon put his two cents in on the matter with his solo track, “Isolation”.

This song was the manifestation of Lennon’s inner turmoil after being pitted against the rest of the world, alongside Yoko Ono, because of his broken image. Despite being beloved, Lennon wasn’t a saintly, pristine figure. He often ruffled feathers, leaving him with a unique legacy as both one of the most legendary musicians of all time and the source of public hatred. He bottled up that complex position in “Isolation”.

“I don’t expect you to understand / After you’ve caused so much pain / But then again, you’re not to blame / You’re just a human, a victim of the insane,” the lyrics to Lennon’s “Isolation” read. As with many of Lennon’s solo songs, this track takes a bit of dissecting to get to the bottom of. But, as many fans and Beatles historians have surmised, this song is about feeling broken down by public perception.

Lennon had several scandals, and his overall likability was called into question more than once. On top of the infamous “Jesus” comment, his protesting turned off many fans who weren’t quite as invested in the hippie movement. Moreover, his relationship with Ono was called into question. She was unjustly given the sole blame for breaking up The Beatles.

Source: americansongwriter.com/Alex Hopper

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While he doesn't sit in the pantheon of greatest drummers of all time, Ringo Starr certainly isn't the worst drummer of all time - or the worst drummer of the Beatles, for that matter.

A long-held myth regarding the popular musician is that his bandmate John Lennon suggested he was, in fact, the worst drummer in the band's history.

"Ringo wasn’t the best drummer in the world … Let’s face it, he wasn’t even the best drummer in The Beatles," the quote goes. The truth is Lennon never said it and the quote was eventually attributed to comedian Jasper Carrott. 

For all the flak Starr took, he also received some praise. Drumeo ranked his performance on Come Together as the second greatest drum song of all time.

"In this iconic beat, Ringo emphasizes John Lennon’s vocal “Shoot me…” with the bass drum, the bass line on the hi-hats, and finishes with a roll on the toms," wrote Drumeo.

"Ringo leads with the left hand, playing the kit backwards so it goes from floor tom to rack tom. He keeps time with a simple kick and floor tom pattern in the verses, but the feel is unbelievable – it’s not what is being played, but how Ringo is playing it."

It was also one of the few songs on Abbey Road that John Lennon actually liked, famously saying: “I liked the A-side. I never liked that sort of pop opera on the other side. I think it’s junk. It was just bits of song thrown together. And I can’t remember what some of it is.”

The track eventually reached the top of the charts in the United States and peaked at No. 4 in the United Kingdom.

Source: MSN/Andrew McCarty

The Beatles grabbed the world’s attention in a hurry in the 60s. They rose from anonymity in Liverpool to world domination in hardly more than a year’s time. You could certainly say they knew how to make a first impression.

They carried that skill over to their individual songs. Here are four tracks from throughout The Beatles’ career that immediately made us sit up and take notice thanks to unforgettable musical intros.
“A Hard Day’s Night”

Not only was the intro to “A Hard Day’s Night” tasked with introducing a song, but it also revved up both an album and a major motion picture. It’s no wonder that the band wanted it to be iconic. They certainly came through on that front. Most people who listen and then try to reproduce that initial chordal blast make the mistake of thinking that it’s just a guitar making that noise. There are actually a few different instruments at work there, some of them playing slightly different chordal patterns. In any case, that sound explosion acted like a starter’s pistol. It set the tone for a song that was all about how life sometimes won’t allow you to slow down.
“I Feel Fine”

The Beatles innately understood that they needed to change things up, if ever so slightly, with every single release. Sometimes, that meant incorporating a new instrument into the mix. Or it could mean finding a different method of bringing the sound in (a la the fade-up of “Eight Days A Week”). In the case of “I Feel Fine”, the novelty came from a happy accident that the band decided to then incorporate into the mix. Although the recollections somewhat differ among band members about how it exactly happened, the blast of feedback that started off “I Feel Fine” provided an instantly grabby opening to the song. From there, the ebullience of the singing and playing carried the day.

Source: americansongwriter.com/Jim Beviglia

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The Beatles' 'Here Comes the Sun' Surpassed 1 Billion Streams Despite Not Being a Single.


The Beatles' most streamed song on Spotify, "Here Comes the Sun," has 1,843,025,190 streams, surpassing all their other hits, despite never being released as a single.

You might think that a band's most streamed songs on Spotify would also be their biggest hits...but that's actually not always the case. Take the Beatles, for example. Considering the iconic band had a whopping 20 tunes go all the way to #1 on the charts (and 34 Top 10 hits), it would make sense if the only Beatles song on Spotify to have over a billion streams would be among those chart-toppers. As it turns out, however, the Fab Four's most streamed song never even made a showing on the Billboard Hot 100.

George Harrison's Abbey Road (1969) masterpiece, "Here Comes the Sun," currently has 1,843,025,190 streams on Spotify, more than any other Beatles song; in second place is "Let It Be" with 957,259,543, while "Come Together" is in third place with 965,933,617. But while "Come Together" and "Let It Be" were both released as singles, from Abbey Road and Let It Be, respectively, "Here Comes the Sun" was not.

Source: YEntertainment/Jacqueline Burt Cote

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As fans of The Beatles are aware, the beloved British group wasn't afraid to write about a plethora of topics, ranging from octopuses ("Octopus's Garden") to a fictitious band ("Sgt. Pepper's Lonely Hearts Club Band"). So it shouldn't be all that surprising that one of the songs off of 1968's White Album was based on singer and bassist Paul McCartney's dog, Martha.

During a 1968 interview with Radio Luxembourg, McCartney shared some insight into penning said tune, titled "Martha My Dear." He explained he didn't intend to write a song that focused on the Old English Sheepdog.

"You see, I just start singing some words with a tune, you know what I mean. I don't ever write a song thinking, 'Now I'll write a song about...' I do sometimes, but mainly I don't. Mainly I'm just doing a tune, and then some words come into my head, you know. And these happened to be 'Martha My Dear, though I spend my days in conversation.' It doesn't mean anything, you know, but those just happened to come to my head," said the famed musician, now 83.

He clarified that the song "is about [his] dog" and suggested that some listeners have thought otherwise.

"So you can read anything you like into it, but really it's just a song. It's me singing to my dog," said McCartney with a laugh in the 1968 interview.

Source: yahoo.com/Nicole Moore

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While Ringo Starr is a familiar face to many as the drummer for The Beatles, not to mention his impressive solo music career, he also has some talented children who most people don't know much about. After getting married to his first wife, Maureen Cox, in 1965, the couple welcomed three children. First came sons Zak and Jason Starkey, with the couple's only daughter, Lee Starkey, born in 1970. Although she hasn't spent too much time in the public eye, based on what we've seen over the years, Lee has grown up to be a beautiful woman, looking like the perfect mix of her parents.

Despite having such a famous father, Lee has lived quite a private life. She occasionally attends events in support of Starr or stuff happening in the world of fashion and music in London, but isn't in the spotlight often. Even with so few photos of Lee, it's easy to see that she inherited her parents' good looks. Her intense eyes are just like her mother's, as is her rounder face shape. Meanwhile, her smile seems to be all Starr.

Lee wore her hair dark for most of her upbringing, taking on an edgier look that made her similarities to Starr and Cox more striking. At one point, she even experimented with pink hair. As an adult, Lee has taken to keeping her hair some shade of blond. Her brothers might basically be twins to Starr, but Lee looks more like a blend of their parents. In 2009, Lee also passed on her genes to her kids, Smokey, Jakamo, and Ruby (pictured above with Lee), who are three of eight grandchildren Starr has. Lee welcomed the triplets with ex-Kasabian and Beady Eye guitarist Jay Mehler.

Source: yahoo.com/Devon Forward

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More than six decades after Beatlemania, Ringo Starr, 85, is still as busy as ever. One of the most beloved figures in rock music, the former Beatles drummer is still dazzling fans with his perfect rhythm and affable onstage personality. But Starr's recent tour stop in San Jose, California, left fans completely stunned by the icon's appearance.

"The dude looks 45," commented one fan on a social media post shared to TikTok of Starr's performance of the Beatles hit "I Wanna Be Your Man." Wearing white jeans and a star-themed jacket, with his hair long and his signature sunglasses in place, the famed drummer seems to defy his age with his timeless looks.

"He takes good care of himself," noted one commenter. 

Another added, "No one ever told Ringo he was supposed to get old, and since it didn't occur to him naturally, he simply hasn't bothered."

Other fans attributed Starr's youthful energy and appearance to doing what he loves.  Ringo Starr and His All Starr Band—including Steve Lukather, Colin Hay, Warren Ham, Hamish Stuart, Gregg Bissonette, and Buck Johnson—wrapped up an early summer tour in which they performed a mix of Beatles classics, solo hits, and songs from fellow band members' catalogs.

Source: yahoo.com/Meredith Gordon

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John Lennon believed that the important nuances about that relationship were lost in the public discourse, as an interview from 1975 shows.

George Martin was instrumental in transforming The Beatles into the global pop phenomenon they are known as today. For example, Rolling Stone wrote in 2016 that it was Martin who convinced Paul McCartney to "grab an acoustic guitar and just sing" what would become "Yesterday", when the band didn't know how to materialize the song that came to McCartney in a dream. He also introduced a string quartet to the band, Rolling Stone added.

In an interview with BBC's The Old Grey Whistle Test, John Lennon argued that neither The Beatles nor George Martin were solely responsible for the band's magic. Both parties had their fill of work and benefited from each other's input (transcribed by Ultimate Guitar):

"It's hard to describe the relationship. They either say 'Martin did everything,' or 'The Beatles did everything.' It was neither one. George had done little to no rock and roll when we met him, and we'd never been in the studio, so we did a lot of learning together."

"He had very great musical knowledge and a background, so he could translate for us and suggest a lot of things, which he did. He'd come up with amazing technical things like slowing down the piano and playing it slowly and putting it on and things like that, you know."

Source: Guitar World

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Paul McCartney, like any passionate fan of the Beatles, finds it difficult to choose his favorite album from the iconic rock band.

The legendary musician, 83, is Willie Geist’s latest Sunday Sitdown guest. Together, the two discussed McCartney’s decades-long career in the music industry, both with the band and as a solo artist. During their chat, Willie asked McCartney if he could name one album in the band’s discography that represents the Beatles at their “best.”

“That’s always a very difficult question, you know?” McCartney replied. “My mind went to ‘Rubber Soul,’ because I think that was a change in what we’d been doing.”

He said the 1965 album, their sixth, was a little more “advanced.” But, of course, he couldn’t highlight just one album in the band’s extensive catalogue. “Then I’d have to say ‘Sgt. Pepper’ was, like, a crazy different experience,” he continued, referring to their 1967 album, “Sgt. Pepper’s Lonely Hearts Club Band.”

He had one more album to add that is many fans’ favorite. “And then I would probably finish up with ‘Abbey Road,’” he said.

McCartney, who released his 12th studio album, “The Boys of Dungeon Lane,” on May 29, still reflects on his time in the band and their monumental success. He recalled the Beatles making their American debut on the “The Ed Sullivan Show” in 1964.

Source: today.com/Ariana Brockington

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The numbers increasingly add up for Ringo Starr, whose sold-out Friday night San Diego performance at Humphreys Concerts by the Bay was the second date on the 2026 spring tour by this two-time Rock & Roll Hall of Fame inductee and his six-man All-Starr Band.

Ringo Starr, with new San Diego and L.A. concerts set, talks candidly: ‘I’m giving away all the secrets here!’ he says

Their 21-song repertoire ranged from “Matchbox,” the Carl Perkins-penned 1956 rockabilly rave-up that opened the evening, to the concert-closing double-punch of The Beatles’ 1967 classic, “With a Little Help From My Friends,” and the sing-along chorus of John Lennon’s sadly still-timely 1969 anti-war anthem, “Give Peace a Chance.”

In between came an array of favorites from the songbooks of Starr and The Beatles, including “It Don’t Come Easy” and “I Wanna Be Your Man,” plus hits by Toto, Average White Band and Men At Work. Three of those bands’ key members — Toto guitarist-vocalist Steve Lukather, former Average White Bands bassist/singer Hamish Stewart and Men At Work singer-guitarist Colin Hay — are All-Starr Band veterans. Each clearly relishes still sharing the stage with a rock legend who, improbably, is now 85-going-on-just-17.

Starr was featured on drums or vocals (and sometimes both simultaneously) on all but one selection in the 103-minute concert. Still as boyishly slim as Mick Jagger, three years his junior, he was consistently compelling whether singing center stage or drumming in unison with Gregg Bissonette.

Source: sandiegouniontribune.com/George Varga

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